Tastiness With A Twist — 7/04/2024

Get a cold and creamy swirl of chocolate and vanilla — or vanilla and orange (a recent Inside Scoop offering) or peanut butter and black raspberry (a recent King Kone offering). In this week’s cover story we look at soft serve ice cream.

Also on the cover Find some ideas for family fun this weekend in Kiddie Pool (page 20). At The Friendly Toast, this month’s specials include a take on poké featuring pink pineapple (see page 25). Whether your weekend is four glorious days or some other configuration, find live music this weekend and beyond in the Music This Week listing, which starts on page 33.

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Vacation with a book — 6/27/2024

Make any summer day feel like a vacation by relaxing in the sun (or the shade or the air conditioning) with a good book. We get recommendations from local librarians and book sellers for what to read when you kick back this summer.

Also on the cover The Fourth of July fun actually starts this weekend in some towns. Find a list of area fireworks and more on page 18. Pastrami, challah, rugelach — if those words are enough to make you hungry, get your order in for the offerings of the Jewish Food Festival (see page 26). And enjoy strawberries and a cow parade at the Strawberry Jamboree (page 25).

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Seventh heaven

Manchester emo night celebrates a birthday

From disco nights to Taylor Swift sing-alongs, attempts to cash in on musical trends are legion. However, Live Free or Cry, a bimonthly emo-themed night at the Shaskeen Pub in Manchester, is and always has been a passion project. It’s lasted eight years, but since the pandemic ate one of them, 2024 is technically the seventh anniversary.

“The people running it and the people in the bands genuinely have been in the scene for 20-plus years,” founder Aaron Shelton said by phone recently. “We’re not following bandwagons, we’re playing songs that we listened to; we watched all these bands, even toured with some of them…. It comes from a really honest and heartfelt place.”

In the early days, bands like Taking Back Sunday, Paramore or Panic! at the Disco weren’t lumped together as emo.

“We always called it The Scene, which included emo, pop punk, hardcore, metalcore, all offshoots of, I guess punk rock would be the father of it all,” Shelton said. “One of the beautiful things about it was it always felt like a place for all the people who didn’t have a home, the outcasts, quote unquote. All the punk rock kids who didn’t know where to go.”

It’s an inclusive milieu.

“The emo image is always Hot Topic, black hair and nail polish, [but] I see nu-metal kids show up and metal kids and goth kids,” Shelton said. “It’s born out of a genre where the Get Up Kids and Bane would play the same show, and everyone would be psyched about it. It really is a place for everybody.”

Shelton worried the first Shaskeen emo night in 2016 would be a one-off. It included a set from The Nintendos and a pair of Boston DJs. Six months later The 603 Emo Collective performed; it included Shelton and members of a few other area bands. When it fell apart, Shelton started Early 2000s, which became Dangerous Nights, and something of a house band.

“That’s been kind of the constant,” Shelton said. “We’ve played 80 percent of the Emo Nights at this point.”

The effort has evolved and grown. Shelton promotes emo nights in Concord, at Tandy’s, as well as Lowell and Salem, Mass. It’s become a community along the way.

“Between the bands and the audience, it’s kind of found itself,” Shelton said. “In the first years, the crowds were rarely the same. Now I see a lot of repeat people; you can almost predict the type of audience that will show up at this point.”

The celebration on June 29 will include two bands. My Chemical Chungus, a Worcester area band, will be making its LFOC debut. “They’re normally a My Chemical Romance tribute band,” Shelton said. “They recently started branching out and playing more songs. I spoke to them, and they were excited about the set that they had.”

The second act, A Blockbuster Summer, “is your all-encompassing cover band; they do ’90s, ’80s, emo, basically whatever the show calls for,” Shelton said. “They’re just a very talented group with really incredible harmonies out of two singers…. I think it’s going to be musically a very strong night.”

Asked what has surprised him most over the past seven years, Shelton had a fittingly emo response.

“I joke with my band and my fiancée that every time we do one, it’s going to be the last,” he said, “and it just sells out again and again. I think there are four other emo nights in New Hampshire because it works so well. That’s been the surprise; not that I thought it was going to phase out immediately, because it’s been a constant in my life for over two decades, but I didn’t expect it to be this successful for this long. I’m constantly surprised year after year that it just keeps working and working.”

Live Free or Cry w/ My Chemical Chungus, A Blockbuster Summer
When: Saturday, June 29, 9 p.m.
Where: Shaskeen Pub, 909 Elm St., Manchester
Tickets: $10 at the door, 21+, facebook.com/LiveFreeorCryNH

Featured photo: Courtesy photo.

The Music Roundup 24/06/27

Local music news & events

Rocking on: A pair of area bands play their own music on an outdoor stage at Original Music Night. Stand Up Audio is the coming together of four New Hampshire musicians who were in cover acts over the years, while Diamond Edge has released a few albums. Their latest, Unbroken, has a song called “Lockdown” that’s a shout out to a bunch of local bands. Thursday, June 27, 7 p.m., Makris Lobster & Steak House, 354 Sheep Davis Road, Concord, tinyurl.com/mtdtzrvb.

Pure pop: Beginning as pub rock progenitor, Nick Lowe has worn many musical hats over a long career. His latest single is “Went to a Party,” from his upcoming album Indoor Safari. He performs with longtime pals Los Straitjackets. Friday, June 28, 8 p.m., Palace Theatre, 80 Hanover St., Manchester, $49 and up at palacetheatre.org.

Twang thang: Fresh from Boston Calling and with a new album, Ward Hayden & the Outliers play an early evening set of country music that recalls Dwight Yoakam and Buck Owens. The show will hopefully happen at a newly opened performance space in Suncook Village, if the final pieces are in place; otherwise, it’s at Rob Azevedo’s barn. Saturday, June 29, 6 pm., Pembroke City Limits, 134 Main St., Pembroke — email [email protected] for more info.

Quite lyrical: Mixing new material and old favorites, gifted songwriter Josh Ritter performs Works In Progress and Songs You Know. The latter includes gems like “Horse No Rider” from last year’s brilliant Spectral Lines and hopefully “Me & Jiggs” from Ritter’s 2001 debut, Golden Age of Radio, which name-checked Townes Van Zandt and announced the arrival of a major talent to the world. Sunday, June 30, 7 p.m., Tupelo Music Hall, 10 A St., Derry, $50 at tupelohall.com.

Soulful strut: Funky, sassy and joyful sextet Josyln & the Sweet Compression play a free concert on the green. Singer Joslyn Hampton fronts a band that includes extra spice from sax player Trevin Little and Sam Richardson on keyboards. Standouts from their most recent album, 2023’s Bona Fide, are the empowering title cut and “Cuttin’ It Off,” a dance-ready throwdown track. Wednesday, July 3, 7 p.m., Town Common, 265 Mammoth Road, Londonderry. Visit joslynandtsc.com.

Thelma (PG-13)

Three generations of a family undergo gradations of life crises whilst grandma seeks to take down some scammers in Thelma.

I believe the generations work out like this: Zoomer Daniel (Fred Hechinger) spends time with Silent Generation grandma Thelma (June Squibb) while her Gen X daughter Gail (Parker Posey) and son-in-law Alan (Clark Gregg) worry over both their life trajectories. The movie centers Thelma, of course, but it helps that we’re seeing people in different life stages feeling different kinds of lost. We avoid the cute-ification of Thelma, what Tara Ariano on the Extra Hot Great podcast refers to as the “rapping granny” effect.

Thelma lives alone after the death of her husband. Daniel is kind of adrift both in his career (we see his mother encourage him to apply to work in a friend’s dental office) and in his personal life, where he is “still on a break” with a girlfriend who we get a sense was the together one in the relationship. Gail is worried that her mother, who has suffered from a variety of health ailments and no longer drives, might not be up to living alone anymore (just as she is also worried that Daniel isn’t getting with the program, adulting-wise).

Gail expresses this worry after Thelma is taken in by a phone scam in which “Danny” calls to tell her he’s been arrested and to give money to a defense attorney who asks for $10,000 in cash. Thelma rushes to mail the envelope of cash but Daniel turns out to have been at home asleep all day. After the police tell Thelma there’s nothing they can do, her family takes her home, with Daniel promising to look in on her more and pushing her to wear her life alert watch.

Despite her family’s urging that she let it go, Thelma decides she wants her money back. But she doesn’t want to involve Gail or Daniel in her plans. Transportation-less, Thelma turns to Ben (Richard Roundtree), a not-super-close friend who lives at a senior facility. Much like how friendships among teens are often forged based on who has a car, Ben’s appeal to Thelma is largely that he has a sweet electric scooter.

Thelma first tries to “borrow” Ben’s scooter but when he stops her he agrees to go with her to the location of the post office box she sent the money to so she can scope it out and find the scammers. The trip across the San Fernando Valley takes time but Thelma is determined to get her money back — and probably to prove that she can still take care of herself.

Meanwhile Gail, Alan and Danny are desperate to find the missing Thelma, especially Danny, who feels responsible for having “lost” Thelma and that it’s yet another example of his general life failure.

The June Squibb/Richard Roundtree of it all perhaps had me expecting some level of action cleverness, humor and overall smartness that this movie doesn’t quite achieve. But, stepping back from my expectations, the movie has nice moments between the different characters and a general sweetness. We get to see their relationships to each other and their own difficulties. Thelma, for the most part, gets to feel like a real person, someone who is enjoying her independence for the first time ever (we learn that she lived with her parents until marriage and then with her husband until just a few years ago) but also is at times lonely and feels the vulnerability of her age for all that she tries to fight against it. Squibb gives a solid performance that has heart even as it has fun with its heist movie-like elements. B

Rated PG-13 for strong language, according to the MPA on filmratings.com. Written and directed by Josh Margolin, Thelma is an hour and 37 minutes long and distributed in theaters by Magnolia Pictures.

Featured photo: Thelma.

The Demon of Unrest, by Erik Larson

The Demon of Unrest, by Erik Larson (Crown, 497 pages)

It may be an egregious conflict of interest for a native South Carolinian to review any book about the onset of the Civil War, given the Palmetto state’s outsized role in that conflict. So take everything I say here with a grain of grits.

But Erik Larson has produced a masterful work in The Demon of Unrest, his narrative history of one of the most consequential five months this country has seen: the time period bookended by the election of Abraham Lincoln on Nov. 7, 1860, and the shots fired on Fort Sumter on April 12, 1861. We all know generally how the story began and ended. Larson fills in the details, by presenting the stories behind the stories, in rich detail. Incredibly, he manages to make the story suspenseful.

Not that this hasn’t been done before — the Titanic movie was suspenseful, and we knew how that ended, too. But Jack and Rose were fictional characters, their travails invented by James Cameron. For The Demon of Unrest, Larsen combed through realms of historical documents and journals and reconstructed the minutiae of the lives of leading figures in the Civil War, some of whom, like Abraham Lincoln and Mary Boykin Chestnut, are well-known; and others, who may not be quite as familiar.

He then artfully assembled the information and, instead of trying to write history, he just told stories — stories that explain the onset of the Civil War better than any AP history course ever could.

Thousands of books have been written about Lincoln; NPR once reported that Lincoln is only second to Jesus of Nazareth in the number of books written about him. So for serious Lincoln fans, The Demon of Unrest may not bring much new information to their table in this deeply sympathetic portrait of the 16th president. And I would be remiss to not point out that this book is not kind to the South, focusing as it does on letters and speeches that make clear that the conflict hung on slavery, not states’ rights. (Although there was a Confederate officer in South Carolina who was literally named States Rights Gist — mercifully, the man only went by “States” and the name seems to have died on the battlefield with him.)

Even Mary Boykin Chesnut, the Civil War diarist who was the wife of a wealthy planter, does not come off looking great, though her writing is generally acclaimed and was the basis of a book that won a Pulitzer Prize for history. We may not cheer when her Mulberry plantation is desecrated by Union soldiers, but neither do we weep.

That said, Chesnut is not presented as abjectly villainous, as are Edmund Ruffin and James Hammond, two pro-slavery and pro-secession Confederates whose beliefs did not age well and whose deeds were abhorrent even for their time.

Hammond, for example, sexually abused people he enslaved and also four under-aged nieces; he wrote unashamedly about his exploits in his journals. There was a great scandal when the relationship with the nieces came to light and Hammond retreated from public life for a while but later, incredibly, was returned to public office in South Carolina. Ruffin, a Virginian, was famously assigned to fire the first shot on Fort Sumter. He did so after dining the night before on cheese and crackers, and sleeping on “a pallet under two thick blankets,” still dressed in his clothes, because he was so excited for the war to start.

There are heroes in The Demon of Unrest, however, apart from Abraham Lincoln; most notable is Major Robert Anderson, the commander of Fort Sumter, the small island in Charleston Harbor where the first shots of the war were fired. Anderson is heroic, despite having once been a slaveholder, not only because he was on the right side of history, but also because he remained loyal to the Union despite his deeply conflicted feelings about the impending war.

He was, for example, sympathetic to various complaints of the South, and he was friends with General P.G.T. Beauregard, South Carolina’s military commander. The two men had to navigate the increasing military hostilities amid a friendship that began at West Point. They were unfailingly solicitous to each other in their correspondence, even as they were making preparations for their respective forces to do battle.

One of the starkest takeaways of the book is how vitriolic the South had become not only to the union but to everyone in the North. And they especially hated people who lived in New England. William Russell, a war correspondent for the London Times, was reporting in the colonies and wrote, “Whether it be in consequence of some secret influence which slavery has upon the minds of men or that the aggression of the North upon their institutions … certain it is there is a degree of something like ferocity in the Southern mind toward New England which exceeds belief.”

One might say a vestige of that remains in the South’s animosity toward certain New England sports teams.

Larson ends his story on April 18, 1861, but includes an epilogue that gives the post-war outcomes of all his major players. The Demon of Unrest adds to his compendium of lengthy narrative histories that include his treatment of Winston Churchill and the London Blitz, the Galveston hurricane of 1900, and the build-up to World War II under Hitler’s Germany.

His books are exhaustive, and as such, some consider them exhausting, but he performs a kindness for the reader by formatting the stories in short chapters, some only four or five pages. They are the sort of books best read over the course of a year, not over the course of a vacation, and require a high degree of interest in the subject matter. But nobody does it better when it comes to putting readers in the trenches of history, in this case with cannonballs whizzing over our heads. AJennifer Graham

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