Category: Pop

Iona Iverson’s Rules for Commuting, by Claire Pooley (Pamela Dorman Books/Viking, 338 pages)

The unwritten rules for commuting are pretty much the same as the unwritten rules for riding an elevator: Avoid eye contact if possible. Keep in your space. If you must say something, comment on the weather.

But what if you ride a train five or more days a week and often see the same faces? And what if, one day, one of them nearly chokes to death on a grape? Do you go back to impersonal nonchalance, or question the etiquette rules that would even make you consider that?

The answer is right there on the cover of Clare Pooley’s Iona Iverson’s Rules for Commuting, a fun summer read that advises “Sometimes you have to break the rules.” Set in London, the novel is vaguely reminiscent of Helen Fielding’s Bridget Jones’s Diary, only Iona Iverson is in the twilight of her career, happily partnered, and gay.

Also, Iona is but one part of this story; don’t be fooled by her top billing. In fact, it’s the clever interweaving of different perspectives and storylines that makes this novel sing.

There are four central characters: Iona, the “Dear Abby”-like magazine advice columnist who has been deemed a dinosaur by her younger colleagues, who are trying to drive her out of the job she loves and has been doing for 30 years; Piers, an unhappy investment banker who was eating a salad on the train when he choked on the grape; Sanjay, a shy nurse with a crippling anxiety disorder who nonetheless saved Piers’ life; and Emmie, a voracious reader who works an unfulfilling job in marketing and is oblivious to Sanjay’s infatuation with her.

The four lives intersect meaningfully in the moment of Piers’ medical emergency, and then, once the problem is resolved and lives resumed, they want to retreat to their respective silos of silence. Except for Iona, whose stubborn insistence on righting the world’s wrongs — not only in her column but in the lives of the people around her — compels her to keep the conversations going.

If this sounds kind of saccharine and frothy, well, on one level, it is. But we are solidly into the season where you don’t have to read anything that could have been assigned by a teacher or boss. And Pooley is a genuinely funny writer, rolling off bits and one-liners at a pace that makes this novel as much a comedy as a beach read.

If the idea of commuting seems a bit antique in these days of working at home, it’s not in Pooley’s hands. She hits the issue head on, having Iona’s boss urging her to work from home. She declines — believing “It was important to keep at least one finger plugged into the zeitgeist” — even though she doesn’t like the trend of hot desking, which she rightly interprets as sharing, something she didn’t like to do even as a child.

So Iona keeps going to work daily, accompanied by her French bulldog named Lulu, whom she balances on her lap while drinking tea on the train. Some of the other passengers avoid her and think of her as “Crazy Dog Lady.” There are often empty seats around her.

But it’s Iona who decides to help the painfully shy Sanjay interact with the young woman he’s crushing on, and Iona who leaps to the defense of a distraught teenager who gets sick on Piers’ laptop one day. Then after one especially nasty exchange between Iona and Piers (in which an observer likens them to T. rex and Indominus rex going after each other in Jurassic Park), the two break through to something resembling humanity, after Piers admits, in an unguarded moment, that he desperately hates his job.

It is but one concealed bit of trouble among a host of troubles concealed by passengers on the train, and as the story unfolds, Iona becomes as much of a helper and adviser in real life as she is in her column; more so, actually. But as the commuters slowly get to know one another — first in abbreviated interactions on the train and then in other ways — they all begin to help each other in surprising ways, often inadvertently.

It would be “the feel-good movie of the year” if it were a movie, let’s just say.

While Rules for Commuting isn’t all sweetness and light — there are side plots involving a young mother undergoing cancer treatment and a young woman being cruelly bullied — there’s never a sense that we will get our hearts ripped out at the end. It offers escapism without the darkness that so much escapist fare contains.

Is it real life? Of course not. Will it help make yours more tolerable for a couple of hours? Absolutely, which is really all we need from a light summer book. B

Book Notes

You can read a book a week and still find yourself perpetually surprised that someone is a “New York Times bestselling author” you’ve never heard of. Take, for instance, the Virginia young-adult novelist Jenny Han, who is currently all the rage for her trio of summer-themed books that have just come out as an Amazon streaming series.

The Summer I Turned Pretty is the first title in the trilogy, and also the title of the series. It’s described by NPR pretty simply: It’s the story of “one teenage girl whose summer goes the way it always does except for one thing. The two boys she’s known her whole life are looking at her differently, and suddenly she has a big choice to make.”

OK, so it’s probably not William Faulker, whose story “The Long Summer” and two others were the basis for the film The Long Hot Summer.

But Han’s novel and two subsequent titles — It’s Not Summer Without You and We’ll Always Have Summer — will be released in a hardcover boxed set (Simon & Schuster, 880 pages in total) in two weeks. It’s been an extraordinary run for the books, seeing as the first book was released in 2009. Props to any author who can sell a book with a protagonist named Belly and still be selling well more than a decade later.

The other literal summer reads are, for the most part, the beach reads and chick lit we expect, such as Rebecca Serle’s romance One Italian Summer (Atria, 272 pages) and May Cobb’s mystery My Summer Darlings (Berkley, 368 pages).

But there’s one notable exception: The Summer Friend (Knopf, 240 pages) by Charles McGrath, a former editor at The New Yorker and The New York Times.

Set in New England, The Summer Friend is a memoir about McGrath’s friendship with a man named Chip Gillespie, who grew up in New Hampshire (his father taught classics at Phillips Exeter Academy). “Whenever I try to tell my own summertime story, I find myself telling a story that is partly his,” McGrath writes. The pair sailed, golfed and lobstered together for years, their summers entwined, until Chip’s life was struck short by cancer.

An intelligent and emotive departure from the typical “summer” books, it’s worth your attention, particularly if your childhood memories, like McGrath’s, are set near New England water.

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Book Events

Author events

• JOYCE MAYNARD presents Count the Ways at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Tuesday, July 12, at 6:30 p.m.

• ADAM J. MEAD presents The Complete Financial History of Berkshire Hathaway at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Wednesday, July 13, from 5:30 to 6:30 p.m. Free event; register at www.bookerymht.com/our-events.

• KARI ALLEN presents and signs copies of her picture book The Boy Who Loved Maps at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Wednesday, July 13, from 4:30 to 6 p.m.

• SARAH MCCRAW CROW presents The Wrong Kind of Woman at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Tuesday, July 19, at 6:30 p.m.

• PAULA MUNIER and SARAH STEWART TAYLOR present their respective mystery novels The Wedding Plot and The Drowning Sea at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, July 21, at 6:30 p.m.

• LINDA REILLY presents her cozy mystery No Parm No Foul at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Tuesday, July 26, at 6:30 p.m.

• DIANE HALLENBECK presents Rejecting Fear: Learning to Be Led By Love at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Thursday, July 28, from 5:30 to 6:30 p.m. Free event; register at www.bookerymht.com/our-events.

• MARY ELLEN HUMPHREY presents My Mountain Friend: Wandering and Pondering Mt. Major at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, July 28, at 6:30 p.m.

• KATHLEEN BAILEY and SHEILA BAILEY present their book New Hampshire War Monuments: The Stories Behind the Stones at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Aug. 11, at 6:30 p.m.

• CASEY SHERMAN presents Helltown at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Sunday, Aug. 14, at 1:30 p.m. Free event; register at www.bookerymht.com/our-events.

• VIRGINA CHAMLEE presents Big Thrift Energy: The Art and Thrill of Finding Vintage Treasures at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Monday, Aug. 15, at 6:30 p.m.

Poetry

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Writers groups

• MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email [email protected].

Book Clubs

• BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

James Patterson, The Stories of My Life, by James Patterson (Little, Brown and Co., 360 pages)

There’s a rumor out there that James Patterson doesn’t write all his books, not just the novels he co-authors with people like Bill Clinton and Dolly Parton, but also the ones that only bear his name. “Conceived, outlined, co-written and curated” is how The Washington Post described his work in 2016, likening Patterson to a factory of words.

When the author got in trouble recently for telling a journalist that white men can’t get a break these days, this was one of the insults hurled at him on Twitter by fellow writers like Roxane Gay, who wrote, “James Patterson, of all people. First, write your own books, pal.”

Patterson’s new memoir, which he dubs an “ego-biography,” is a seemingly preordained response to that slight. There’s no question he wrote this book, that the anecdotes sprang fully formed from his forehead. It’s three-quarters ego, one-quarter heart, strictly adhering to the formula that makes Patterson’s novels the most read in the world: short chapters — some only a single page — delivered in a folksy, conversational style. Example:

I’ve been poor and middle class, then poor and middle class again, and now I’m pretty well-to-do. Okay, I’m kind of rich.

On balance, I prefer rich.

But I don’t think I would be the person I am, or the writer, if I hadn’t experienced the whole spectrum — all the ups and downs and sideways.

The downs, if we’re being honest, are scarce.

In short vignettes, Patterson describes growing up as the only son of four children in a working-class Catholic family. They lived in modest neighborhoods but books were always strewn around. He was an altar boy and took piano lessons from a nun and had parents who demanded their boy make all A’s. (One of the chapters is named “You’re Slipping, James.” Clearly there’s some parental animosity he hasn’t yet fully worked out.) Strangely his father saw nothing wrong with regularly taking his young son to a pub on the weekend and giving him a half mug of beer. Then again, this was in the 1950s, so maybe not quite so scandalous as it seems now.

We learn about Patterson’s first kiss, his first job at a psychiatric institution in the suburbs of Boston, his matriculation at Manhattan College and then at Vanderbilt and the New York City advertising job that in retrospect seems the perfect training for James Patterson Inc.

Because he was a natural-born writer, writing with the ease in which others talked, he was promoted early and often and within a few years was handling big-name accounts, for a while flying between New York and Chicago, where he was put up in a suite with a view of Lake Michigan. At one point his salary tripled. According to Patterson, he wrote the advertising slogans “Picture a brand new world” for Kodak and “I’m a Toys R Us Kid” for Toys R Us. He also writes that he renamed what was then known as Allegheny Airlines to U.S. Air.

The disclaimer “according to Patterson” is often necessary when describing these stories because some are so incredible as to be unbelievable. They sound like something a world-famous novelist might have made up. Take Patterson’s first kiss, which is the subject of an early vignette and occurred when he was in the sixth grade. The girl was named Veronica Tabasco. In a later chapter, he writes of visiting his grandfather’s grave when he was in his 30s, turning to leave and noticing that Veronica Tabasco — the Veronica Tabasco — was buried right next to his grandfather.

“According to the stone tablet, Veronica had died in her mid-twenties. I’d had no idea until that moment. It kind of broke my heart,” he wrote.

Unusual things like that happen to Patterson all the time (according to Patterson). While his success as a novelist has made him friends with a wide range of famous people (“Damn near addictive” is the Ron Howard blurb on the cover), he’s been hobnobbing with the soon-to-be rich and famous since he was broke and unknown. For example, at the Belmont, Massachusetts, psychiatric hospital where he worked during the summer, James Taylor was a patient for a while and would sing in the hospital coffee shop. The late poet Robert Lowell was there for a while, too, and would do poetry readings in his room.

Much later in life, when Patterson was collaborating with Bill Clinton on a novel, he ran afoul of the Secret Service because someone else named James Patterson had been telling the hotel where he was staying that he was the famous author. He carries Tom Cruise’s personal number in his wallet. And he once got kicked out of the offices of the dating service called It’s Just Lunch.

These are the sorts of stories that your grandfather would tell while you’re out fishing together, if you fished with your grandfather and he was drinking and conditioned to tell stories about his past in increments of two to three pages. They are fanciful to the extreme, making it clear that the rich-to-be are different from you and me, right from the start. Then again, Patterson writes at the start of the book, “I want to tell you some stories … the way I remember them, anyway,” giving him plausible deniability. Who knows for sure if the first girl Patterson kissed is really buried next to his grandfather? Whether it’s true or not, it’s a great story, as most of the stories in this rambling, stone-skipping book of memories are.

The constant throughout Patterson’s life is books. Even while he was working seven days a week in advertising, he was working on novels early in the mornings and late at night. That is what he was most driven to do, even though a college professor had told him, “You write well enough. But stay away from fiction.”

By his mid-30s, he’d published four bestsellers featuring the detective Alex Cross (whom he’d originally written as a woman). He was also now CEO of the advertising company although he’d generally hated the work all along. (He frequently refers to it as advertising hell.) Then he had an epiphany sitting in traffic on the New Jersey Turnpike. He soon left the company to write full-time.

It’s hard to begrudge Patterson his success, however, as this memoir makes clear that he put in the work, even if he was a naturally talented writer. “Every night after work, I’d come home in a daze of jingle lyrics and cutesy catchphrases, sit in my kitchen, stare around at the tiny antiseptic space, then start writing again. He wrote his first drafts then — and still does now — with a No. 2 pencil. He still writes, he says, 350 to 360 days a year.

In this memoir, James Patterson may have finally written a book for people who don’t like James Patterson books. Stephen King may be among them. King, according to Patterson, once said that he was a terrible writer, even though he contributed a blurb for the book. It’s a highly entertaining read, but just remember that it’s the truth as Patterson remembers it. B

Book Notes

It’s hard to remember that there once was a time when the cable network AMC stood for American Movie Classics. Now it’s associated with edgy hit shows like Better Call Saul and The Walking Dead. But everything transforms, even actors to authors. Saul’s Bob Odenkirk came out with a memoir a few months ago (Comedy Comedy Comedy Drama, Random House, 304 pages), and now Walking Dead megastar Norman Reedus is hawking a novel.

The Ravaged (Blackstone Publishing, 294 pages) has a co-author, Frank Bill, so it’s unclear how much Reedus (the Dead’s Daryl Dixon) actually wrote. He told People magazine that the book started as a pandemic project and while not autobiographical it weaves in some stories of his past. It’s about three people “either running from something or running to something, and they’re finding a sense of family along the way,” he says.

Speaking of AMC, the network will launch a new series this fall based on the ever popular Interview with the Vampire by the late Anne Rice, who died last year from complications of a stroke. The book, published in 1976, has already been made into a movie, but clearly AMC thinks there’s more money to be made here. Interview (Knopf, 352 pages) was the first of 13 in a series. Producer Mark Johnson has said he’s hoping “those viewers who have never read an Anne Rice novel will go running to the bookstore eager to understand what all the fuss is about.”

Rice’s last book, co-authored with her son Christopher Rice, is Ramses the Damned, The Reign of Osiris (Anchor, 368 pages) and came out in February. It’s the third in the fantasy series that puts the historical Ramses the Great in a cursed state of immortality. Not unlike a vampire, you might note.

For something a bit less fantastical and more in keeping with the upcoming holiday, check out Mark Clague’s O Say Can You Hear? A Cultural Biography of the Star-Spangled Banner (W.W. Norton, 352 pages).

A musicology professor at the University of Michigan, Clague examines how the song took off after Frances Scott Key composed “Defence of Fort McHenry” and became both a beloved war anthem and a landmine in the culture war. A fun fact from the book: Clague considers the best popular rendition of the song to be Whitney Houston’s performance at the 1991 Super Bowl. (Available on YouTube for your holiday viewing.)

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Book Events

Author events

• PAUL BROGAN presents A Sprinkling of Stardust Over the Outhouse at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, June 30, at 6:30 p.m. See the June 23 issue of the Hippo on page 10 for a discussion with the author. Hippopress.com; find e-editions near the bottom of the home page.

• SARAH MCCRAW CROW presents The Wrong Kind of Woman at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Tuesday, July 19, at 6:30 p.m.

• CASEY SHERMAN presents Helltown at the Bookery (844 Elm St., Manchester, bookerymht.com, 836-6600) on Sunday, Aug. 14, at 1:30 p.m.

Poetry

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Writers groups

• MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email [email protected].

Book Clubs

• BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

Lessons in Chemistry, by Bonnie Garmus (Doubleday, 386 pages)

There are a lot of things to appreciate about this debut novel from Bonnie Garmus: The story is original, the writing is engaging and the cast of characters is mainly quirky and fun. Well, except for most of the men. And therein lies one of the problems with this book.

Lessons in Chemistry is fiercely devoted to the idea that women in 1960s California were treated entirely unfairly and had no opportunities for careers outside of the home, and that men were generally awful humans who had zero respect for women and were successful only because they were born male.

The book centers on chemist Elizabeth Zott, who works with an otherwise all-male team at Hastings Research Institute, where she doesn’t feel her work is respected. Prior to that job, Elizabeth was trying to get her Ph.D. but was sexually assaulted and kicked out of the program after defending herself with what must have been a pretty sharp pencil. So she has a particularly strong point of view about the male species and equality. Fair.

“Elizabeth Zott held grudges … mainly reserved for a patriarchal society founded on the idea that women were less. Less capable. Less intelligent. Less inventive. A society that believed men went to work and did important things … and women stayed at home and raised children.”

But then she meets Calvin Evans, a renowned scientist who appreciates Elizabeth’s intelligence and passion for the sciences. His character is reminiscent of The Big Bang Theory’s Sheldon Cooper, with his academic genius far superior to his emotional intelligence and ability to understand human behavior and societal norms. But he is a champion of Elizabeth almost from the start, despite her oft-exaggerated views on life.

“‘You’re saying,’ he said slowly, ‘that more women actually want to be in science.’

She widened her eyes. ‘Of course we do. In science, in medicine, in business, in music, in math. Pick an area.’ And then she paused, because the truth was, she’d only known a handful of women who’d wanted to be in science or any other area for that matter. Most of the women she’d met in college claimed they were only there to get their MRS. It was disconcerting, as if they’d all drunk something that had rendered them temporarily insane.

‘But instead,’ she continued, ‘women are at home, making babies and cleaning rugs. It’s legalized slavery.’”

Not to be too dramatic or anything.

Elizabeth has self-righteous tendencies and can be annoying at times. There are some contradictions in the book too; Elizabeth spends so much time talking about how she deserves equality, yet she ends her cooking show, Supper at Six, with “Children, set the table. Your mother needs a moment to herself.” So fathers can’t be home cooking? If the point here is equality, shouldn’t it work both ways?

Still, Elizabeth as host of the show is one of the author’s more clever moves; Elizabeth takes the job begrudgingly when life seems to leave no other option, and she uses it as a forum to bolster the spirits and promote the intelligence of the housewives who are watching. She uses scientific formulas in her recipes and encourages women to do more and be more. The problem is, she isn’t likable (in my opinion — as of this writing, the book has a 4.4-star review on Goodreads, so I’m not necessarily in the majority here). I had a hard time believing that anyone would watch her show; she comes across as smart, yes, but not personable. She speaks like the scientist she is, and it’s not relatable dialogue. No one who is not a scientist — man or woman — would know what she’s talking about most of the time, and it’s not like Google existed back then to figure it out.

The book’s other “lesson in chemistry” — the chemistry between Elizabeth and Calvin — is short-lived. Their relationship was the highlight of the story to me, but it ends abruptly, and the plot disappointingly transitions to its heavy-hitting feminist focus. Calvin’s character becomes less about his impact on Elizabeth’s life and more about a convoluted subplot regarding his family history, an adoption mystery and the funding of scientists.

There are some fascinating characters, like Elizabeth and Calvin’s daughter Mad, and Mad’s babysitter Harriet, both of whom add depth and refreshingly different points of view to the book. And then there’s Six-Thirty, Elizabeth and Calvin’s dog, who learns to understand hundreds of words that Elizabeth teaches him. I appreciate the purpose of that message — anyone, and any dog, can do anything! — in the context of this book, and it’s mostly delivered well, through the eyes of other characters, like Elizabeth (who thinks it just makes sense that a dog could learn any words) or Harriet (who thinks Elizabeth is strange). But there are a few random, abrupt moments in the book where we’re seeing things from Six-Thirty’s point of view, and I found it a bit off-putting. His perspective didn’t seem to add anything to the story and, to me, it just slowed down the flow.

Ultimately, I enjoyed the first half of the book. The second half was missing, well, chemistry. Elizabeth is a better character alongside Calvin, which is likely the opposite of what Garmus was aiming for, her message seemingly being that women don’t need men. That message might have gone over better if Elizabeth were the least bit happy and hadn’t been described in the first few pages of the book as “permanently depressed” and “ashamed” of her job as a TV host — it’s hard to cheer for a bitter “hero.” C+ — Meghan Siegler

Book Notes

Nora Ephron’s most famous films were When Harry Met Sally and Sleepless in Seattle, but it was Heartburn, not insomnia, that made her famous.

A novel loosely based on her breakup with Carl Bernstein of Watergate fame, Heartburn (Knopf, 179 pages) was made into a movie starring Meryl Streep and began the transformation of Ephron from journalist to screenwriter and director, although she never stopped writing books. Her 2006 book of essays, I Feel Bad About My Neck (Knopf, 137 pages), was a droll reflection on aging.

Ephron would be pleased that her neck is concealed in the photo on the cover of the new book about her life. Nora Ephron, a Biography (Chicago Review Press, 304 pages) is by Kristin Marguerite Doidge, a journalist who combed through Ephron’s own writing and interviewed colleagues such as Tom Hanks and Martin Short.

Meanwhile, the ex who inadvertently launched Ephron’s Hollywood career published his own memoir this year: Chasing History, a Kid in the Newsroom (Henry Holt & Co., 384 pages). His work with Woodward at The Washington Post resulted in the 1974 book and subsequent film All The President’s Men, which was consequential in bringing down a president, Richard Nixon.

Incredibly, it’s the 50th anniversary of the Watergate scandal (although Nixon didn’t resign until 1974), which means that Woodward and Bernstein are making the rounds on news shows. There’s also a new history of Watergate called, quite redundantly, Watergate, a New History (Avid Reader Press, 832 pages) by Garrett Graff.

Did we need a new Watergate history? “The answer turns out to be yes,” writes Len Downie Jr., but he’s a former Washington Post editor, so take that with a grain of salt.

Meanwhile, if you’d rather not revisit the Nixon years, go back even further in time to The Monster’s Bones (W.W. Norton, 288 pages), promising nonfiction by David K. Randall. It’s about the discovery of the first T-rex skeleton in Hellcreek, Montana, in 1902, and how this fueled our fascination with dinosaurs — and natural history museums. —Jennifer Graham

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Book Events

Author events

• PAUL DOIRON Author presents Hatchet Island. Gibson’s Bookstore, 45 S. Main St., Concord. Wed., June 29, 6:30 p.m. Visit gibsonsbookstore.com or call 224-0562.

• PAUL BROGAN Author presents A Sprinkling of Stardust Over the Outhouse. Gibson’s Bookstore, 45 S. Main St., Concord. Thurs., June 30, 6:30 p.m. Visit gibsonsbookstore.com or call 224-0562.

• SARAH MCCRAW CROW Author presents The Wrong Kind of Woman. Gibson’s Bookstore, 45 S. Main St., Concord. Tues., July 19, 6:30 p.m. Visit gibsonsbookstore.com or call 224-0562.

• CASEY SHERMAN Author presents Helltown. Bookery, 844 Elm St., Manchester. Sun., Aug. 14, 1:30 p.m. Visit bookerymht.com or call 836-6600.

Poetry

• DOWN CELLAR POETRY SALON Poetry event series presented by the Poetry Society of New Hampshire. Monthly. First Sunday. Visit poetrysocietynh.wordpress.com.

Writers groups

• MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email [email protected].

Book Clubs

• BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.