Forcing spring bulbs

Tips for getting them to bloom indoors

At this point, the garden is put to bed — or if I’ve neglected to do something, it probably won’t happen until spring. But this is a good time to force bulbs for early spring blooming indoors.

To force bulbs means preparing them in such a way as to force them to bloom early indoors, before they would bloom outdoors. Daffodils or crocus, for example, can be made to bloom by mid-February indoors, and tulips in March.

On a raw day recently I planted 20 “Tete-a-Tete” daffodils in pots. Each of these will produce one or more brilliant yellow blossoms just when I’m sick of winter, and renew my faith that spring is on the way. Bulbs have everything they need in order to bloom. All we have to do is offer a suitable place to spend the winter. Here is what I did:

First, I selected nice deep pots for planting. In the soil outside, daffodils are planted with six inches of soil over their pointy little noses. But in a pot, three inches is fine. I selected pots that were five or six inches deep, and placed three inches of potting soil in each. It’s fine to place the bulbs close together, just a couple of inches apart.

The potting soil I used was already damp, but after the bulbs were covered and ready for their winter sleep, I watered lightly. I will check them from time to time throughout the winter to make sure the soil does not dry out. The bulbs need moisture to develop roots and prepare to bloom. But be moderate: A soggy soil mix can rot roots.

I have a cold basement that I keep lightly heated to avoid freezing temperatures my old house is set on a hill, and the basement is above ground in the back of the house where I keep my bulbs. The ideal temperature for forcing bulbs is around 40 degrees for good root development. You can begin the process by leaving your pots outdoors until real cold weather is upon us. Cover the pots with leaves to minimize temperature fluctuations.

If you have a warm basement, you can try placing pots in an unheated garage or mudroom, or perhaps in the bulkhead if you have one. Everything I have read says to keep the pots in a dark place, though I think that only matters once the bulbs have started to send up leaves or buds. The bulbs can’t know about light while covered with soil. So put the pots in a cardboard box if you have them in a garage with windows.

How long do bulbs need to stay dormant? The little bulbs crocus, snowdrops and such only need eight to 10 weeks, daffodils need 12 weeks, and tulips need 16 weeks. I always place a plant tag in the pot with the date I started the process. And tulips will not bloom if you bring them into the warmth of the house before March.

Beware of mice and squirrels! Most old houses harbor at least a few mice. Once the mice got into my pots and ate all the tulip bulbs! Daffodils are mildly poisonous, so rodents will not bother them, and I’ve never had trouble with mice eating any alliums, which are good for forcing, too. I’ve had mice dig up bulbs, only to find they were daffodils and leave them on top of the pots, those rascals.

One way to know if your bulbs are ready is to look for roots poking out through the drainage holes of the pots. If you have daffodils that you planted 12 weeks ago but have not sent out any roots, they may be ready, but it would be safer to wait another week or two. Once you bring your bulbs up into the house it will take two to four weeks more for them to bloom. Place the pot on a south or east windowsill and check daily. Water if the soil surface feels dry.

Will the bulbs bloom again next year? Tulips probably will not ever bloom again for you, even if you plant them outdoors in the spring. Daffodils can bloom again, but might take a couple of years to rebuild their energy enough to bloom.

Paperwhites are bulbs that can be forced without soil and an extended dormant cold period. These beauties are in the daffodil family and are sold for forcing in a bowl of gravel and water on a sunny windowsill. Most have a very strong fragrance, though not everyone likes it.

Select a deep bowl without a drainage hole. Place a one- to two-inch layer of gravel or small stones in the bottom, then place your paperwhites on it, shoulder to shoulder. Add water to the bowl until it just kisses the bottom of the bulbs. You don’t want water so deep the bulbs are wet; it is just for the roots that will grow.

Next add more stones or gravel up around the bulbs. This will help to keep your flower stems from tipping over. Another way you can do is to keep stems short by giving them some gin! Start them in water, and after a week drain the water, and add a mixture of five parts water to one part gin. That will stunt the growth. Paperwhites started by the third week of November should bloom by Christmas. They will never bloom again, so put them in the compost after blooming.

Featured Photo: Paperwhites are easy to force in pebbles and water. Courtesy photo..

The Art Roundup 20/11/12

The latest from NH’s theater, arts and literary communities

“Passing Glance,” watercolor on paper by Bill Childs, 1962, up for auction through the New Hampshire Art Association. Courtesy photo.

Decades of art: The New Hampshire Art Association is celebrating its 80th year with a virtual silent art auction fundraiser and anniversary celebration on Thursday, Nov. 19, from 6 to 7 p.m. The event will include a short presentation highlighting the history of NHAA and some of its most prominent members over the years. Nearly 100 pieces of art from NHAA’s archives and current members will be up for auction, with bidding open through Friday, Dec. 11, at 6 p.m. The artwork will be viewable online and in person at the NHAA’s Robert Lincoln Levy Gallery (136 State St., Portsmouth) during gallery hours. “[The event] is more than a fundraiser,” NHAA gallery manager MaryAnn DePolo said in a press release. “It is an extensive showcase of artwork … within an organization dedicated to the idea of supporting the visual arts.” NHAA was founded in 1940 to provide opportunities for New England artists to exhibit and sell their artwork locally throughout the year. The oldest statewide artist association in the state, it has grown from 50 members in its first year to 275 members today, representing a variety of media, including painting, photography, printmaking, sculpting and more. Visit nhartassociation.org or call 431-4230.

The Nutcracker is here: It’s officially Nutcracker season as Southern New Hampshire Dance Theater presents the holiday classic at the Palace Theatre (80 Hanover St., Manchester) with showtimes on Thursday, Nov. 19, and Friday, Nov. 20, at 7:30 p.m.; Saturday, Nov. 21, at 11 a.m. and 4 p.m.; and Sunday, Nov. 22, at noon and 4:30 p.m. Tickets cost $39 to $46 for adults and $25 for children. Visit palacetheatre.org or call 668-5588.

Quilted stories: The Currier Museum of Art (150 Ash St., Manchester) has extended its exhibition “Richard Haynes: Whispering Quilts,” which was originally scheduled to close this month, through Jan. 4. The exhibit features a series of drawings by Portsmouth artist Richard Haynes, inspired by traditional quilting patterns that tells the story of an enslaved family’s dangerous journey along the Underground Railroad from a southern plantation to freedom in Canada. “This enslaved family has traveled to many states and communities in the past seven years, seeking freedom and a place to call home,” Haynes said in a press release from the museum. “I am so pleased and proud that this family can call New Hampshire and the Currier Museum their official home. Free at last.” Haynes will be at the museum on Saturday, Nov. 14, from 11:30 a.m. to 2:30 p.m., to sign copies of a portfolio edition based on the exhibit (available for purchase in the museum gift shop). Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and free for children under age 13. Reserve in advance online. Call 669-6144 or visit currier.org.

•​ Mathematical drama: The Players’ Ring Theatre (105 Marcy St., Portsmouth) presents Proof Nov. 13 through Nov. 22, with showtimes on Friday at 7:30 p.m., Saturday at 2:30 and 7:30 p.m., and Sunday at 2:30 p.m. The Tony and Pulitzer Prize winning play by David Auburn follows 25-year-old Catherine, the daughter of a brilliant but mentally unstable mathematician and professor who has undoubtedly inherited her father’s mathematical genius but fears that she has also inherited his mental illness. In the wake of his death she must deal with the arrival of her estranged sister and one of her father’s former students, who discovers a groundbreaking mathematical proof in her father’s office. Catherine must prove the proof’s authenticity and authorship while battling her own personal demons. Tickets cost $24 for adults and $20 for students and seniors. Visit playersring.org or call 436-8123. — Angie Sykeny

Making a splash

Wimpy Kid author visits Concord and Exeter

Jeff Kinney, bestselling author of the Diary of a Wimpy Kid series, is partnering with local bookstores to host two “Drive-Thru Pool Parties” in New Hampshire to celebrate the series’ 15th title, The Deep End, which was released Oct. 27. Additionally, he’ll be paying a special visit to one of his biggest fans, Cam, a sixth-grader at Rundlett Middle School in Concord. Kinney talked about the new book and tour.

What is the Diary of a Wimpy Kid series about?

Diary of a Wimpy Kid follows the trials and tribulations of a middle school weakling named Greg Heffley. The series is a little bit different from ordinary books because each book is a mix of text or handwritten text and cartoon drawings.

And the new book?

The new book, which is called The Deep End, starts off with the family in quarantine — not Covid-19-related quarantine, but quarantine nonetheless, because they’re having home renovations done at their house, and they’re living in the grandmother’s basement. Then, the family gets their hands on an RV and takes off for an epic camping trip.

Is Wimpy Kid autobiographical?

The books are semi-autobiographical. They often start off with real-life stories, and then those stories get really exaggerated and changed for comic effect. I would say that the DNA of my childhood is in these stories, even if the stories aren’t exactly true.

Did you ever think the series would be so popular?

No, I never thought that this would happen. I had hopes that the books would get published and hopes that they would take off, but I never had any expectations. Just a few minutes ago, I found out that the book is the No. 1 book in the country, so that’s really cool.

What’s going on at the pool parties?

They’re drive-through events geared for a Covid world. We feel that they’re really safe for kids. The kids and their families stay in cars with masks. I hand kids their books on a six-foot pool skimmer pole. There are some activities, like the kids are going to get to drive through a car wash-type tunnel that feels like you’re at the bottom of a swimming pool. At the end, I hit their car with a water balloon, and there’s music and a kind of happy atmosphere to it.

And your visit with your fan, Cam?

We’ve asked bookstores to identify fans of the series who might like to have some fun, and we’ve been visiting their homes, and we do a water balloon toss and some other activities. The grand finale is that we fire off a water balloon launcher that shoots water balloons like 100 yards. It’s just an unusual and fun and special experience. It’s been really fun for us. I’m traveling with a team of three, and these events tend to be our favorite part of the day.

What is it like for you, meeting young fans?

It’s really special when there’s a kid who seems especially excited to meet me, especially during this time when kids don’t have a lot to look forward to. You can see that that connection is really important. It’s energizing for the kids, and it’s energizing for me, as well. … I’m 15 books in, so when I started Diary of a Wimpy Kid in 1998, of course these kids weren’t born, and their parents probably hadn’t even met yet, so it’s been really cool to get waves of new fans and meet generations of new fans.

Did you always want to be a children’s author?

I didn’t know. I wanted to be a newspaper cartoonist, and I sort of fell into this. When I wrote [the first book] Diary of a Wimpy Kid, it took me eight years. … I had one big book which was 1,300 pages long … and the whole time, I was thinking I was writing for an audience of adult comic-lovers. I wasn’t thinking about kids at all. When my publisher got their hands on the book that I wrote, they said that they saw it as a children’s series, and that was a surprise to me. … It really took me a while to adjust to this idea that I was writing for kids and that there would be multiple books.

Do you have kids of your own?

I do. I have a 17-year-old and a 15-year-old, both boys.

Did they inspire any of your Wimpy Kid stories?

Every so often they’ll give me an idea. … I think mostly, having had kids has given me another crack at childhood. It’s given me a chance to see childhood again, and that’s been really fun to experience both as a parent and as a writer.

What are your future plans for the series?

I’d like to get to at least book No. 20. We’re also working on an animation now for Disney+. Hopefully these books will reach a whole new generation of readers in the next few years.

The Deep End Pool Parties with Jeff Kinney
• Thursday, Nov. 12, 5 to 7 p.m. at Lincoln Street Elementary School, 25 Lincoln St., Exeter. Hosted by Water Street Bookstore. Visit waterstreetbooks.com.
• Friday, Nov. 13, 5 to 7 p.m. at Rundlett Middle School, 144 South St., Concord. Hosted by Gibson’s Bookstore. Visit and gibsonsbookstore.com.
Tickets cost $14.99 and must be purchased in advance through Eventbrite.

Exhibits

• “MANCHESTER’S URBAN PONDS: PAST, PRESENT, AND FUTURE: A CELEBRATION OF THE MANCHESTER URBAN PONDS RESTORATION PROGRAM’S 20TH ANNIVERSARY” Through its cleanup efforts, the Manchester Urban Ponds Restoration Program has helped restore the city’s ponds to their historic uses. The exhibit provides a look at the history of some of those ponds, including Crystal Lake, Dorrs Pond, Maxwell Pond, Nutts Pond, Pine Island Pond and Stevens Pond. State Theater Gallery at Millyard Museum, 200 Bedford St., Manchester. On view now through Nov. 28. Museum hours are Tuesday through Saturday, from 10 a.m. to 4 p.m. Admission costs $8 for adults, $6 for seniors age 62 and up and college students, $4 for youth ages 12 through 18 and is free for kids under age 12. Call 622-7531 or visit manchesterhistoric.org/millyard-museum.
• “MOMENTS IN NATURE” The New Hampshire Art Association presents oil paintings by BJ Eckardt. Concord Chamber of Commerce Gallery, 49 S. Main St., Concord. On display now through Dec. 17. Visit nhartassociation.org or call 431-4230.
• “UNSEEN LIGHT” The New Hampshire Art Association presents infrared photography by Mark Giuliucci. 2 Pillsbury St., Concord. On display now through Dec. 17. Visit nhartassociation.org or call 431-4230.
• “AN EXTRAPOLATION OF CLOSE OBSERVATION” The New Hampshire Art Association presents prints and paintings by Kate Higley. 2 Pillsbury St., Concord. On display now through Dec. 17. Visit nhartassociation.org or call 431-4230.
• “BIG GIFTS IN SMALL PACKAGES” Artwork priced under $100. Presented by the Seacoast Artist Association. On display now through Dec. 26. 130 Water St., Exeter. Gallery hours are Wednesday through Sunday, 10 a.m. to 5 p.m., and by appointment. Visit seacoastartist.org or call 778-8856.
• “SMALL WORKS – BIG IMPACT” Creative Ventures Gallery’s annual holiday exhibit featuring small works of art in various media, priced affordably for gift buying. Virtual. On display now through Dec. 31. Visit creativeventuresfineart.com or call 672-2500.
• “THREADS: A COMMUNITY QUILT FOR 2020” A Portsmouth Historical Society exhibit. Discover Portsmouth, 10 Middle St., Portsmouth. On view Nov. 20 through Dec. 22. Visit portsmouthhistory.org or call 436-8433.

Theater

Shows
THE BRITISH ROCK EXPERIENCE The Palace Theatre presents. 80 Hanover St., Manchester. Through Nov. 14, with showtimes on Thursday and Friday at 7:30 p.m., and Saturday at 2 and 7:30 p.m. Tickets cost $39 to $46 for adults, $30 for seniors age 60 and up and veterans and $25 for children. Visit palacetheatre.org or call 668-5588.
MARY AND ME Glass Dove Productions presents. Hatbox Theatre (Steeplegate Mall, 270 Loudon Road, Concord). Nov. 13 through Nov. 22, with showtimes on Friday and Saturday at 7:30 p.m., and Sunday at 2 p.m. Tickets cost $22 for adults and $19 for seniors and students and should be reserved in advance. Visit hatboxnh.com or call 715-2315.

Classical

Events
WILD SYMPHONY The Portsmouth Symphony Orchestra will perform the debut classical work by The Da Vinci Code author Dan Brown. The Music Hall Historic Theater, 28 Chestnut St., Portsmouth. Sun., Nov. 15, 2 p.m. Visit themusichall.org or call 436-2400.

Featured photo: Jeff Kinney. Photo by Filip Wollak.

Quality of Life 20/11/12

New threat from scammers

There’s a new twist on the “grandparent scam,” according to an alert sent out by the state Attorney General’s Office, which wants New Hampshire residents to be aware of the “new and concerning tactics.” In a typical grandparent scam, the scammer calls or emails a victim and pretends to be one of the victim’s relatives, then claims to be in trouble with the law, or the scammer might claim to be a member of law enforcement who has arrested the victim’s relative. Scammers often tell the victim they are under a “legal gag order” to not speak about the incident, according to the release. Previously, the scammers would ask victims to wire money to a bank account or transfer money electronically; now, the scammers are trying to arrange in-person pickups of either money or other valuable items from the victim’s home. “This represents a new and dangerous threat to New Hampshire residents,” the release says.

Score: -1

Comment:The Attorney General’s Office said in the alert that law enforcement officials will never ask for money over the phone or via email and will never ask for in-person payments of cash or other valuables in exchange for a relative’s release. The office suggests hanging up and contacting your local police department.

Torch Run opens to all

The 2020 version of the annual Law Enforcement Torch Run for Special Olympics New Hampshire, which is usually held in the summer, will be a virtual event that, for the first time, will be open to non-law enforcement personnel, according to a press release. Typically, the run is made up of members of New Hampshire law enforcement running with the Flame of Hope in 28 different “legs” of a route that crisscrosses the Granite State, and it usually happens in conjunction with the Special Olympics New Hampshire State Summer Games. This year, anyone who wants to support the event can buy a “Braver Together” T-shirt or hat for $30 at sonh.org, where they will be asked to pledge the number of miles they intend to run or walk between Nov. 26 and Dec. 6.

Score: +1

Comment: Participants are asked to wear their “Braver Together” shirt or hat while they run or walk, and Special Olympics New Hampshire plans to post Torch Run photos and videos on its website and social media, according to the release.

Skating is on!

Though all ice rinks in the state were forced to close for two weeks in October due to Covid-19 concerns, several local rinks have reopened and are offering public skating, with restrictions. At Everett Arena in Concord, public skating hours are Monday through Saturday, 11:30 a.m. to 1 p.m. and Sunday from 5:30 to 7 p.m. Tri-Town Ice Arena in Hooksett is now offering limited public skating sessions, with various times available each week. In Manchester, JFK Memorial Coliseum offers public skating on Tuesday and Thursday mornings and Saturday and Sunday afternoons. And West Side Ice Arena offers hourly private rentals.

Score: +1

Comment: All facilities have safety guidelines in place, and availability is subject to change; visit their websites for the most up-to-date information.

NH supports veteran-owned businesses

A national analysis by Zippia, a resource site for job seekers, has found that New Hampshire is the most supportive state in the country for veteran-owned businesses. The data came from the U.S. Government’s Small Business Administration and included the number of veteran-owned businesses per capita and the percentage of state sales that go toward these businesses. In New Hampshire, 6 percent of state sales go toward veterans, which is the highest percentage in the country, and 12 percent of all businesses in the state are owned by veterans.

Score: +1

Comment: The other top spots went to South Carolina at No. 2 and Mississippi at No. 3, and the states that were ranked least friendly for veteran-owned businesses were New Jersey at 49 and New York at 50.

QOL score: 67

Net change: +2

QOL this week: 69

What’s affecting your Quality of Life here in New Hampshire? Let us know at [email protected].

Celts and Pats fixes ahead?

As we start today the Patriots are fighting through a rugged start where if they have somehow lost to the winless Jets by the time you see this, it’s going to get ugly around here. Free agency is about to start in baseball with the Red Sox in need of a major talent infusion. The Celtics are holding three first-round picks for now with the NBA draft 10 days away amid an accelerated time frame to reshape the team with training camp less than six weeks after the season ended. Thus there are a lot of local and national sports stories colliding in ways we’ve never seen because the world order has been so upended. So here are some thoughts on a wide range of them.

After you-know-who left and the team had little room under the salary cap to improve, I said the Patriots should look at the post-Brady era as an 18-month remodeling period focused on seeing which of the young guys, including Jarrett Stidham, can and can’t play over contending. Because that would establish where they need to spend their pre-pandemic $100 million free agent money next spring to put a contender back on the field in 2021. And with the Cam Newton audition sputtering, they should do that for the rest of the year.

I was OK with Tom Brady leaving because I thought he’d continue the tick down that started last year. Didn’t expect Willie Mays on the warning track, more like Joe Montana in Kansas City. But his 20 TD passes after eight games is a lot better than that. But oddly in the four games I’ve seen him play, against New Orleans twice, Chicago and the G-Men, he’s looked mortal at best to downright awful on Sunday against the Saints. So I don’t know if I was right or wrong. But maybe the tell is his inconsistency, which was never an issue until last year.

The rumor mill has Gordon Hayward opting out of his contract. If that’s true, where he goes will tell you where his head is at, as the only teams with big-bucks cap space — Atlanta, New York, Detroit and Charlotte — are terrible. Only Atlanta has a chance to improve quickly, so if he goes to any of those places it’s about a payday, not winning. Or paying back the team that stuck with him during his dark time, the uneven next season that ended with being awful in the playoff vs. Milwaukee.

If I could wave a magic wand here’s what I’d do: get rebuilding Indiana to give the hometown hero a contract extension as part of a deal sending Hayward and the C’s three first-round picks for Domantas Sabonis and Malcolm Brogdon. They’d lose a little of his play-making/ball movement game and three-point shooting. But they’d get bigger and tougher to help Daniel Theis on the boards, the kind of real point guard they need and two guys tied up contractually longer than Hayward. And if Danny could somehow work Oak City free agent scorer Danilo Gallinari into that deal it would be a home run.

Am I the only one who thinks the oversized, bejeweled rings given to Super Bowl winners these days look ridiculously gaudy and ostentatious?

I get why people toward the end of their life auction off memorabilia from their careers. Which is what legendary Dodgers broadcaster Vin Scully just did to the tune of $2 million. But if he was going to sell any of the six World Series rings from being with the Dodgers in Brooklyn and L.A., how did he choose the one from 1955? After years of futility and failure, especially to the Yankees, to whom they’d lost five World Series before then, that was Brooklyn’s 2004 and would seem to be the most cherished.

Loved Pete Rose’s reasoning for why he should be reinstated to baseball, because none of the players in the Houston sign-stealing scandal were punished. By the way, ahh, Pete, while they just got re-hired, AJ Hinch and Alex Cora both got fired as managers in Houston and Boston for doing it. You were betting on games when you were the Reds manager, not as a player. So the comparison is not valid. Though it works better as an argument for your Hall ineligibility, because that was done after the playing career ended and thus a separate act. Of course he denied he did it until he needed to juice sales for a new book. So no sympathy here for a dishonest guy getting what he earned.

I’m starting to think the The Washington Football Team should permanently keep their current name. It has a one-of-a-kind distinctive ring to it that other pedestrian name changes like the Wizards or River Rats will never have. And while it’s too bad the shorthand initials didn’t line up instead to be WTF to add a comic and prophetic touch to their plight during the Dan The Fan era, I can see them using “the WFT’s” as the nickname and logo. Sounds nuts, I know, but I’m all in.

Just saw the movie The Express about the great and tragic Syracuse running back Ernie Davis. I know, I’m a little late since it came out in 2008. But I don’t usually rush to see sports biopics because they make up so much stuff, as they did here as well. But it was pretty good. Though I must admit I didn’t really know about the racially charged brawl instigated by the Texas football team during the 1959 Cotton Bowl. In part because UT coach Darrell Royal pretty much sailed through the racially charged 1960s with his reputation intact. But seeing it made me think he may not have been so squeaky clean and that his being the coach of the last team to win a national championship (1969) without having any black players was more than a coincidence.

At the movies

How locally-owned movie theaters are weathering 2020

With Covid-related capacity restrictions and a scarcity of big new movie releases, movie theaters are struggling to cover their operating costs and some haven’t been able to open at all.

Among the big chains, area Regal theaters are temporarily closed and the AMC theater in Londonderry is mostly open Friday, Saturday and Sunday, as is the Cinemark in Salem, according to their websites. Likewise, locally-owned movie theaters have worked to find ways to adapt to regulations and uncertain movie release schedules.

Limited capacity, limited releases

One of the biggest challenges movie theaters have faced this year is the shortage of new movies being released.

“Whenever we think [a movie] is coming out, we get news that the studio has pushed the release date out,” said Mike Mannetta, marketing manager for Chunky’s Cinema Pubs, whose screening rooms offer chairs arranged at tables and food and bar menus, with locations in Nashua, Manchester and Pelham. “It’s like we’re chasing a carrot that just keeps moving on us.”

Some studios are bypassing theaters altogether and distributing the new films straight to home video, streaming platforms and on-demand services.

“It’s really hard to get people engaged [with movie theaters] when they have Netflix and HBO and so many different options,” said Angie Lane, executive director of Red River Theatres in Concord, which is a non-profit cinema with a mission to highlight independent films. “And I don’t blame them. It’s definitely easier right now to be like, ‘I’ll just find something to watch on Netflix.’”

Theaters may be able to get a hold of some new indie, local or foreign films or classic movies, but those alone don’t attract enough moviegoers for the theaters to make a profit or, in many cases, even break even with what they have to pay in licensing and operation costs in order to show the movie.

“A lot of these [indie] titles are great films, but they don’t have a great marketing budget,” Lane said, “and it takes a certain attitude that a lot of people don’t have to say, ‘I’ve never heard of this and have no idea what it’s about; I’m going to watch it.’”

“We need the blockbusters; the movies from Disney and all those big studios are the meat of our business,” Mannetta said. “Not having those is what’s really, really hurting us right now.”

But, as Wilton Town Hall Theatre owner Dennis Markaverich can attest, even first-run movies with big-name actors aren’t a surefire antidote to moviegoers’ reluctance to go out, especially to a small, intimate theater. When the theater reopened with new releases Irresistible and Emma in July, it was, Markaverich said, “a disaster.”

“They were first-run movies, one with Steve Carell in it, and guess what? They did terrible,” he said. “The film companies still wanted their regular percentage, which is high, and we weren’t even making the minimum. People weren’t even coming inside. It was like shoveling money into the boilers of the Titanic.”

If and when more moviegoers feel comfortable going to the theaters again, the state’s regulations for theaters, which currently call for a 50-percent reduction in capacity, may still make it difficult for theaters to cover their operating costs.

“Our largest theater can normally hold 150 people, so realistically, right now, with social distancing, we could sell maybe 50 tickets for that one, and maybe 25 tickets for our other theater, which can normally hold 100 people, and that’s at best,” Lane said, “and if we can’t sell enough tickets to cover the cost of opening the theater, our hands are tied. We can’t risk our financial future by trying to stay open. We have to be responsible.”

Bringing back the classics

Local theaters have taken a variety of approaches to coping with the challenges posed by Covid-19.

It’s been easier for some than others. Drive-in theaters were among the first entertainment venues permitted to reopen in New Hampshire on May 11, which was great news for the Milford Drive-In Theater, which has two screens.

“I was ecstatic that the governor’s office recognized that we would be able to [operate safely] and allowed us to open back up so quickly,” said Barry Scharmett, one of the family owners.

The Milford Drive-In Theater opened that same weekend with double features of Onward and The Call of the Wild on one screen and The Invisible Man and The Hunt on the second screen, new releases from February and March that were in the middle of their run when theaters were ordered to close. Tickets sold out fast for all showings. The drive-in continued throughout the summer and fall with a wide range of double features, including family-friendly favorites like Shrek and Despicable Me, horror duos like It and It Chapter Two and The Conjuring and The Conjuring 2, comedy pairs like Monty Python and the Holy Grail and The Big Lebowski, and a “Christmas in July” weekend with titles like Elf, How the Grinch Stole Christmas and National Lampoon’s Christmas Vacation.

“Covid never actually hurt us. The turnout this season was steady and fantastic from the get-go,” Scharmett said. “People wanted to get out of the house and do something, and we were able to provide a safe place for them to do that, so things worked out well for us.”

Milford Drive-In has closed for the season and will reopen in the spring, according to its website.

When indoor theaters got the green light on June 30, Chunky’s opened its doors right away with screenings of Jurassic Park, Ghostbusters and The Goonies. It continued with themed events like “Shark Week” in August, which featured shark-centric movies like Jaws, Open Water and Shark Tales; a screening of Mean Girls on Oct. 3 (fans know it as “Mean Girls Day”); and Halloween classics like Hocus Pocus, The Nightmare Before Christmas and Beetlejuice. They also brought back some popular flicks from the last few years, such as The Greatest Showman and Bohemian Rhapsody.

But screenings of older movies, even if well-attended, bring in nowhere near the amount of revenue that new blockbusters do, Mannetta said. In an effort to compensate for that loss, Chunky’s has been hosting other kinds of entertainment, including live comedy, music, magic and variety shows, trivia, 21+ events sponsored by an alcoholic beverage brand, a celebrity chef dinner series, paint nites, special promotions for kids and more and is, according to Mannetta, “constantly coming up with new, creative events to add.”

“If we just relied on the classic movie showings, we would be really struggling,” he said. “We’re still down significantly [in revenue] from last year, but all these special events we’re doing have been helping a lot with allowing us to continue [operating].”

Regional chain Cinemagic, which has theaters locally in Merrimack, Hooksett and Portsmouth, opened in New Hampshire in August with a similar mix of classic blockbusters as well as the new movies that came out in late summer, like The New Mutants and the Christopher Nolan directed Tenet. Local Cinemagic theaters’ current line-up of films includes new releases such The War with Grandpa featuring Robert De Niro, Honest Thief with Liam Neeson and other films with lower profiles than the big franchise films that have been delayed until 2021.

At Wilton Town Hall Theatre, after seeing the negligible turnout for the two first-run titles that he showed after reopening, Markaverich said he is resigned to showing only classic movies for the foreseeable future. The theater continues to run its Saturday classic films series each week and has been increasing the frequency of its well-attended silent film series, which features live music by silent film accompanist (and Hippo co-founder and associate publisher) Jeff Rapsis, from once a month to several times a month. Markaverich said he still looks forward to “going back into the movie business,” he said, “meaning the real movie business, being open seven nights a week with regular commercial films,” but he’s not going to take that step lightly.

“I already tried, and that act didn’t fly, so why would I try again when I know I’m just going to end up back in that same boat?” he said. “That’s why I’m waiting until I see other [similar theaters] start to turn over some good figures and get some steady flow. That doesn’t seem to be happening, but hopefully someday it does.”

Red River and O’Neil Cinemas in Epping have yet to reopen to the public. Red River has been subsisting on federal relief as it waits for “the safety and the financial viability” to reopen, Lane said, adding that the theater is preparing to attempt “a very limited reopening” before the end of the year.

“The funds have allowed us to breathe a little,” she said. “They’ve given us a bit of a cushion so that we can take the time to survey people … and look at every possible scenario … and really think about what our reopening is going to look like before we do it.”

In April, Red River launched its “virtual cinema,” inviting moviegoers to support the theater by purchasing tickets for new independent films, to be streamed from home.

“It’s not really enough to fund us, but we see it more as an engagement opportunity,” Lane said. “We feel that it’s important for us, as part of what we do as a nonprofit, to be out there in the community in some way. We want to make sure that we’re always meeting our mission, even when we’re not open or not making any money.”

Loni Dirksen, marketing manager for O’Neil Cinemas, said the theater is hoping to reopen next year but will not do so under the current circumstances for as long as they persist.

“We’re waiting for Covid numbers to improve, for restrictions [enforced by the state] to be lifted, and for new movies to start being released again,” Dirksen said, adding that O’Neil has no interest in reopening only to show classic movies.

Though their theaters were closed, O’Neil and Red River were, however, able to host some outdoor events during the summer. O’Neil had four drive-in showings of classic movies like Jurassic Park and Back to the Future, which Dirksen said “were pretty popular.” Red River partnered with Concord Parks and Rec for an outdoor showing of Toy Story, and with Canterbury Shaker Village for an outdoor showing of Casablanca. Lane said Red River may even hold another outdoor movie during the winter.

“Sometimes early December can be a little warmer, so we’re trying to see if that would be feasible and are looking into maybe getting some heaters,” she said.

Want a private screening room?

Another way that many local theaters are supplementing their income is by renting out their spaces as venues for private events for a reduced price. Depending on the theater, renters may be able to show their own DVD or Blu-ray disc or play their own video games on the big screen, and some theaters will provide concessions for the events.

Chunky’s and the Wilton Town Hall Theatre have been doing the rentals for months with a lot of success, according to theater representatives. It’s the main source of income (aside from federal relief funds) for O’Neil Cinemas and for Red River, which just started offering the rentals this week, their representatives said.

Dirksen said the rentals at O’Neil Cinemas have been popular for holiday get-togethers, business meetings, birthday parties and the like.

“It gives people a chance to get out and do something enjoyable,” she said, “and they can feel safe knowing that they’re coming into a clean environment that’s been disinfected just for them, and that all the people there are people from their own group who they’ve been socially distancing with.”

Pandemic protocols

In addition to limiting their capacity to 50 percent as mandated by the state, theaters have implemented a number of different protocols to prevent the spread of Covid-19 and ensure a safe environment for moviegoers.

Standard procedures at all theaters include required mask-wearing for theater staff and patrons, socially distanced seating arrangements and frequent sanitizing of common areas.

“I was adamant about people wearing masks while outside their cars,” Scharmett said of the Milford Drive-in. “If someone came in without a mask, they’d have to find one or leave — no ‘ifs,’ ‘ands’ or ‘buts’ about it.”

Rules about food and concessions vary from theater to theater. Chunky’s, for example, is continuing to offer a scaled-back selection of its pub fare, whereas Red River, when it reopens, will not offer concessions.

“We want people to be able to keep their masks [on] at all times,” Lane said.

Some theaters have taken other kinds of precautions as well. Both Chunky’s and the Drive-in (when it was open) conduct temperature checks with every staff member before every shift, and Red River has updated its air filtration system and is currently working on creating a contactless system for buying tickets in preparation for its reopening.

Dirksen said the actions taken by theaters across the country have been “very effective” so far.

“We recently learned that, as of now, there have been zero cases of Covid-19 connected to a movie theater,” she said. “That’s really great news for us.”

How patrons can help

Support from moviegoers is essential to the survival of movie theaters now more than ever, Lane said.

Theater staff said that one of the best ways to support local theaters is to consider becoming a member if the theater has a membership program, which often gives dues to the theater and gives patrons perks such as reduced admission pricing, guest passes, complimentary popcorn, invitations to members-only events and more.

Some local movie theaters have hosted fundraising events. O’Neil, for example, had a drive-thru popcorn and candy sale in October, and Dirksen said the theater may have another one in the future.

Gift cards are another option, Dirksen said, and can be a big help to theaters that still aren’t open and able to sell tickets.

“We will be opening again, and when we do, those gift cards will be good to use,” she said.

Lane at Red Rivers says donations of even $5 or $10 helps.

“We understand that a lot of people are out of work and struggling and it’s hard to give right now, but whatever they can give is enough,” she said. “Five dollars doesn’t seem like a lot, but if everybody gave that, it adds up.”

Though the CARES Act did provide some loans for small movie theaters, it simply wasn’t enough, Dirksen said, especially for theaters that are still closed.

“Some of us have been closed for six-plus months now and are still not getting any income,” she said.

By encouraging patrons to reach out to local congresspeople to advocate for them and “raise awareness … about how much independent theaters are hurting right now,” Dirksen said, theaters are hoping that Congress will be compelled to provide them with additional relief funding to help them stay afloat.

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