A compromising compromise

Most New Hampshire public school districts are expected to go to a hybrid school model in the fall. This will mean kids go to school for a few days a week in smaller groups. When not in school, those kids will be remote learning.

It’s a compromise intended to reduce potential transmission of Covid-19 by reducing the contact kids have with each other and staff while acknowledging that remote learning has its limitations. In most districts, class sizes will be limited so kids can sit six feet apart.

Though I’m sure it’s well-intentioned, I wonder if this hybrid plan is actually counterproductive.

The challenge here more than anything else is the logistics of caring for kids and reducing potential transmission.

First there is the issue of getting these kids to school. How many kids will be allowed on buses? How do we make sure the kids wear masks? Do we have the buses and drivers to do that in a way that won’t completely undo the measure being taken to reduce class size?

Once at school, can we reasonably expect kids to socially distance themselves? It sounds as if recess and other activities like that could be eliminated or curtailed. What impact will that have on learning?

After all that, kids will still be expected to be remote learning for two to three days a week. Who is going to be at home with them to keep them on task and to watch over the younger ones? As more parents go back to work, will caregivers be friends, grandparents, day cares or a patchwork of those? Will these kids be exposed to even more people thereby increasing their exposure to Covid? If parents have to stay home, who is going to pay them?

On top of all that, women, in many cases, will end up being the primary caregivers for kids’ remote learning. What is the impact to them? Are we furthering the longtime earnings gap between men and women?

These are all issues greater than our public school districts, but federal and state governments have essentially laid all of these problems and concerns at their feet without giving those districts the resources to adequately deal with them.

As tough as it is, state and federal governments need to take an active role in helping districts make in-school learning as safe as possible for kids and staff. If this means extending the day, then do it. If this means putting more buses on the road, then do it. If this means bringing in more teachers, paying teachers for extended days or offering hazard pay, then do it. If this means bringing in portable classrooms then do it.

There are no easy solutions — no silver bullet. But with more assistance and coordination from state and federal governments schools (or other buildings turned into schools) could be made more safe. But we can’t expect public schools to solve this on their own.

On-the-go deliciousness

On-the-go deliciousness More and more food trucks featuring all kinds of eats are popping up in locations throughout southern New Hampshire. Find out where to get everything from egg rolls and vegan ice cream to tacos and chicken wings.

Also on the cover, find Uncommon Art on the Common in Goffstown, p. 6, and the League of New Hampshire Craftsmen’s annual fair online, p. 10. And there’s a series of outdoor music happening in Concord this summer, p. 26.

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Signs of Life 20/07/30

All quotes are from The TB12 Method: How to Achieve a Lifetime of Sustained Peak Performance, by Tom Brady, born Aug. 3, 1977.

Leo (July 23 – Aug. 22) What are your goals? How do you define success in your life? Only you can answer that! Yay!

Virgo (Aug. 23 – Sept. 22) The game never stops evolving, so why should I? You shouldn’t.

Libra (Sept. 23 – Oct. 22) … just because you’re standing at a buffet, that doesn’t mean you’re supposed to eat everything. You should eat just enough so that you feel full, and no more. Sports training is no different. Binge watching may not be the best way to go, either.

Scorpio (Oct. 23 – Nov. 21) Many gym trainers tell athletes to target their upper bodies on Mondays and Wednesdays and their lower bodies on Tuesdays and Thursdays. At TB12, we advise athletes to do upper body, core, and lower body in the same workout. A comprehensive approach is best.

Sagittarius (Nov. 22 – Dec. 21) … the ones I remember best are the closely fought games in which, no matter what the scoreboard says, our team put in our best effort. Ah, those are good times.

Capricorn (Dec. 22 – Jan. 19) Strong athletes like to work on strength, and fast athletes like to work on speed. But that doesn’t create balance. To create balance, we need to work on our deficiencies as well. You know what you need to do.

Aquarius (Jan. 20 – Feb. 18) After the seventh push-up, your chest is straining and you feel fatigued. … But your brain says, ‘Keep going! Fight hard!’ It asks other muscles to step in to help you finish. It could be your lats, your triceps, or your butt — your brain calls on any muscle that will help you achieve your goal and finish what you set out to do. But to me, form first means engaging only the muscles you should be engaging for the movement you are attempting to do. That’s how you keep the proper balance. Start easy and work your way up.

Pisces (Feb. 19 – March 20) If you do daily squats with a four-hundred-pound load on your back, the only thing you’ll get better at is squatting with a four-hundred-pound load on your back. Which could come in handy sometime!

Aries (March 21 – April 19) Make sure you maintain the right biomechanically correct form — knees over feet, hips over knees, and your core engaged — before you start, and stop performing an exercise the moment your form starts to break down. One good push-up is better than 10 bad ones.

Taurus (April 20 – May 20) Sometimes I think I’m the most hydrated person in the world. It’s not a competition.

Gemini (May 21 – June 20) Sometimes we see older people working out with bands, or doing water aerobics or tai chi. It turns out that they know something the rest of us don’t. Ask them what they know.

Cancer (June 21 – July 22) If we’ve lost but I’ve learned something, the game turns into a positive experiment. Sometimes in the moment it doesn’t feel that way, because the emotions are running so high — but you try to learn and move on. Lesson No. 1: Don’t send Lenny from Accounting for coffee.

The Music Roundup 20/07/30

Stepping up: After a long pandemic-caused hiatus, Thirsty Thursday jam sessions return to Auburn Pitts. In a tradition for years now hosted by Oak Hill Music, singers are asked to bring a microphone, and masks are still required. Hats off to the first person who whips out a rendition of “Safety Dance” or “Don’t Stand So Close To Me” for the socially distanced, Purell-soaked fans. Thursday, July 30, 6:30 p.m., Auburn Pitts, 167 Rockingham Road, Auburn, facebook.com/auburnpitts.

Healing laughter: A residency that began last week and runs through mid-August has Comedy at a Distance, with Juston McKinney & Friends keeping the mood light in dark times. The mechanics of standup makes doing shows challenging, but people want to laugh and the consensus is it’s working in the New Normal — events are selling out and comics are happy. Friday, July 31, 7:30 p.m., Rex Theatre, 23 Amherst St., Manchester. Tickets are $29 and can be purchased by calling 668-5588.

Plucky pair: Though it sounds like a bird, the moniker of rootsy acoustic folk duo Green Heron is actually a play on the last names of Scott Heron and Betsy Green, both members of modern bluegrass combo The Opined Few and the band Mama Ain’t Dead. They play guitar, fiddle and banjo and harmonize. Their afternoon show is free and open to the public. Sunday, Aug. 2,, 4 p.m., Blueberry Express Park, 16 School St., Allenstown. See facebook.com/greenheronmusic.

Guitar man: With a resume stretching from ’90s rockers Wild Horses to backing Godsmack’s Sully Erna on his solo records and playing Faux Walsh in Dark Desert Eagles, Chris Lester has earned a reputation for talent and versatility as guitarist, singer and producer. Most recently, his band Ghosts of Vinyl released a pair of songs, “Amnesia” and “Zero Gravity.” Wednesday, Aug. 5, 5 p.m., Stumble Inn, 20 Rockingham Road, Londonderry. See chrislester.com.

Jerry day: On what would have been Jerry Garcia’s 78th birthday, musicians like Brett Wilson are playing in tribute to the guitarist known as Captain Trips and beloved by Deadheads. Wilson’s band Roots of Creation was inspired enough to make Grateful Dub a couple of years back, a reggae collection of Dead favorites like “Friend of the Devil” that ended with a minute of silence for Jerry. Saturday, Aug. 1, 6 p.m., Surfside Burger Bar, 41 NH Route 25, Meredith. See rootsofcreation.com.

Saturday in the park

Concord concert series spotlights local music

With big-name shows canceled throughout the state, local music is enjoying a welcome moment in the spotlight. In Concord, Capitol Center for the Arts and its smaller sister venue Bank of NH Stage are dark until close to Labor Day, but they’re keeping on by helping out with a series of concerts highlighting regional music, in nearby Fletcher-Murphy Park.

Upcoming are JamAntics cofounder Lucas Gallo (Aug. 1), modern country artist April Cushman (Aug. 8), percussive guitarist Senie Hunt (Aug. 15) and fiddle wizard Jordan Tirrell-Wysocki with Matt Jensen (Aug. 22). Music in the Park is a collaborative effort between Capitol Center for the Arts, Concord Community Music School and the Concord Parks & Recreation Department, with sponsorship by Concord Pediatric Dentistry.

Gallo, a tireless booster of the Concord scene for years as a musician and promoter, fits in perfectly with the series’ spirit. His show will celebrate the release of a new album, From the Attic. The all-acoustic CD was largely completed during the pandemic lockdown; many performers used the period of no gigs to focus on original projects.

Gallo was spurred to pull out material he’d kept in storage for years and “open it up,” as he sings in the title song.

“This album is all about taking those songs that have been kicking around for a while down from the attic,” he said in a recent phone interview. “Clear the dust, rejuvenate this older material in order to keep moving forward.”

The oldest song, “Drown,” dates back 18 years —‌ almost half a lifetime for Gallo, 37. The instrumental “Glude” and “It’s You,” a romantic shuffle with echoes of Jack Johnson written for Gallo’s wife, are the most recent tracks.

“They’re maybe a year old,” he said. “The others range over the last 10 years; some are songs that I played live a bunch but don’t have on record.”

Darlingside singer and guitarist Don Mitchell served as engineer, mixing and mastering the new record.

“I have a pretty long history with Darlingside here in Concord,” Gallo said. “It was super cool to have him be in that position on the album.”

Along with working on his own stuff, Gallo used the quarantine to check out friends in the music community, what he called a “silver lining” of lockdown for the father of three.

“We don’t get out all that often at nighttime, being parents,” he said. “So it was really cool to all of a sudden see everybody doing livestreams. … Nobody really took a break; they just found a different way to do it.”

Gallo also recognizes that Covid-19 offered an opportunity to performers like him.

“It’s a little bit ironic that it’s a big win for the local musicians when all these huge shows can’t happen,” he said. “All the local shows happen in smaller venues or bars, and it’s just really cool that local music is the one that’s able to keep it going.”

Music in the Park will happen rain or shine; if there’s inclement weather the show will be moved into Bank of NH Stage.

“There’s only 50 tickets being sold,” Gallo said, “so there will be plenty of room to social distance within the venue.”

All tickets include a copy of the new disc, a fact that may be most exciting to Gallo.

“I wanted an incentive to come,” he said. “To me it’s just like holding a book —‌ I want to hold a CD in my hand.”

Gallo offered high praise for the Capitol Center team that spearheaded the show.

“They’re smart people who are always looking for ways to pull in local music,” Gallo said. “It’s funny — I found out about Music in the Park because I’d emailed [marketing manager Sheree Owens] thinking that it would be so cool if they could do something out front, or close down part of Pleasant Street. Then she mentioned that they had this idea.”

Lucas Gallo
When:
Saturday, Aug. 1, 6 p.m.
Where: Fletcher-Murphy Park, 28 Fayette St., Concord
Tickets: $10 at banknhstage.com

First Cow (PG-13)

Film Reviews by Amy Diaz

An enterprising duo finds money in baked goods in First Cow.

Otis Figowitz (John Magaro) is, as his nickname “Cookie” suggests, the cook for a hunting expedition in the Pacific Northwest in the 1800s (Wikipedia says 1820). While searching for mushrooms and other edible fare to add to the provisions for the hangry trappers, he meets King-Lu (Orion Lee), originally from China. When they first meet, King-Lu is naked and hiding from a party of Russian trappers. Cookie gives King-Lu some food and takes care of him for a day or so while he recuperates from days on the run.

Later, after Cookie has been paid for the hunting expedition, he meets King-Lu in the small town (a bar, some houses, a thoroughfare where people sell all manner of things). King-Lu takes Cookie to the small shack where he’s set up a home. They hang out for a while, talking about future plans (maybe a farm for King-Lu, maybe a hotel and bakery for Cookie) and eventually about food. A cow has recently been brought to the area by the local rich guy, Chief Factor (Toby Jones), and Cookie has seen it hanging out in the meadow. What’s the harm in borrowing a little milk late at night?

Cookie makes a kind of fried biscuit with the first batch of stolen-milk-enhanced batter. King-Lu sees opportunity in these non-hardtack foodstuffs. Cookie makes a sweeter batch of what he calls oily cakes, which have kind of a doughnut-y appearance, and quickly sells out of them in the town’s thoroughfare, with King-Lu even helping along a bidding war for the last cake. They sneak in for another nighttime milking of the cow and the next day produce even more oily cakes (cooked on the spot), leading to a line of eager customers and cake-embellishments like a shaving of cinnamon.

The cakes are, I guess, the talk of the town and Chief Factor shows up to try one, leading Cookie to worry that he will eventually guess at the ingredients. Factor asks for Cookie to make an even more elaborate dessert for an upcoming tea party and King-Lu and Cookie find themselves trying to judge exactly how far they can take their criminal baking endeavor: they want to sock away enough money to chase their dreams but get out before they are caught.

There is a watchfulness about this movie — watching Cookie look for mushrooms or fry up oily cakes, watching other people in the town sell their goods, watching people go about their day. The movie takes the time to look around at the world this story is set in and what it maybe loses in momentum it gains in texture. There isn’t a lot to this movie in terms of events but there is a lot of richness, a lot of giving us the feeling of what a thing is like — a dirty bar, a spot in the woods or even the friendship between these two men, which is a truly lovely element of this story. This movie is the ultimate show-not-tell and it is able to immerse you in its world and in its characters without romanticizing the harsh realities of its time. A

Rated PG-13 for brief strong language, according to the MPA on filmratings.com. Directed by Kelly Reichardt with a screenplay by Jon Raymond and Kelly Reichardt (based on the novel The Half-Life by Jon Raymond), First Cow is two hours and two minutes long and distributed by A24. The movie is available for rent or purchase.

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