Demetri Martin and his multimedia comedy show
Blending music and drawings with his signature one-liners and deadpan delivery, Demetri Martin takes the stage at the Capitol Center for the Arts (44 S. Main St., Concord, 225-1111, ccanh.com) on Saturday, Sept. 16. The comedian called in to talk about his current tour, called “The Joke Machine,” why he likes writing on typewriters, and what’s next on his growing list of creative pursuits.
What can audiences expect from your upcoming show?
I’m still mostly telling jokes, but trying to tell them in slightly different ways, with a little music and visual stuff. … There are drawings in the show, but with sort of a different twist on it. … There are a couple personal stories; I’ve been dabbling more in that but touring with jokes is still the most enjoyable, because with jokes it’s easier to switch things up from show to show and try new stuff.
When did you start drawing? How did that make its way into your comedy?
I liked drawing a lot when I was a kid. I remember, in grade school, I was considered one of the better kids at drawing. Then I just stopped until I started doing stand-up in my mid-20s. I carried a notebook around for writing jokes, and I found myself drawing again. Around 1999, I started trying out drawings on stage, at shows around New York City at what were called ‘alternative rooms’ where comics were trying more experimental stuff. … I’ve gotten better at drawing as an adult, and if I really try I can draw in what I think is a pretty respectable style. I don’t know how much that helps for jokes, though. You play music in your shows, though it’s not exactly ‘musical comedy.’
What does music contribute to your act?
As much as I wish I could write songs and sing, it’s not something I’ve figured out how to do. … I can play a couple instruments well enough — and it’s the same with drawing — where it’s not technically impressive, but it can serve a purpose in the flow of the show. I’m still just telling jokes or a story, but [music] can add a texture or shift the mood.
How do you turn a collection of one-liners into a cohesive set?
When I’m getting ready to do a new tour, I’ll do short sets around L.A., where I live, to see what works. … I have found that certain jokes don’t seem to work as well at the beginning of the show; I have to get the audience into a flow with me first. … On a good day, there’s a rhythm, and it’s sort of hypnotic, but when the crowd isn’t digging it, you can never really get it going. If I have set pieces that have endings, it helps. Like, the music and drawings have been very helpful for me in pacing out a show.
How do you craft a joke?
There’s the original way, where an idea arrives pretty nicely structured and seems like a joke. Other times — like leading up to a tour or when I’m on a deadline — it’s very intentional. I’ll write a page of jokes each morning, no matter how bad they are. I use old typewriters a lot because there’s no email or anything to distract me. I can physically see a piece of paper going through the typewriter, and when I get to the end of it, I say, ‘Cool. Got it,’ and then put it in a binder and let them pile up.
If a joke doesn’t land, how do you navigate that on stage?
If you’re telling a longer story, you can move past the parts where you thought people would laugh [but didn’t], and maybe they can’t even tell it was supposed to be a punchline. But when you’re a comic that tells jokes that are clearly jokes, there’s no hiding. … The older I’ve gotten, the more I’ve learned to embrace whatever’s happening in real time and be a little less afraid. I’ve bombed so many times, but I’ve had lots of good shows, too, so no big deal.
What’s next for you?
I’ll finally have a new standup special out this fall on Netflix. My plan is for it to be the first in a trilogy — three standard specials that also go together as a larger story. The show I’m touring with now will be part 2. … Then, in the spring, I’m hoping to do my first art show. That’ll be in L.A. It’ll be fine art — paintings — but they’ll all be jokes, like, each canvas is a one-liner without words.
Featured photo: Demetri Martin presents “The Joke Machine.” Courtesy image. Art by Demetri Martin.