The support team

Granite VNA gets a new director of hospice

Meet Kristin Jordan, Granite VNA’s new director of hospice.

What is your background in health care, and what led you to this position?

I’ve been with Granite VNA for a couple months now. I have a background in home health and hospice, and I’ve done both inpatient and outpatient oncology services, here in New England and down in Nashville, Tennessee, for several years. … The beauty of nursing is that there’s certain specialties that speak to different personalities and passions and interests. I really felt a pull toward home health and hospice. … What I loved about this opportunity [at Granite VNA] is that it allows me to focus purely on the hospice program. It’s been a tremendous opportunity to get into what speaks to the empath and nurturer in me.

What do Granite VNA’s hospice services look like?

It’s really focused on creating a personalized plan of care. That includes symptom management so they’re comfortable, through medication or otherwise. It includes spiritual care … which can mean so many different things to different people. We have a nondenominational team of spiritual care individuals who offer their services. We have medical social work. We have volunteers; if someone has a caregiver who works a lot, we have volunteers who offer to go sit with them or read to them. Sometimes, depending on what the needs are, it might involve physical therapy or occupational therapy to help patients still be able to maneuver and do activities of daily living if they’re still able to. We have pet therapy and music therapy, and we’re talking about potentially adding an art therapy program, as well. Finally, we have a bereavement team that will follow up with families to whatever extent the families are interested in after the time of the passing. We don’t just say, ‘Sorry for your loss,’ and move on; we really keep our arms wrapped around those families for as long as they need that added support as they go through their grieving process.

What does your job as director of hospice entail?

My main purpose is lending guidance and support to the team. Every patient’s needs are so unique, so I help the interdisciplinary team navigate that. I’m also making sure I’m checking in regularly with my staff, because health care is a challenging, demanding field, and hospice is, in my mind, that, but far more elevated. It’s really important that my staff take the time to do self-care so that they can give all of themselves to the work that they do every day. In addition to that, it’s very important that I’m working with my fellow leaders in our various community catchment areas to really educate them on the breadth of hospice benefit. Hospice, in general, is still, unfortunately, stigmatized, and far too often, people don’t realize what services we can offer until it’s too late, and I see that as a missed opportunity.

What are some of the biggest challenges you face in your position?

The workforce shortage coupled with the ever-aging population is really challenging in our particular industry, because there’s more and more need and fewer people to do the hard work. We have to get more creative. We really have to enhance and embrace that true interdisciplinary group approach to caring for someone. It’s not just the nurse; it’s the social worker, the spiritual care, the volunteers, and the list goes on.

What do you hope to accomplish moving forward?

I simply want to see just a greater integration into the communities that we serve and build up the staff as much as we possibly can to have a have a stronger presence in the community in various forms, whether it’s having patients on our service or offering in-servicing at seniors centers or being at different community events where we can educate about what we have to offer.

What do you find most rewarding about this work?

What I find most rewarding is also what made me interested in pursuing it to begin with: being trusted to be part of what is probably a devastating and life-altering personal chapter in someone’s life — to face losing someone they love — and to be part of a team that can wrap their arms around such a tragic moment; to allow someone to die with the dignity and the respect that they deserve; and the prospect of having that family look back on what’s happened and be able to see the beauty in that nightmare. There’s no greater honor in what we do for work.

Featured photo: Kristin Jordan. Courtesy photo.

News & Notes 23/03/16

Feedback on schools

For the fourth consecutive year, the New Hampshire Department of Education is inviting parents, educators and community members to share their perspectives and experiences with their respective schools through the 603 Bright Futures Survey. According to a press release, the survey was created to gather actionable feedback surrounding learning models, school climate, family and community engagement and other topics in order to understand the successes and challenges of the recent school year and craft policies and programs to meet the needs of students in the upcoming school year. “Public input and feedback is crucial as we aim to help all students succeed in the classroom and beyond.” Frank Edelblut, education commissioner, said in the release. The survey, which takes 15 minutes or less to complete, is available to take online now through Friday, April 28. Families, visit bit.ly/nhedfamily; school staff, visit bit.ly/nhedstaff; and community members, visit bit.ly/nhedcommunity. The results of the survey will be shared on education.nh.gov once the survey closes.

Mounted patrol

The New Hampshire Horse Council has named Officer Kelly McKenney of the Manchester Police Mounted Patrol as its 2023 New Hampshire Horseperson of the Year. According to a press release, the award recognizes individuals who have contributed to the betterment of New Hampshire’s equine industry. Officer McKenney, a lifelong equestrian, can often be seen patrolling downtown Manchester on her main equine partner, General, or visiting schools, retirement homes and other community venues with Eddy the comfort pony. “Officer McKenney’s efforts as a member of the Manchester Mounted Patrol have greatly enhanced the well-being of city residents,” Christina Keim, New Hampshire Horse Council president, said in the release. “Whether interacting with the public from horseback while on mounted patrol, or bringing Eddy the comfort pony to reach citizens on a more personal level, Officer McKenney is connecting people with horses, for the betterment of all.”

Conservation funding

The New Hampshire Land and Community Heritage Investment Program, in partnership with a variety of conservation funding programs, will host a two-day webinar on conservation funding sources on Thursday, April 6, from 8:30 to 11 a.m., and Friday, April 7, from 8:30 to 10 a.m. According to a press release, presenters will include the Land and Water Conservation Fund, NH DES Drinking Water and Groundwater Trust Fund Source Water Protection, State Conservation Committee, NH Land and Community Heritage Investment Program and USFS Community Forest and Forest Legacy Programs on Thursday, and NH DES Aquatic Resources Mitigation Fund, USDA Agricultural Conservation Easement Program and NH Fish and Game on Friday. The presenters will provide an overview of their respective program’s funding priorities, eligibility requirements, application process and schedule. To register, email kmidolo@lchip.org with the subject line “State Conservation Funding Webinar.”

State of teens

Results from New Hampshire’s 2021 Youth Risk Behavior Survey have been released. According to a press release, the anonymous and voluntary survey is distributed every other year to high school students through a partnership between local schools, the New Hampshire Department of Education and the New Hampshire Department of Health and Human Services as part of a nationwide effort to learn more about the health-related behaviors that contribute to the leading causes of death and poor health among youth and adults. Positive changes include a decrease in students who reported regularly vaping at 16.2 percent, down from 33.8 percent in 2019; a decrease in students who reported drinking alcohol (21.3 percent, down from 26.8 percent) and binge drinking (11.2 percent, down from 14.4 percent); and a decrease in students who reported having sexual intercourse (29.3 percent, down from 39.8 percent) and being sexually active (21.3 percent, down from 29.7 percent). Concerning changes include an increase in students who reported feeling sad or hopeless at 44 percent, up from 34 percent in 2019; an increase in students who reported having seriously considered suicide at 25 percent, up from 18 percent; an increase in students who reported having been physically forced to have sexual intercourse (8.8 percent, up from 6.7 percent) and having experienced sexual violence (11.4 percent, up from 10.1 percent); an increase in students who reported feeling unsafe at school or while traveling to and from school (at 9.6 percent, up from 6.9 percent); and an increase in students who reported being affected by cyberbullying (at 21.8 percent, up from 20.1 percent). “The survey results are concerning in that girls, especially, reported that their mental wellbeing has been in distress,” Tricia Tilley, Director of the DHHS Division of Public Health Services, said in the release. “The good news is that youth in New Hampshire are making better decisions about their health, including decreases in students using alcohol, tobacco and vaping.” The full results of the survey are at education.nh.gov.

Nominations sought

The New Hampshire Audubon is seeking nominations for its annual Tudor Richards and Goodhue-Elkins awards, according to a press release. The Tudor Richards Award recognizes an individual who exemplifies a love and knowledge of the outdoors and has made contributions to conservation efforts in New Hampshire. The Goodhue-Elkins Award recognizes an individual who has made an outstanding contribution to the study of New Hampshire birds. Visit nhaudubon.org/about-us/annual-awards for a nomination form. The deadline for nominations is Saturday, April 15.

Girl Scouts of the Green and White Mountains will host a Unicorn Party and informational session on Monday, March 20, from 6 to 7 p.m. at Center Woods School in Weare (14 Center Road). Girls in grades K through 3 and their caregivers are invited, according to a press release. Walk-ins are welcome. Sign-ups for Girl Scouts are available year-round at girlscoutsgwm.org.

Safran Optics 1, which designs and produces electro-optic and navigation systems, welcomed U.S. Sen. Jeanne Shaheen at a groundbreaking ceremony for an expansion project at its Bedford plant on Monday, March 13. According to a press release, Sen. Shaheen, a senior member of the Senate Armed Services Committee, toured the facility and spoke about the role of New Hampshire-based companies in the national security industrial base.

United Way of Greater Nashua is accepting donations of new and like-new items for its Community Baby Shower to help low-income families with new babies. According to a press release, more than 60 families are expected to attend the April 12 event to pick items they need. A wish list is available at tinyurl.com/2023bbshwr. Donations can be sent or dropped off at United Way (20 Broad St., Nashua) on weekdays between 10 a.m. and 3 p.m., by April 7.

Time to get chickens? — 03/09/23

Looking for chicks? Or pullets? Or, if you’re really ambitious, unhatched fertilized eggs? If egg inflation or a DIY backyard farmer spirit has you thinking about adding chickens to your spring and summer outdoor plans, check out this chicken primer by Angie Sykeny, who discusses chicken chores, chicken costs and some of the hazards.

Also on the cover: Saint Patrick’s Day is next Friday, March 17, so make those plans for corned beef or colcannon now; see page 25 for a rundown of area eateries and their Irish cuisine plans. Beyond chickens, a place to consider your spring and summer outdoor plans may be the New Hampshire Outdoor Expo this weekend in Milford; Mya Blanchard has the details on page 17. And, the Amherst Fire and Ice festival of chili and ice cream this Friday in Amherst; Matt Ingersoll explains on page 24.

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Full circle

John McEuen traces a musical path

Along with his musical prowess, John McEuen could give a master class in networking. Fifty years ago he asked his new friend, bluegrass legend Earl Scruggs, to work with his group The Nitty Gritty Dirt Band on what became Will The Circle Be Unbroken, a record that brought together American roots music’s leading lights.

McEuen used that promise to bring the equally iconic Doc Watson on board. “I told him, ‘We’re making an album with Earl Scruggs, and I want to know if you want to be part of it,’” he recalled by phone recently. “We weren’t making an album yet — he’d just said he would record with us.”

One by one, an all-star cast of bluegrass legends joined up.

Its success led to two follow-ups, one in 1989 featuring John Prine, Rosanne Cash, John Hiatt and other country-folk stars, and a third volume in 2002, which had Alison Krauss, Emmylou Harris and Willie Nelson, the latter singing “Goodnight Irene” with Tom Petty.

The Willie and Tom duet came together when McEuen heard Petty recording in another studio and again chose to be bold.

“I walked in and said, ‘Hey, Mr. Petty, I’m John McEuen from the Nitty Gritty Dirt Band and I have one question: Have you ever wanted to sing with Willie Nelson?’ It took him off guard. He said, ‘Well, yeah, I wanna sing with Willie Nelson’ and I said, ‘We’re recording him down the hall.’ He came right then.”

There will be more stories like that when McEuen and his group The Circle Band appear March 18 at Manchester’s Rex Theatre. During the interview, he recalled getting a private serenade from Linda Ronstadt at her “When Will I Be Loved” session, capturing an early take of Gregg Allman’s “It’s Not My Cross To Bear” in a Los Angeles studio, and recording an 18-year-old Kenny Loggins in McEuen’s Laurel Canyon home, before Loggins joined Jim Messina.

A few years later, McEuen and bandmate John Hanna turned down Messina when he pitched him a tune; Hanna didn’t think it was a hit. “It’s a teeny-bopper song,” he recalled him saying. “Anybody can write, ‘Your mama don’t dance and your daddy don’t rock and roll.’ I called up Jimmy the next day and said no. He said, ‘That’s OK; Kenny and I decided to put that out together.’ Good decision, huh?”

The show commences with early hits like “Mr. Bojangles” — the Dirt Band was the first act to have a hit with that song — and winds through gems like “Voila, An American Dream” and “Long Hard Road (The Sharecropper’s Dream).” Along with McEuen are bassist (and Dirt Band cofounder) Les Thompson, and Nashville guitarist Danny Knicely.

The bulk of the evening is devoted to McEuen’s best-known project, a recording that so powerfully documented the many threads of American acoustic music that a copy of the 1972 triple disc could have been sent to the Library of Congress at the same time it shipped to record stores across the country.

It’s a multimedia show, much of it centered on that first Circle album.

“My brother Bill was manager of the group; he also produced the record, and he shot photographs, so behind us on a screen will be a projection of the studio sessions, with us in front, playing the music,” he said, adding, “it’s really exciting to see myself 50 years ago; it helps keep me young.”

There are occasional divergences, McEuen continued.

“We do things that aren’t reflected by what’s on the screen when we get into some other music,” he said, then began to muse. “This is a strange job; you travel all this time so you can go work for an hour and a half. Well, I try to make it … maybe two hours depending on the audience. I hear that this room is really nice and I’m looking forward to it.”

Asked what fans can expect from the evening, McEuen was expansive.

“People should come if they want to see a night of music that takes them to a pleasant space that exists from 1860 to 2018,” he said. “ I like to tell stories about what’s going on before and after the songs, and we have a good time. We play hot, fast, sweet, smooth and all that. I hope people come out to hear us.”

John McEuen & The Circle Band
When: Saturday, March 18, 7:30 p.m.
Where: Rex Theatre, 23 Amherst St., Manchester
Tickets: $29 and up at palacetheatre.org

Featured photo: John McEuen. Courtesy photo.

The Music Roundup 23/03/09

Local music news & events

Great pipes: Though their name is often confused with another band’s, the sound of Red Hot Chilli Pipers is oceans away from the SoCal alt-rockers — the nine-piece ensemble leads with bagpipes. In 2007 they won top honors on the U.K. TV talent show When Will I Be Famous and became a worldwide attraction, blending traditional songs like “The Flowers of Scotland” with bag rock covers of Queen, Coldplay and Snow Patrol. Thursday, March 9, 8 p.m., Colonial Theatre, 609 Main St., Laconia, $29 to $59 at etix.com.

Southern men: A couple of years after Lynyrd Skynyrd released “Free Bird,” The Outlaws’ debut album arrived with the epic “Green Grass and High Tides,” cementing their reputation as a top Southern rock band. It didn’t hurt that Ronnie Van Zandt aided them in getting a record deal. Founding member Henry Paul continues the triple guitar sound with new members; their latest album is 2020’s Dixie Highway. Friday, March 10, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $35 to $45 at tupelohall.com.

Bottom drop: An evening featuring the best of New England’s bass music scene has Josh Teed topping the bill with a unique hybrid of violin and subwoofer blasting sound. Among Teed’s EDM influences are Charlesthefirst, CloZee and Govinda, with his classically trained instrumentation pushing things to the next level. Also appearing are Izzi, Camnah, Shacksies, Jacek and a night closing B2B set. Saturday, March 11, 8 p.m., Jewel Music Venue, 61 Canal St., Manchester, $20 in advance at theticketing.co, $30 at the door.

Celtic crush: Now past its 25th year, Lúnasa is a supergroup whose members began in some of Ireland’s most acclaimed bands. Early on, Folk Roots magazine called them an “Irish music dream team,” and since, they’ve collaborated with Natalie Merchant, Mary Chapin Carpenter, and Tim O’Brien and made high-profile appearances at Hollywood Bowl, Carnegie Hall and the Glastonbury Festival. Saturday, March 11, 7:30 p.m., Dana Center for the Arts, 100 Saint Anselm Drive, Manchester, $45 at tickets.anselm.edu.

String thing: When daylight saving time ended last fall, High Range Band took the stage for the weekly bluegrass event at Nippo Lake, and now that DST has returned, perhaps for a final time, they’re back again. The New Hampshire-based group formed in the late ’80s, doing covers and originals on fiddle, guitar, mandolin, banjo, upright bass and drums, while releasing four albums in the 2000s. Sunday, March 12, 6 p.m., Nippo Lake Restaurant, 88 Stagecoach Road, Barrington, nippolake.com.

Team Everything

Multiverse bagel, a dance battle song and other Oscar nominees worth rooting for

If I can find a “Team Pamela Ribon” jersey, I will be wearing that over my vintage Old Navy on Sunday, March 12, when the 95th Academy Awards start handing out Oscars (show starts at 8 p.m. on ABC).

As I’ve explained before, I’m a huge fan of Ribon’s work — she has writing credits on Moana and Ralph Breaks the Internet, she’s behind the comics My Boyfriend Is a Bear and Slam!, she’s a co-host on the excellent podcast Listen to Sassy. And add to that her animated short film, My Year Of D**ks, which is my favorite of a solid five-pack of animated films that utilize different animation styles to tell engaging stories. Her perfect look at teenage awkwardness and the sometimes opposing desires for romance and sex is a blend of animation styles itself and is a giddy delight. You can watch it on Vimeo or Hulu and in theaters as part of the presentation of Oscar shorts films.

Here are some of the other people and movies I’m rooting for (and where to find them):

Everything in Everything Everywhere All At Once. Ke Huy Quan (nominated for supporting actor), Michelle Yeoh (lead actress), Jamie Lee Curtis and Stephanie Hsu (both nominated for supporting actress), the Daniels (Daniel Kwan and Daniel Scheinert), who are nominated for directing — even if I like other people in these categories I wouldn’t be mad if somehow all of these people won Oscars for their fun, moving film. Everything is also nominated in costume design, original score and original screenplay categories as well as, of course, best picture, where it would get my vote. The movie is streaming on Showtime/Paramount+ and is available for purchase.

Angela Bassett. As much as I would like Jamie Lee Curtis and Stephanie Hsu to bend the multiverse and both win supporting actress, my first choice in that category would be Bassett for Black Panther: Wakanda Forever (available for purchase and on Disney+). She kills it as Queen Ramonda and brings a heft to the role and the movie overall. I’m also hoping that movie takes the prize for costume design, which not only repeated the first movie’s success at creating Wakandan looks but also crafted dazzling costumes for the Mesoamerican Talokan characters.

• “Naatu Naatu,” the song from RRR. I like Wakanda Forever’s nominee “Lift Me Up” but my favorite for the original song category didn’t even make the pre-nominations short list. I was rooting for “Marry Me” sung by Jennifer Lopez and Maluma in the delightfully silly movie Marry Me. Since that didn’t make it and since there is no Oscar category rewarding the accomplishments of overall soundtracks (the whole Wakanda Forever “Music from and inspired by” album is solid), I’d like “Naatu Naatu” the dance battle song to win just because it feels like the chaotic everything of RRR deserves some sort of recognition. This movie (available on Netflix) is more than three hours, has the aforementioned dance battle (which is a commentary on colonialism? and also contains character development?), a buddy adventure, human-on-tiger fights, a guy throwing what looked like a leopard at a British soldier, pretty great cinematography, a whole lotta slo-mo balletically choreographed fight scenes and an end credits dance number that features odd Soviet-propaganda-esque visuals.

Turning Red. This was a solid year for animated feature nominees: Guillermo del Toro’s Pinocchio (Netflix) is weird but very spooky-beautiful; Marcel the Shell with Shoes On (Showtime and for purchase) is sweet and funny and just a little heartbreaking in the best way; Puss in Boots: The Last Wish (available for purchase) is solid Dreamworks fun, and The Sea Beast (Netflix), a surprisingly smart movie about sea creatures and the humans hunting them. But my favorite is Turning Red (Disney+) — whose “Nobody Like U” would also have made a solid best song nominee. This story about a 13-year-old girl working out all her 13-year-old-girlness while also dealing with a family heritage of becoming a large red panda when she experiences big emotions is absolutely excellent storytelling with very pretty visuals.

Top Gun: Maverick for visual effects — and nothing else. This movie has some cool shots of airplanes; actually cool shots of airplanes is all I remember of Maverick (Paramount+ and for rent or purchase). So I don’t mind if it wins for putting us in the cockpit when the pilots do twisty divey things. But this isn’t otherwise a good movie; it would bum me out if it took adapted screenplay from Glass Onion: A Knives Out Mystery (Netflix), which is goofy fun, or Women Talking (for rent or purchase), which is sad and beautiful and so good (it’s maybe my No. 2 of the 10 best picture nominees).

The Banshees of Inisherin for something — original screenplay?A weird dark funny little movie, The Banshees of Inisherin (HBO Max, rent or purchase) deserves some kind of recognition and I’d be fine if it took this category (assuming Everything gets awards everywhere). It also has a shot at Colin Farrell in lead actor, a win I would be fine with. I also wouldn’t be mad if Tár (Peacock, rent or purchase) got the win for screenplay, since Cate Blanchett (nominated for lead actress) will probably lose to Yeoh. I feel like this might be where The Fabelmans (rent or purchase) could also score a win; Steven Spielberg’s best picture entry just doesn’t feel like it’s winning much else.

Let Avatar: The Way of Water and Elvis battle it out for production design. The only Best Picture nominee still exclusively in theaters, Avatar: The Way of Water does a good job at putting action under the water and still making it eye-catching. Elvis (HBO Max, rent and purchase) is nutty-bananas and the look is part of putting you in its bonkers world of young and eventually old Elvis (played by Austin Butler, who probably also has a decent shot at lead actor if the good will people have toward Brendan Fraser, nominated for The Whale, which is available for purchase, doesn’t trump all). This is the only category I’d want either of those movies to win in, though.

Whomever to win in documentary feature and international feature. Other than international feature nominee All Quiet on the Western Front (Netflix), which is up for best picture as well as other awards, I haven’t seen any of the international or documentary nominees this year. But all of the documentaries and most of the international films are now available for home viewing, so once somebody wins I’ll know where to start. The documentary hopefuls are All that Breathes (HBO Max), All the Beauty and the Bloodshed (rent or purchase), Fire of Love (Disney+ or rent or purchase), A House Made of Splinters (rent or purchase) and Navalny (HBO Max). The other international features are Argentina, 1985 (Amazon Prime Video), Close (rent), EO (rent or purchase) and The Quiet Girl (which will be available for purchase but doesn’t yet have a date).

A fun surprise. What would be a fun surprise? Maybe Paul Mescal winning lead actor for the bittersweet Aftersun (rent or purchase) or Bill Nighy winning for Living (rent or purchase and in theaters), a contemplative movie with a surprising charm. Or, much as I want Wakanda Forever to win costume design, it would be kind of fun if Mrs. Harris Goes to Paris (Peacock, rent or purchase), a sweet movie about the power of a beautiful dress, took home the Oscar. I guess it would be OK if best picture nominee Triangle of Sadness (rent or purchase) won something that wasn’t best picture. And I wouldn’t be mad if cinematography-only nominees Bardo, False Chronicle of a Handful of Truths (Netflix) or Empire of Light (HBO Max or rent or purchase) walked away with a prize.

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