Tag: 210610

New crew

Revamped, Jason Spooner Band hits Concord

The Music in the Park concert series sponsored by Concord’s Capitol Center for the Arts in nearby Fletcher-Murphy Park continues on June 13 with Jason Spooner Band. The quartet rose to prominence in the mid-2000s and became a fixture on the New England festival circuit with five studio albums, most recently Chemical in 2014 and 2019’s Wide Eyed.

Dan Boyden took over on drums a few years back, but the band’s lineup remained constant otherwise, until original bass player Adam Frederick and keyboardist Warren McPherson left for family reasons in the days just prior to the pandemic. London Souls bassist Stu Mahan and Dawson Hill, a keyboard player with a perfect swampy touch, joined in early 2020.

“We had this tectonic shift … but it’s led to really good things,” Spooner said in a recent phone interview. “It was very, very nerve-wracking when it happened because it was like two pillars of the table coming off.”

The new crew made for “a re-energized band,” Spooner said. “Everyone’s equally fired up [and] rowing in the same direction; it’s amazing how far that goes. You get into a rehearsal and feel like everybody’s pumped to be there, to work on stuff and grow. Coming out of last year, we’re playing a lot more theater shows, bigger venues and cool openers.”

The fresh start included revisiting tracks initially done one to two years ago to give them an extra sheen; Spooner hopes to release them as singles. The process was refreshingly unrushed.

“This latest effort feels like it’s a little more marinated, we had time to make it … the songs feel comfortable in their own skin,” he said. “We did it in such a relaxed, unfettered way, there were just no limitations.”

One standout is the slow burner breakup song “Wanted to Say,” evoking Aja-era Steely Dan with help from horn players Phil Rodriguez and Brian Graham, who’ve toured with Sister Sparrow and The Dirty Birds.

“They just came in and we all wrote the lines on the spot,” Spooner said. “It was a super collaborative effort; I love the vibe they contributed.”

The new members joined organically. Boyden and Mahan are longtime friends.

“He’s kind of the alpha bass player around Portland,” Spooner said. “Stu also played and toured with Eric Krasnow, who of course is kind of royalty in the jazz, funk and jam scene, so he’s a monster.”

Finding Hill was pure serendipity.

“We were down at Sun Tiki Studios in Portland, a cool little studio with neighboring rooms where bands play simultaneously” — and the walls aren’t super-soundproofed, Spooner recalled. “We were packing up after a three-hour rehearsal, and all of a sudden we heard this other band. Dan looked at me with this stank face he’s pretty famous for and said, ‘Who the hell is that over there?’ We heard this real nice Little Feat, Dr. John playing — just, you know, a guy who had done his homework.”

Along with lineup changes, Spooner is taking a fresh approach to recording. “I’m hopefully getting a little wiser in terms of how records are made, what my best practices are, and how to do things effectively,” he said. “I’ve been known to be OCD from time to time. I’m the eldest child; I’ve always been kind of the point person on things.”

Lately, writing in the studio has replaced Spooner’s old habit of bringing the band well-formed songs, forging a fraternal bond and shared purpose.

“Skin in the game is big with bands,” he said. “A lot of the rifts happen if two guys are on one page and the other two are on another … whatever the dissonance may be, it’s never a good thing. It can lead to like bigger rifts and breakups and things like that. So now it’s feeling really good. Everybody contributes and has a role.”

Jason Spooner Band
When: Sunday, June 13, 2 p.m.
Where: Fletcher-Murphy Park, 28 Fayette St., Concord
Tickets: $12 at ccanh.com ($8 livestream available)

Featured photo: Jason Spooner Band. Courtesy photo.

The Music Roundup 21/06/10

Local music news & events

• Beach music: Part of a tour working its way up the East Coast, Ballyhoo! and Tropidelic help usher in summer at Hampton with a deck show. Tropidelic fuses reggae and hip-hop Thursday, June 10, 8 p.m., Bernie’s Beach Bar, 73 Ocean Ave., Hampton, tickets $20 at ticketmaster.com.

• Northern soul: Toward the end of last year, Charlie Chronopoulos released Chesty Rollins’ Dead End, an album that reflected “the backward narrative of poverty” in his home state of New Hampshire. It touched on friends and family lost to addiction, and the struggle of everyday life; “fragile things” that “spend their lives about to break.” Friday, June 11, 7 p.m., Molly’s Tavern, 35 Mont Vernon Road, New Boston. See charliechronopoulos.com.

• Throwback time: Local bands pay tribute to Prophets of Punk at the first in a three-week series that will include nights featuring Bruce Springsteen (June 19) and AC/DC (June 26). The lineup thus far has Dank Sinatra covering Social Distortion, Dana Brunt doing Ramones’ “Pet Sematary” and The Damn Nobody’s take on Bad Brains’ “Against.” The Graniteers do Blondie and, in an apt display of attitude, one of their own songs. Saturday, June 12, 8 p.m., Shaskeen Pub, 909 Elm St., Manchester. See Facebook.

• Hard-hitting: As if their sound couldn’t get any heavier, a New England Rock & Metal Showcase will feature doom rockers Dead Harrison playing with two drummers for the first time ever. The packed lineup includes Infinite Sin, Dawn of End, Machine Gun Mayhem, and King Polo. If that wasn’t enough, there’s also a mechanical bull for riding, which is, uh, very metal? Saturday, June 12, 6 p.m., Granite State Music Hall, 546 Main St., Laconia, tickets $10, see granitestatemusichall.com.

The Conjuring: The Devil Made Me Do It (R)

The Conjuring: The Devil Made Me Do It (R)

Lorraine and Ed Warren once again battle the demonic in The Conjuring: The Devil Made Me Do It, a perfectly acceptable bit of old-fashioned good-versus-evil horror.

I’ve always liked the chemistry between Vera Farmiga’s Lorraine, who can see and even communicate with a spiritual realm, and Patrick Wilson’s Ed, who in this movie literally holds her purse. The pair show up with their years of experience in investigating the supernatural and set up cameras and holy water and tackle each incident with a combination of belief and a follow-the-evidence approach to untangling how someone or someplace has become demon-inflicted. But they are also a married couple who really seem to like each other and who have just enough of a sense of humor about what they do — such as when Lorraine makes a joke about having met Elvis both before and after he died. They’ve always been good characters and this movie uses them more or perhaps just more centrally than I (dimly) remember in the previous two movies.

Here, we catch up with Ed and Lorraine during the exorcism of 8-year-old David Glatzel (Julian Hilliard). He’s giving the full demon performance — face boils, cringing when hit with holy water, contorting his body unnaturally. Though in the body of a child, the demon is strong enough to knock around all the other exorcism participants — the priest, David’s parents (Paul Wilson, Charlene Amoia), David’s older sister Debbie (Sarah Catherine Hook) and Debbie’s boyfriend Arne (Ruairi O’Connor). Horrified at what’s happening, Arne at one point grabs David and yells at the demon to leave him alone; “take me” Arne yells, to which the demon apparently thinks “don’t mind if I do.” David is released by the demon and Ed sees Arne soak up the creepy make-up job of the demon face.

Unfortunately, the demon knocks Ed out of commission for a bit, so he can’t warn Arne and Lorraine about what has happened. Soon, though, Arne, Debbie and all the dogs at the kennel they live above know that something is up.

The big evil here is not quite as visually interesting as a creepy doll or an even creepier nun, the baddies in previous Conjuring universe movies. But that’s OK; the movie takes the emotions of the situations seriously and serves up scariness in the moment but it doesn’t seem super concerned with selling you on its big demon narrative or connecting back to story points in previous Conjurings (though there are fun little Easter eggs). You can be in this movie for Ed and Lorraine and their married-couple-investigating-weirdness situation without really having to spend a lot of brain power remembering anything to do with the demon. It’s bad, it wants to do bad things. Sure, you could ask a bunch of “why” questions, but you could just let Farmiga and her late-1970s/early1980s riff on Victorian collars and sleeves kind of carry you through the movie. (I thought way more about Lorraine’s various looks than the story’s demon/exorcism mythology.)

So is tone why I find these movies basically, low-effort enjoyable? Everybody hits the right energy level, the right taking-it-seriously level — is that plus the Farmiga-Wilson duo the secret sauce of the Conjuring movies? Whatever it is, The Devil Made Me Do It, which is in theaters as well as on HBO Max, is another example of that kind of well-made, medium quality, enjoyable but forgettable horror. B-

Rated R for terror, violence and some disturbing images, according to the MPA on filmratings.com. Directed by Michael Chaves with a screenplay by David Leslie Johnson-McGoldrick, The Conjuring: The Devil Made Me Do It is an hour and 52 minutes long and is distributed by Warner Bros. in theaters and on HBO Max through July 4.

Featured photo: The Conjuring: The Devil Made Me Do It (R)

Great Circle, by Maggie Shipstead

Great Circle, by Maggie Shipstead (Alfred A. Knopf, 589 pages)

Sometimes, even if you are looking forward to it, a hefty book can seem overwhelming. It’s going to be such an effort to get through this, you think to yourself. But that’s not the case with this well-written, inventive book. Instead of feeling like work, reading this story propels your imagination forward making it one of those books that’s so darn difficult to put down. This one is a joy from beginning to end.

The book begins with twin infants, Marian and James, who are rescued from a sinking cruise ship in the early 1900s. Their mother is presumed drowned. Their father is the eventually disgraced captain of the ship who chose to protect the babies’ lives by accompanying them on a lifeboat, thereby abandoning the ship and crew. He goes to jail for dereliction of duty and the children are sent to be raised by a distant and detached uncle. James shines with his artistic and compassionate traits, while Marian, who is fearless, becomes infatuated with adventure and “flying machines” which she sees as a method of obtaining freedom. She decides she wants to be a pilot who will circle the globe someday, achieving the “great circle” that will connect everything, including the seemingly isolated events in her life.

After struggling to assert herself and to be heard in a male-dominated world, Marian does become a legendary pilot, fulfilling her life’s dream. She is seen as a leader, a role model and an inspirational teacher to other women.

Though her plane crashes and Marian loses her life, her lessons and joy at following adventure live on to impact future generations of women looking for the courage and bravery to persist in their own dreams. Marian is the Thelma and Louise of her generation, living life and dying on her own terms.

Meanwhile in the 21st century Hadley Baxter is an actress playing the role of Marian Graves in a biographical movie. Hadley is also an orphan and like Marian was also sent to live with her emotionally detached uncle. She has lost her way in life, a little too much drug use, a little too much freedom as a child, and a little too much abuse by the male-dominated Hollywood community. As a child, she read a book about Marian and was grabbed by her life, her fearless adventures and her courage.

Of course she agreed to play the role when asked. In recreating Marian’s life story on screen Baxter borrows from her lessons and learns to fight back against many of the patriarchal and societal restrictions on women in the film industry.

In the end, Hadley uses Marian’s courage and conviction to overcome frustration and emotional blocks in her own life. So yes, in its truest sense, this is a story about girl power done right. Marian’s message to Hadley, heard loud and clear over the years, is one of empowerment. You are brave for even trying. Forget what they say and go for it.

“Her very favorites, though, are the accounts of the far north and the far south, where ships’ rigging sags heavy with frost and blue icebergs drift freely, arched and spired like frozen cathedrals…. Bravery at the poles seems appealingly simple. If you go there, or try to, you are brave.”

One of the things that make this book so delightful to read is the amount of research that went into each chapter. The exquisite detail makes this historical fiction seem as real as any event you’ve heard about. You want to know more about the characters, the connections, and what’s going to happen next. It’s got adventure, lovers, bootleggers, hunters, bush pilots and artists. Shipstead takes us to Prohibition Montana, Alaska, Seattle, wartime London, wartime Alaska, a German POW camp, the South Pacific and finally an around-the-world flight. Even though the book takes us on so many separate journeys, they all work together and are eventually connected, like points on a circle.

It’s not easy for an author to jump between one storyline and another, and it’s even more difficult to connect those storylines when they happen almost a century apart, but Shipstead manages to do this with literary style. Even when they make poor decisions, you cheer for the main characters to continue. The enthusiasm and personal empowerment in each timeline is addictive. You end up caring about the women and their lives and you begin to connect the dots — it turns out it’s all related. Even though we may feel separated, we are all in this together. Women’s struggles over the ages have more in common than we might think.

Great Circle is a lovely, fascinating and inspiring, fast-paced read, perfect for the beach or just as a book that will keep you entertained and intrigued until its last page. Very highly recommended. A

BOOK NOTES

If there’s a graduate in your life, they are hoping you will send them a gift. You can be lazy and just send money, or be classy and send them money in a book. But you can do better than Jordan Peterson’s 12 Rules for Life.

For starters, consider How to Change, the Science of Getting From Where You Are to Where You Want to Be by Katy Milkman (Portfolio, 272 pages). She’s a behavioral scientist at the University of Pennsylvania’s Wharton School of Business who promises evidence-based strategies for success.

More challenging but equally on point: Becoming a Data Head by Alex J. Gutman and Jordan Goldmeier (Wiley, 272 pages). This new book promises to teach us how to “think, speak and understand data science, statistics and machine learning.”

In Making College Pay (Currency, 176 pages), economist Beth Akers argues that a college education is still worth the money, if done smartly. She offers some controversial advice, saying that your major matters more than your school, and that it might be smart to finance your education even if you can afford to pay as you go.

For high school graduates, consider 175+ Things to Do Before You Graduate College(Adams Media, 240 pages) by Charlotte Lake. A little silly in places (one “bucket list” suggestion is to spend a day pretending you go to a different school), some of the suggestions are a nice antidote to collegiate stress.

It’s a little edgy for high school grads, but college graduates might enjoyYear Book (Crown, 272 pages), a collection of biographical essays about comedian Seth Rogen’s early life and career.

Then, of course, there’s the perennial favorite The Naked Roommate (and 107 other issues you might run into in college) by Harlan Cohen (Sourcebooks, 560 pages). Now in its seventh edition, the book and its derivatives (e.g., The Naked Roommate, For Parents Only) could probably pay Cohen’s bills for the rest of his life, but he also published a new one this year: Win or Learn: The Naked Truth About Turning Your Every Rejection into Your Ultimate Success (Simple Truths, 152 pages). — Jennifer Graham

Book fairs

Author events

• CAROL DANA Penobscot Language Keeper and poet presents. Part of the Center for the Arts Lake Sunapee Region Literary Arts Series. Virtual, via Zoom. Tues., June 15, 5 p.m. Visit centerfortheartsnh.org/literary-arts-series.

• LIN-MANUEL MIRANDA, QUIARA ALEGRIA HUDES AND JEREMY MCCARTER Authors present the launch of their new book, In the Heights: Finding Home. Hosted by Gibson’s Bookstore in Concord. Virtual, via Zoom. Tues., June 15, 8 p.m. Registration and tickets required. Tickets cost $40 to $44. Visit gibsonsbookstore.com or call 224-0562.

• STACEY ABRAMS Author presents Our Time is Now. Hosted by Gibson’s Bookstore in Concord. Virtual, via Zoom. Tues., June 22, 7 p.m. Registration and tickets required. Visit gibsonsbookstore.com or call 224-0562.

• PAUL DOIRON Author presents Dead by Dawn. The Music Hall, 28 Chestnut St., Portsmouth. Thurs., July 1, 6 p.m. Tickets cost $60 to $180 per table. Visit themusichall.org or call 436-2400.

Call for submissions

• NH LITERARY AWARDS The New Hampshire Writers’ Project seeks submissions for its Biennial New Hampshire Literary Awards, which recognize published works written about New Hampshire and works written by New Hampshire natives or residents. Books must have been published between Jan. 1, 2019 and Dec. 31, 2020 and may be nominated in fiction, nonfiction, poetry, children’s picture books, middle grade/young adult books. All entries will be read and evaluated by a panel of judges assembled by the NHWP. Submission deadline is Mon., June 21, 5 p.m. Visit nhwritersproject.org/new-hampshire-literary-awards.

Book Clubs

• BOOKERY Online. Monthly. Third Thursday, 6 p.m. Bookstore based in Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Featured photo: Great Circle

Album Reviews 21/06/10

Kleiman, Toltech EP (AlpaKa MuziK)

It’s been a really long time since I felt like an international techno scene influencer like I was back in my New Times Media (RIP) days, but here and there a release will pop up out of nowhere, usually one that’s so minimalist and/or cheesy that I end up feeling like an idiot for giving it any attention in this space, like, jeez, I could do better than this with a 1989 Casio keyboard. Yeah, it’s either that or the artist is a newbie with like 24 Beatport likes, which is what I’d expected here, but it turns out Mexican producer Gabriel Kleiman is an actual player in his country’s techno-festival scene, acting as an organizer for the Ometeotl Festival for one thing. This shortie is two new songs and a remix from German minimalist Lampe, the latter serving as a tracklist-padding add-on of the core track, a cleverly syncopated beach-chill nicety with a Yello “Oh Yeah”-style bomp-bomp vocal and a polite but elegant drop. That really leaves only the original mix of “Smoking Mirror” left to examine; that one’s made of a robotically buzzy dance vibe and one sample that loops around like a drunken housefly. It’s cool with me. A

Information Society, Oddfellows (Hakatack Records)

Due out in August, this is only the eighth-or-so album from the Minneapolis–Saint Paul synthpop band, which made its biggest splash with its self-titled 1988 record, whose most famous song, “What’s on Your Mind (Pure Energy),” was the impetus for two zillion fashion victims asking each other “bro, isn’t this a remix of Duran Duran’s ‘New Moon on Monday’?” at the dance clubs. Forget Stranger Things and whatnot, these guys are the real Eighties deal; in fact, their 2016 LP Orders of Magnitude was filled almost halfway with covers from such bands as Human League and Sisters Of Mercy (along with an inexplicable rub of Exile’s “Kiss You All Over”). Whatevs, it’s now [current year], and we should talk about their new tunes, for instance “Bennington” (New Order meets Gary Numan), “Would You Like Me If I Played A Guitar” (buzzed-up neo-goth sort of like Front Line Assembly) and “Room 1904” (chockablock with all the Flock Of Seagulls/Simple Minds vibe you could want). It’s like they haven’t missed a beat; a nice cozy foray into today’s ’80s-nostalgic zeitgeist. A

PLAYLIST

• Patiently but relentlessly, the sands of time keep slipping through life’s hourglass, and blah blah blah poetic stuff, which brings us to the present, when, on June 11, new albums will appear, to entice you to either buy some of them, or retreat back to your Fortnite Tamagotchi Discord server and wait for a decent album to come out so that you can post your enthusiasm to your favorite AOL chatroom or whatever platform you use when awkwardly attempting to communicate with humans. Like most of the time, there are a few albums to choose from this week, and so, like the Jim Carrey version of the Grinch, I shall first give all these new albums a preliminary one-second mini-review before we get to it, a la “Hate … hate, hate … loathe entirely,” etc., but wait, maybe Path Of Wellness, the new album from Olympia, Washington-based Sleater-Kinney, will be OK, I just don’t know at the moment, but I’m assuming they abandoned their riot grrrl trappings long ago and just sing edgy versions of “Kumbaya” these days. You do, of course, know these girls; there’s whatsername, and there’s also Carrie Brownstein, one of the stars of Portlandia, the mildly-amusing-at-best nerd-centric sketch-comedy show that never fails to come off like Woody Allen trying too hard and therefore paradoxically being even less funny than real thing. But I digress, which is a necessity, of course, because elsewise this column would be very short and always end in “loathe entirely,” so let’s go on to the goings-on, which involves listening to the new single “Worry With You.” It’s OK, slow-ish Weezer-rock with a Pavement aftertaste, and the hooky chorus is fairly decent, nothing to hate but really nothing to remember either.
• Speaking of subdued riot grrrls, look gang, it’s Garbage, with a brand new album, No Gods No Masters! You know Shirley Manson and her gang of post-punk knaves from such unmemorable nonsense as “Stupid Girl” and “I Think I’m Paranoid,” but now we’ll see if they can still pull off sleepy edgy bar-band steez with their new title-track single! It’s actually not bad, basically a cross between early Cure and Devo, cheap Mario Brothers synths and everything in place, for your ’80s throwback party or whatever you people do to keep sane nowadays.
• Gee, look at the time, another five minutes has elapsed, which means it’s time for Australian stoner-indie goofballs King Gizzard & the Lizard Wizard to release a new album, this time titled Butterfly 3000! For once, the band is keeping all the relevant details close to the vest, and there are no advance songs available to listen to at this writing, but whatever songs are on this album, they’re probably loud and psychedelic. I know that doesn’t help much, not that I’ve ever been much of a help in the first place, but I can tell you that a new video based on the last eleventy-gorillion Gizzard albums was just released on YouTube, by some gamer grrrl named Josephine Paquette! It’s basically gameplay from a random video game, and then some edited video of the opening theme from The Sopranos, and then a few lines from the Gizz album “Infest the Rat’s Nest.” What’s that? No, my life’s trajectory has not been changed by these developments either.
• We’ll bag this week with a quick look at Maroon 5’s new single, “Beautiful Mistakes,” from their new LP, Jordi! The guest feat is Megan Thee Stallion, and it is so awesome, if you like late-career Coldplay, boy band emo, guys in ’90s tracksuits and people named Megan!

Retro Playlist

Let’s turn back the clock to 10 years ago this week, back to all the horror that was going on before all the quantum levels of horror that we have now. Naturally, the horror I had to deal with then was in the form of albums, for instance the self-titled album from Wisconsin-bred alt-chill feller Bon Iver. It wasn’t his first album, but it was indeed self-titled. Do you remember when that was a thing, and I’d just sit here guzzling Jagermeister and making jokes about annoying hipster bands that Stephen Colbert had to pretend he liked because it’s part of his job? I do. Anyway, that album contained his latest slow, faraway bummer tune, “Calgary,” which, I diagnosed, “sounds like Pink Floyd holding their noses while they sing, for ‘effect.’”
Wait, don’t leave yet, the two featured albums were both good. There was Total, the first full artist album from Bosnian producer SebastiAn, who at the time had been hawking his (arguably) darker side of the Ed Banger sound for going on seven years. There were 22 songs that were like Hot Chip but a hundred times more buzzy, with melted retro-disco (“Love in Motion” recalls Hot Chocolate’s “Everyone’s a Winner”), along with, as you’d more or less expect, some dubstep headbanging on the wild-ass title track. If you think of the Ed Banger sound, one of the first things that leaps to mind is, of course, the French Justice duo, and in fact one of those guys (Gaspard Auge) helped out on “Tetra,” which wasn’t what anyone would have expected but instead “actually a chill curve, proffering fake classical in and around its unhurried beat.”
The other LP under the coroner’s lights that week was Between Us, from Americana pop-folkie Peter Bradley Adams. I rank that dude in the same class as Amos Lee and Norah Jones, like, if you hate his music there’s literally something wrong with you. Compared to his earlier stuff, this album featured more drums and mandolin and whatnot, “as though there was a directive from on high that he start phasing out [his] lone-spotlight busker image.” But the slightly higher noise level only evidenced a broader range to his really unbelievable songwriting ability. (Cameron Crowe also loves the guy’s stuff, if that means anything to you.)

Two takes on pinot grigio

How location is key for this summertime favorite

Pinot grigio, long the favorite of art gallery openings and summer garden parties, is an Italian wine made from a light, red-colored grape. This has long been the go-to wine for the summer. Typically bright and citric, it can vary depending upon its terroir — the soils upon which the vines are planted and the climate in which they flourish. But this wine can go beyond summer garden parties.

Known as pinot gris in the Alsace region of France, pinot grigio is widely grown in the Friuli-Venezia Giulia region of Italy. This region is northeast of Venice and the province of Veneto, bordering Austria and Slovenia, and includes the city of Trieste. The grape is also grown in San Joaquin, Sacramento and Monterey counties in California. The wines produced from these two distinctly different terroirs are incredibly different. California pinot gris wines are lighter-bodied with a crisp, refreshing taste, with perhaps a bit of pepper or arugula to the tongue. Pinot grigio from Italy is more often light and lean, crisp and acidic without that peppery note of arugula. But the prevalent colors and tastes go beyond that.

Our first wine is the Italian version of pinot grigio, coming from the Collio Goriziano hills of the Friuli-Venezia Giulia region. The 2019 Attems Venezia Giulia Pinot Grigio Ramato (available at the New Hampshire Liquor and Wine Outlets, reduced in price from $19.99 to $9.99) is a superb example of this Italian varietal. The color is the palest of pink, without becoming clear. While citric, it is not intense, in that it has an underlying sweetness, with floral nuances of citric blossoms. To the tongue it is balanced with the acute citric notes to the edges of the tongue, and a residual nuttiness as the finish recedes, long and with a very slight tannic sense of roasted hazelnuts. This is an excellent wine for an aperitif, or to pair with a rich salad, pasta, fish or chicken.

The Attems dynasty has produced wine as far back as 1106. The long-established family founded the Collio Wine Consortium in 1964. In 2000, the vineyard was passed on to the Frescobaldi family, another centuries-old Italian family. However, the farming and production has not been streamlined with time. The 120+ acres are farmed responsibly, with organic feeding of green crops turned back to the soil. The color and creaminess come from its short time in barrel aging.

Our next wine comes from a brand owned by the beverage giant and largest California wine exporter, E. & J. Gallo. The 2020 Dark Horse Pinot Grigio (available at the New Hampshire Liquor and Wine Outlets, reduced in price from $10.99 to $8.99) is a great wine for a hot summer afternoon. It has a green cast that is almost clear in color. The nose is citric, almost grapefruit. To the tongue it is “clean and crisp” with strong citric notes. The winemaker, Beth Liston, sources the grapes for the wines she makes from over 400 vineyards across the Central Coast to create wines that outperform their price point. This is a wine that can be incorporated into a great white sangria, laced with sweet fruits, such as apricots, strawberries, and pineapple. This wine can hold its own against a chicken piccata, if your taste in wine is not along chardonnay lines. I had it with a plate of very cheesy macaroni and cheese, and it cut right through the richly dense mac and cheese.

This comparison is but another example of how the terroir, a region’s soil, topography and climate, can influence the product — the wine. To this we add another factor: the winemaker and how the wine is made. The California wine is produced in stainless steel vats, kept cool during maceration to ensure the wine remains crisp and citric. The Italian wine, while also made in a cool environment, spent a short time in oak barrels to impart a “creamy sweetness” and reinforce that slight pink color the juice has from spending a little time on the skins. It is more than interesting; it is just plain fun to see how a grape varietal can produce such divergent colors, scents and tastes.

Featured photo:

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