Greek pastries and custom cakes at new Raymond bakery
Reni Mylonas found success in 2020 as a homestead baker, dabbling in custom-order cakes and tapping into her Greek roots with pastries and cookies. Two years later, the Danville native has expanded into a new storefront in nearby Raymond, offering Greek favorites using recipes passed down in her family, along with other grab-and-go treats.
Agape Cakes & Confections, named after the Greek word meaning “love,” celebrated its grand opening April 9 with a menu of cupcakes, bars, macarons, cake popsicles and more. The new shop is in the Cozy Corner plaza on Route 27, giving Mylonas a permanent spot to sell out of for the first time. She’ll also be making authentic Greek pastries part of her regular lineup of sweets.
“My grandparents were born in Greece … and my dad was as well, so I grew up in a very Greek household,” she said. “I’ve grown up eating all these pastries, so it’s fun to share with everyone and to introduce them to those who haven’t had a chance to try some of them.”
A self-taught cake decorator, Mylonas started baking around the age of 9. She gained experience working in a few local shops along the way, most recently at Love + Flour Bakery in Salem.
When she started Agape not long after the pandemic shutdown, it was friends and family that mostly made up her customer base. Word of her talents quickly spread through social media.
Nearly every day out of the shop’s case, available treats include six-inch and eight-inch cakes; rotating flavors of cupcakes, macarons, bars, and Mylonas’s own homemade Greek baklava.
“I actually individually roll all of the pieces, so they are just like little logs, essentially, as opposed to one full tray that you cut into triangles,” she said. “It’s a bit harder to make, but I find that it’s a better product. … You also don’t want too much syrup, but you want enough where it’s coated on the inside and outside, where it’s almost moist and chewy but in a good way.”
With the help of her grandmother, Mylonas offers galaktoboureko, a custard-filled dessert wrapped in phyllo dough, as well as various types of Greek cookies, like kourabiedes (rose shortbread cookies coated in powdered sugar), koulourakia (butter cookies with a hint of vanilla) and melomakarona (spiced cookies soaked in syrup and topped with walnuts and sugar).
A wholesale area of the shop features ground and bean coffee from Coco’s Coffee, a small-batch single-origin roaster out of East Kingston. Other items for sale include Chocofreta, a brand of imported Greek chocolate bars, as well as honey sesame sticks and Greek evil eye pendants.
“It’s like a protection eye that you can hang up. We have them in our house, or you can put them on a keychain,” Mylonas said of the pendants. “It’s part of our culture [and] it’s meant to deflect negative energy. … I also have some mugs that I sell as a pack with Greek tea cookies.”
Mylonas plans to continue accepting custom cake and cupcake orders while also operating the storefront. Her next business venture for Agape will be in the form of a mobile cupcake trailer, which she hopes to have on the road to rent for private parties, weddings and public events like fairs by this summer.
Agape Cakes & Confections
Where: 59 Route 27, Unit 5, Raymond Hours: Wednesday through Saturday, 10 a.m. to 6 p.m., and Sunday, 8 a.m. to 2 p.m. More info: Visit agapecandc.com, email agape.cakesandconfections@gmail.com, or follow them on Facebook @agapecakesandconfections and Instagram @agape_cakesandconfections
Featured photo: Photo courtesy of Agape Cakes & Confections.
• Easter sweets: Join Assumption Greek Orthodox Church (111 Island Pond Road, Manchester) for a walk-in Easter bake sale organized by the Ladies Philoptochos Society that’s scheduled for Saturday, April 16, from 9 a.m. to noon inside its church hall. Spinach and cheese petas, Easter bread and Greek cookies and pastries like baklava, kourabiedes, finikia and koulourakia will all be available. For more ideas on how to celebrate Easter Sunday this weekend, check out our annual listings that ran in the April 7 issue; they begin on page 24. You’ll find dozens of special brunch menus and specialty treat offerings at local restaurants and bakeries, as well as candy and chocolate shops that have you covered for those Easter baskets. Go to issuu.com/hippopress and click on the April 7 issue to read the e-edition for free. Contact each establishment directly for the most up-to-date availability on reservations and takeout items.
• Cheers to beers: New Hampshire Craft Beer Week wraps up its final days now through Saturday, April 16 — go to nhbrewers.org or follow the Facebook page @nhcraftbeerweek for the most up-to-date happenings, as new events are posted daily. Presented by the New Hampshire Brewers Association, which represents the more than 80 licensed craft breweries statewide, Craft Beer Week celebrates local beer culture with a 10-day stretch of special releases, brewery anniversary parties and other special events, as well as various collaborative social media efforts to keep the community connected and engaged. Tickets are also now available for the Association’s highly anticipated Keep NH Brewing Festival, returning for the first time in three years on Saturday, July 9, at the Everett Arena Waterfront Park in Concord. General admission is from 1 to 4 p.m., with VIP admission an hour earlier, at noon.
• Newick’s closes Concord restaurant: Local seafood staple Newick’s Lobster House has permanently closed its Concord location, according to a message recently posted to its Facebook page. “The building did not fit with the direction we are moving, and our lease is coming to an end,” the post reads in part. “We have been looking for a new location but have yet to find one.” The eatery’s original location at Dover Point will remain open, the post said. Visit newicks.com or follow them on Facebook for updates.
Elizabeth Hurst is the community program director at Warde Senior Living in Windham.
Explain your job and what it entails.
I manage the independent living apartments, and I also oversee the life enrichment programs for our entire senior community. Our life enrichment program is resident-driven … and aims to improve the quality of life for the residents in our community. I stay busy coming up with creative and fun programs for our residents and making sure the diverse needs of our residents are being met.
How long have you had this job?
I’ve been at Warde for nearly nine years.
What led you to this career field and your current job?
Even when I was a kid, I loved helping others and volunteered in many different settings. I always knew I wanted to have a meaningful career and work with people. After graduating high school, I became a licensed nursing assistant in Warde’s nursing home. I enjoyed working with the seniors, and instantly knew this was the population I was passionate [about working] with. I worked my way up through three different positions, which led me to my current position as the community program director.
What kind of education or training did you need?
I’m certified as an activity director and did the required training, education and practical hours to become certified. I also have a bachelor’s degree in business and health care administration, and I’m currently in graduate school for my MBA in health care management.
What is your typical at-work uniform or attire?
I always like to look professional. My workplace is our residents’ home, so I keep my attire business casual.
How has your job changed over the course of the pandemic?
Senior communities have faced many challenges throughout the course of the pandemic. It was really hard in the beginning of the pandemic when all the senior communities were closed to visitors and to the public. I had to learn to be flexible and how to adapt quickly. As the coordinator for life enrichment and activities, I needed to be very creative in order to keep our residents engaged during the different restrictions.
What do you wish you’d known at the beginning of your career?
Everyone is on their own timeline. A lot of young professionals are in a hurry to figure out career choices quickly and compare themselves to other professionals, but everyone is on their own speed in life, so take your time and achieve your goals when it feels right.
What do you wish other people knew about your job?
That it’s more than bingo. When people hear about activities and life enrichment in a nursing home, bingo is usually the first thing that pops in their mind. Life enrichment is so much more than just bingo and games. All of our residents are unique, and I’m here to make sure there are meaningful activities keeping their lives enriched every day.
What was the first job you ever had?
My first job was when I was in high school, working at a small family-owned restaurant.
What’s the best piece of work-related advice you’ve ever received?
My parents always told me to do something I’m going to enjoy, and I’m glad I listened to them. It doesn’t feel like work when you enjoy what you’re doing, and I can honestly say I love what I do.
Five favorites Favorite book: Harry Potter Favorite movie:I don’t have one favorite. Chances are, if it makes me laugh, it’s in my top five. Favorite music: Folk and classic rock. Neil Young is my favorite. Favorite food: Homemade mac and cheese! Favorite thing about NH: I love how I’m within driving distance to the beaches, mountains and the city.
• Charmingfare Farm (774 High St. in Candia; visitthefarm.com, 483-5623) will host its Egg-Citing Egg Hunt this Saturday, April 16. Sign up for a time between 10 a.m. and 2:30 p.m. for a hunt for a dozen chocolate-filled eggs, a horse-drawn or tractor ride, a visit to the barn decorated specially for Easter, a visit with the animals (including spring baby animals) and a visit with the Easter Bunny, according to the website. Tickets cost $22 per person.
• New England Vendor Events is holding an Easter Family Fun Day on Saturday, April 16, from 11 a.m. to 4 p.m. at the VFW at 15 Bockes Road in Hudson. Tickets cost $1 (plus fees) to reserve a spot for a specific egg hunt time. The event will also have music, food, vendors and more. See eventbrite.com/e/4th-annual-easter-family-fun-day-in-hudson-tickets-248074586767.
• The Saturday, April 16, storytime at the Bookery Manchester (844 Elm St. in downtown Manchester; bookerymht.com) will feature the bookThe Easter Egg by Jan Brett. After the story, kids can participate in a craft making paper Easter eggs with tape and wet chalk.
• The Hudson Mall will host an Easter Egg Hunt on Saturday, April 16, with egg hunt times at 10 a.m., 11 a.m. and noon.
• On Saturday, April 16, Our Promise to Nicholas Foundation will hold an indoor maze to an egg hunt and the Easter Bunny at the NH Sportsplex (68 Technology Dr. in Bedford; ourpromisetonicholas.com) from 8:30 a.m. to noon. Hop along a bunny trail to play games, do a bunny craft and more and then head to the egg hunt field at a specific “egg hunt time” and take photos with the Easter Bunny (as well as other mascots and characters), according to the website. Tickets cost $8 per person; family tickets are also available through Friday, April 15, at 6 p.m. Tickets at the door cost $10 per person.
Chicks!
Kids can make Chicken Clucker crafts at Goffstown Hardware (5 Depot St in Goffstown; goffstownhardware.com) on Saturday, April 16, from 10 a.m. to noon. The event is free.
Movies for all
• Chunky’s Cinema Pub (707 Huse Road, Manchester; 151 Coliseum Ave., Nashua; 150 Bridge St., Pelham, chunkys.com) will hold a sensory-friendly screening of Sonic The Hedgehog 2 (PG) on Friday, April 14, at 4 p.m. At sensory-friendly screenings, the volume is down, the lights are up and moving around is allowed, according to the website. Tickets cost $5.99.
Trout for kids
• The Basil W. Woods Jr. Chapter of Trout Unlimited will sponsor a Youth Fishing Day at Merrill Park on Eastman Street in Concord on Saturday, April 16, from 9 a.m. to 3 p.m. Admission is free and kids under 16 years old can fish in a stocked trout pond with tackle and bait provided. The event will include refreshments, fly casting instruction and fly tying demonstrations, according to a press release.
Save the date: for Peppa Pig
Peppa Pig’s Adventure, a live show based on the popular cartoon, will come to Capitol Center for the Arts (44 S. Main St. in Concord; ccanh.com) on Friday, April 22, at 6 p.m. Doors open at 5 p.m. Tickets cost $39 through $59; a $50 VIP add-on gets you a post-show photo experience.
Save the date: for mom
• The Educational Farm at Joppa Hill (174 Joppa Hill Road in Bedford; theeducationalfarm.org) is holding a Mom & Me Spring Hike on Saturday, May 7, with time slots at 9 a.m., 10 a.m. and 11 a.m. for a hike around the farm. The cost is $18 per family; go online to reserve a spot.
Save the date: for summer theater
Tickets are on sale now for the eight productions of the Children’s Summer Series at the Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org, 668-5588) starting July 5 and running through Aug. 26. The series starts with the BJ Hickman Magic Show and wraps up with a presentation of Frozen Kids. The shows run Tuesdays though Fridays at 10 a.m. and Tuesdays through Thursdays at 6:30 p.m. The shows are younger audience-friendly. Tickets cost $10.
I have three of these wooden soldiers. I think this was part of a bowling set that was my mom’s.
My first question is, are these old enough to have value? Next question is, could I find more or similar ones to create a collection for my son?
Emily
Dear Emily,
I enjoy the fact that the set of three soldiers might be the beginning of a new collection.
Your toy soldiers could definitely have been part of a bowling pin set. They have been made for many years, from the late 1800s to now. Older ones such as yours could have been marked at one time Germany or Japan.
I think the value would be in having the complete set, and even better if in the original box. That might be in the range of $100+.
Now for starting a new collection moving forward, that’s priceless! The hunt will be fun and there is no saying what you will find out there today. Yes, it’s always worth collecting antiques and older items. Have fun, and I will keep my eyes open for you as well.
I like dahlias. They are bright and come in many colors with blossoms from the size of daisies to the size of dinner plates. My wife, Cindy, loves dahlias. Every year we have discussions about how many we should plant and where they might go. I believe there is such a thing as too many dahlias. Cindy does not.
Dahlias make nice cutflowers. Courtesy photo.
Each fall we dig up our dahlias a week or so after the first hard frost but before the ground freezes. We store them in a cool basement in boxes filled with sphagnum moss or sawdust that is lightly moist. The problem is, each plant produces a dozen or more tubers, and each and every one will produce a new plant the next summer.
If you have purchased dahlia plants at a greenhouse in the past, maybe this year you would like to try planting some tubers. They tend to be less expensive, and there is definitely more variety. Go to your local garden center or go online and order tubers.
Choose a 6-inch pot and fill it three quarters full with potting soil. Place the tuber so that it is lying flat on the surface, and cover with a few inches of potting soil. Pat it down, water lightly, and let it be. When it is ready, it will send up shoots and then it will need some bright lights. They have tiny “eyes” or growing points, and if you can spot one, be sure to plant it on the top side. But eyes are not always easily identified.
I grow ours on a plant stand with fluorescent lights and have never tried them on a bright windowsill, but I guess that would work, too. If you find your plants on a windowsill are floppy or pale, switch to artificial lights if you have them.
I love calla lilies. These beauties are not true lilies at all, but members of the Arum family (which includes Jack-in-the-pulpit, skunk cabbage and the house plants dieffenbachia and philodendron). Calla lilies are perennial in warm climates but, like dahlias and gladiolas, must be dug and brought inside before the winter here. Now is the time to start some calla rhizomes (a bulb-like modified stem) indoors. Plant them with the smooth side down.
Calla lily growing in a pot on my front steps. Courtesy photo.
One of the advantages of growing calla lilies is that they are not true lilies, hence not bothered by that dastardly red bug, the lily-leaf beetle. The lily-leaf beetle attacks Oriental and Asiatic lilies that I do so love but have given up growing. Calla lilies also bloom for a much longer time than true lilies, though they lack the fragrance of Oriental lilies.
To start calla lilies indoors now, buy rhizomes now at your local garden center or from a reputable supplier. The rhizomes need to be planted about 3 inches deep, then covered with potting mix. It is a good plant for people who tend to overwater their houseplants, as they thrive in moist soil. (By the way, start doubling the water to your rosemary plants if you over-wintered any. Otherwise they will dry out and die).
Once summer is here you can either transplant your potted calla to a nice sunny spot, or keep it in the pot and move it outside. Come fall, you will need to bring them inside, as temperatures around 20 will kill them. Callas need to go dormant in winter.
When buying some calla lily rhizomes at my local garden center, I also bought some gladiolus corms (commonly called bulbs). My gardening grandfather loved growing gladioli, and won ribbons at the Worcester, Massachusetts, county fair most years.
Gladiolus corms are relatively inexpensive so most gardeners don’t bother saving them. Classic colors are red, yellow, pink and purple. I recently bought bulbs that will produce flowers with pink, white, and white with pink designs at my local garden center. I will wait and plant them directly in the soil in my garden in June.
This canna lily has purple leaves and stands nearly 6 feet tall. Courtesy photo.
Another summer beauty is the canna lily. We grew some that were 6 feet tall last summer and they bloomed from mid-summer till fall. Buy rhizomes now and start them indoors to get a good jump on the season. They come in various sizes, and with green or purple foliage.
My favorite summer bulb plant is called a variety of common names: peacock orchid, sword lily, or fragrant gladiolus (even though this plant is not an orchid, a lily or a gladiolus). That’s why I like Latin names. If you ask for acidanthera murielae, plant-knowledgeable people around the world will know what you mean. But for now, I’ll refer to it as sword lily.
The sword lily has long, narrow leaves — like swords — that stand 18 inches or more tall. The blossoms are white with deep purple markings in the center of the six-petaled flower, along with a little yellow at the very center. You get two or three blossoms per stem, and they are enticingly fragrant, particularly in the evening. I’ll plant them now, eight to 12 bulbs 3 inches deep in a 12-inch pot, and grow them on the deck this summer.
I don’t know about you, but I need all the green growing things around me I can get as mud season lingers on. So get your summer bulbs now, before they are all sold out, and start a few indoors.
Featured photo: Sword lilies are highly fragrant in the evening. Courtesy photo.
The latest from NH’s theater, arts and literary communities
• Artistic exploration of the White Mountains: Writer Howard Mansfield and composer Ben Cosgrove present “A Journey to the White Mountains in Words and Music” at the Bank of NH Stage (16 S. Main St., Concord) on Thursday, April 14, at 7:30 p.m. The show, which is based on a chapter from Mansfield’s recent book Chasing Eden: A Book of Seekers and on Cosgrove’s landscape-inspired music, explores the impact that the discovery of the White Mountains has today. “Pioneering artists in the 19th century taught Americans how to look at the wilderness,” Mansfield said in a press release. “Americans were eager for the lesson and … followed the artists. Their art created a market for the views, filled hotels with tourists, and laid the bounds for national parks across the country.” Tickets cost $24. Visit ccanh.com.
• Diverse female authors panel: The New Hampshire Writers’ Project will present a virtual panel discussion, “Speaking Of: Women of Color,” on Saturday, April 16, from 4:30 to 6 p.m. Six female authors of diverse origin and culture will discuss their work and how their backgrounds led them to start writing as a form of self-expression and education. The authors include Brinda Charry, an immigrant from India to the U.S., fiction writer and specialist in British literature with a focus on English Renaissance literature and Shakespeare; Christine Nih’shaw Almstrom, children’s book author of Blackfeet/Onondaga Iroquois descent; Gledè Browne Kabongo, an author of psychological thrillers, originally from Dominica in the Eastern Caribbean; Hanh Bui, a children’s book author who came to the U.S. with her family at age 8 as a refugee escaping war-torn Vietnam; Loretta LC Brady, an author and a licensed clinical psychologist, professor of psychology and the director of the Community Resilience and Social Equity Lab at Saint Anselm College; and Masheri Chappelle, a playwright, novelist and intuitive consultant of African American and Native American descent. Rosa Marie Bell, Afro-Panamanian educator, multicultural moderator and executive producer of a weekly broadcast “Cafecito Cultural,” will moderate the panel. The event will take place over Zoom and is free for New Hampshire Writers’ Project members and $20 for non-members. Visit nhwritersproject.org to register.
• Ancient photography: The Currier Museum of Art(150 Ash St., Manchester) has an exhibition, “Appeal of the Real: 19th Century Photographs of the Ancient World,” on view now through June 12. It features photographs of the ruins of ancient Egypt, Greece and Rome, taken prior to when tourists could take their own photographs, often at the request of wealthy European and American tourists. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17, and is free for children under age 13 and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org.
• Opportunity for teen writers: Under the Madness, a new New Hampshire-based teen creative writing magazine, is accepting submissions now through Friday, April 15, for its second issue. The magazine is designed and managed by an editorial board of New Hampshire teens under the mentorship of New Hampshire State Poet Laureate Alexandria Peary. It features creative writing by teens ages 13 to 19 from all over the world, including poetry and short fiction and creative nonfiction. “It speaks to the confusing whirlwind faced by teenagers [due to the] pandemic, political polarization, global warming, inequity and unrest,” Peary told the Hippo earlier this year, “[and to] writing and creative expression as a way to set a foot on the ground when the adult-made sky seems to be spinning.” Submissions are open for future issues on an ongoing basis. All writing must be written in or translated into English and must be previously unpublished. Visit underthemadnessmagazine.com for full submission guidelines and to read the first issue.
ART
Exhibits
• “STITCHED TOGETHER – ELEMENTS OF NATURE FROM TEXTILE FRAGMENTS” New Hampshire Art Association exhibition features the textile collages of Cheryl Miller, inspired by the colors in nature. On display now through April 15. Greater Concord Chamber of Commerce Visitors Center. Regular gallery hours are Monday through Friday, from 8:30 a.m. to 5 p.m. All work is for sale. Visit nhartassociation.org or call 431-4230 for more information.
• “APPEAL OF THE REAL: 19TH CENTURY PHOTOGRAPHS OF THE ANCIENT WORLD” exhibition features photographs taken throughout the Mediterranean to record the ruins of ancient Egypt, Greece and Rome. The Currier Museum of Art (150 Ash St., Manchester). On display now through June 12. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.
• “WARHOL SCREEN TESTS” In the mid-1960s, American multimedia artist Andy Warhol had shot more than 400 short, silent, black-and-white films of his friends at his studio in New York City. Warhol referred to the films, which were unscripted and played in slow motion, as “film portraits” or “stillies.” The exhibition will feature 20 of those films, provided by the Andy Warhol Museum, in loops across four large-scale projections. The Currier Museum of Art (150 Ash St., Manchester). On display from March 31 through July 3. Admission is $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 to 17 and free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.
Powerful works on display at ‘Impact! Abstract’ exhibition
Twiggs Gallery in Boscawen has opened its 2022 season with “Impact! Abstract!” featuring the work of six local artists and on display through May 28.
“It showcases artists boldly approaching abstraction in completely different ways with a wide variety of media,” Twiggs Gallery Director Laura Morrison said. “Most of the artwork in this exhibit is on the smaller side, yet each piece really stands out on its own. It’s very powerful work.”
Each of the six artists answered a few questions via email about their inspiration and techniques.
Ann Saunderson
Acrylic, mixed media, oil & cold wax, monotype
What draws you to abstract art?
At first abstraction was just a challenge after having been a landscape and narrative painter all my life.
What was your artistic process in creating pieces for this exhibition?
It was surprisingly difficult to switch over and loosen up enough to enjoy the process. Once I accepted that I could paint over layers it was easier. And oil and cold wax helped and added the possibility of texture. Most of my work is really quite accidental. I may start with a theme, a concept, and then halfway through there’s a moment where the paint and I change directions and truly I’m just along for the ride.
How does your work in this exhibition make an impact?
My work is pretty dynamic. It doesn’t have answers and leaves a great deal up to the viewer. I love color and texture and I think those factors also give my paintings impact.
Daniela Wenzel
Oil painting, assemblage, ink drawing, driftwood pyrography and improvised quilt making
What draws you to abstract art?
What excites me about abstraction are the endless possibilities to depict facets of everyday life and the environment, without portraying clearly recognizable subject matter. An abstract work of art can mean many things to different viewers. I am specifically drawn to the emotional capacity in abstract art and its utter unpredictability. I rarely have a definite vision in mind when I start a new piece.
A low relief abstract sculptures by Daniela Wenzel.
What inspired your choice of materials?
I enjoy free experimentation with color and techniques, pushing boundaries and being resourceful with my materials.
What was your artistic process in creating pieces for this exhibition?
While time stood still at the height of Covid-19 in the spring of 2020, I found myself home with my kids on the days I wasn’t working at Elliot Hospital. My three Lego assemblages were created due to lack of time to paint in the studio. A lover of any kind of colorful visual vocabulary, I improvised my art making and created simple color abstractions. I specifically enjoyed playing with color theory and depth by layering different shapes and hues. Legos are an incredibly fun and abundant art supply and after repeatedly stepping on them I realized they could be more than nagging booby traps. For the two oil paintings included in the ‘Impact! Abstract’ exhibition I also used pigment sticks, which are basically solidified oil paint in the shape of a thumb-sized crayon. The use of these is more immediate and less deliberate and the marks noticeably different than from a paint brush.
How does your work in this exhibition make an impact?
The paintings both reflect and resonate the same playfulness and positivity as the Lego assemblages. They contain colorful pattern work, evocative shapes and a variety of paint application techniques to carry a sense of spontaneity.
Kate Higley
Printmaking
What draws you to abstract art?
I was a painting major as an undergrad, discovered printmaking in my early 30s, and fell in love with the way it has to be done step by step. The focus on process slows me down in a good way.
Printmaker Kate Higley’s “Spinning World.”
What inspired your choice of materials?
These particular prints are intaglio drypoints. This means that the ink is snagged inside the lines rather than flowing across the surface. I use an expanded plastic material for the plate and all kinds of sharp objects to make an image. It is then inked, wiped, and put through a press onto dampened paper.
What was your artistic process in creating pieces for this exhibition?
The gallery inquired if I could submit some black and white images. With three older plates on hand, I printed those, became engrossed and created four more plates specifically for this exhibit. The incentive was the invitation and I think Laura Morrison, the curator, used the absence of color to break up the other more vibrant work in a lovely installation.
How does your work in this exhibition make an impact?
My interest is inventing small organisms swimming or tangled in imagined aquatic or marine environments. The concerns are ecological and environmental. As an abstract artist, my aims are quite different from those who work toward realism. Texture, movement and repetition are all used to create a mysterious and engaging space where the viewer can consider not just what is present, but what might be happening outside the picture place.
Ethel Hills
Acrylic
What draws you to abstract art?
I started in abstract art almost accidentally. I was working in watercolor and started using a wet in wet technique to drop unusual colors into my landscapes. That led me to being more experimental and more colorful, letting go of realism in favor of design and color. The bottom line is that I’d much rather have a luscious crazy colorful painting than one that looks like a photograph.
Ethel Hills – Signs of Spring – Acrylic on Panel – 8″ x 8″
What was your artistic process in creating pieces for this exhibition?
The pieces in this exhibit were painted with lots of play and experimentation. I put shapes and marks on the panel or canvas and then keep playing and experimenting, looking for surprises, and looking for what speaks to me. At some point in the process I start to see what the painting is about. At that point the refining, rearranging and adjusting are a bit easier, because I have an emotional direction for the painting.
What inspired your choice of materials?
Acrylic is a great medium for this type of playing around, trying things out and changing things.
How does your work in this exhibition make an impact?
Hopefully these paintings make people think and make them smile. In general, I think that abstract art asks more of the viewer. The artwork isn’t always a quick read. It’s an invitation to look and think and feel. My paintings are kind of two sides of a coin. The ‘Mud Season’ ones are dark and rich, but with strong lights. They’re the contrast between the dark and messy parts of life and the brighter things, such as hope and joy. The brightly colored ones, from the ‘Early Spring’ series, are joyful and reminiscent of the contrast between snow and the coming spring. But that’s just my read on them. Everyone gets to bring their experience to the work and make their own judgments and their own stories.
Grace Mattern
Mixed media collage
What draws you to abstract art?
I’ve been a writer since I was young and have published two books of poetry. … Poetry is an abstraction of sorts, using as few words as possible to express the meaning of moments and events in our lives. Ten years ago I began to make image-based collages, layering figures and backgrounds to reflect multiple dimensions. That led me to an interest in combining image and text to create an additional layer of meaning. From there I began to make abstract collages because I was intrigued by the process of creating meaning without representational images. I enrolled in an online course in abstract collage in the spring of 2021. Through that class I learned different techniques for mark-making and printing collage papers and committed to a regular practice of collage-making. I’ve been regularly making abstract collages since.
Grace Mattern’s “Mending.”
What was your artistic process in creating pieces for this exhibition?
The pieces in the exhibit were created using techniques I’ve learned over the past year. The pieces arose from experimentation with techniques and materials and building trust in my instincts regarding composition and how to create meaning through abstraction.
What inspired your choice of materials?
I’m intrigued by meaning that can arise from unexpected combinations of materials. Sewing on paper, then painting the paper and cutting out shapes is included in three of the collages in the exhibit. I’m also drawn to the effects of layering transparent paper with varied prints, and what can emerge from that process. That’s reflected in the pieces in the show also.
How does your work in this exhibition make an impact?
As a longtime writer and somewhat beginner visual artist, I’ve always struggled with the question of how art has an impact in the world. I’m a lifelong social justice advocate, and worked for the New Hampshire Coalition Against Domestic and Sexual Violence for 30 years. The current focus of my activism is racial justice and land conservation, which overlaps with recognizing the ongoing contributions of indigenous peoples who have stewarded this land for thousands of years. I believe that the act of creation itself is activism, as it’s a gift to the world to express ourselves through art, music, poetry, etc. I hope the impact of my work in the exhibition is to create excitement in people to find whatever creative expression is meaningful to them and put it out into the world.
Becky Barsi (Artsy Barsi)
Interdisciplinary with a focus on mixed media assemblage
What draws you to abstract art?
The element of experimentation, chance, and the unknown draw me to create abstract compositions.
From Becky Barsi’s “Texture in Motion” series.
What was your artistic process in creating pieces for this exhibition?
It all started by deconstructing a bullet and playing with the gunpowder inside. After a few singed fingertips I learned how to safely control this mild explosive. Following these experiments I considered the broader significance of this media and how it could be juxtaposed with traditional art media.
What inspired your choice of materials?
So much of my life is lived in motion. Going, going, going. I often forget to stop and observe the subtle details of the life around me. … ‘Texture in Motion’ is a response to the chaos of a life that had intended to be more reflective and aware. Developed over the past year, this mixed media work was created as a meditative process and bridges three unique media. The work plays with the physical properties of a fluid medium, bending and twisting, sometimes colliding with colors (acrylic ink). It is balanced by the varied, yet structured, textures that are interacted with on a daily basis (security envelopes) and are tied together by the contrasting unpredictability of a volatile explosive (black powder). This work is a reflection and metaphor of a life.
How does your work in this exhibition make an impact?
There is a visceral reaction to working with gunpowder that can’t be avoided. The anticipation of the ignition, when the flame touches the volatile grain, adds an extra beat to the rhythm of my heart. The chance, the unknown result of this material instantly impacting the surface and surrounding materials, adds to the anticipation and impact of this process.
A poet’s perspective New Hampshire poet laureate Alice B. Fogel (2014-2019) will be at Twiggs Gallery On Saturday, April 16, from 1 to 3 p.m. She will be reading from her new book of poems inspired by abstract expressionist art, Nothing But: a series of indirect considerations on art & consciousness. There will be a book signing opportunity after. The event is free but seating is limited; reserve a ticket at twiggsgallery.wordpress.com.
How did you use abstract art to inspire your writing? What I wanted to do was to start with abstract expressionist artworks — without describing or explaining them — and bring to language those same disruptions to our stream of consciousness that occur when we encounter the unexplainable. … I’m so grateful for the opportunity to transcend mundane logic by means of nonrepresentational material — mineral, color, form, texture, light, shadow — I hoped the poems would create a conversation about reality, illusion, embodiment, perception and thought itself.
Was there any piece in particular that originally made you think, ‘This could be the basis for a poem’? The very first poem I think I wrote for this series was based on my response to a painting called ‘Field Notes, No. 59,’ by Andrew Moore, that I saw in a gallery in Asheville, North Carolina, Blue Spiral. (The poem is ‘Notes for 59,’ which opens the book.) I was so taken with it that I began to contemplate how abstract art, while not representing recognizable, ordered figures from our daily lives, can still represent a great and necessary part of our primal or archetypal human experience. I wondered if language could confound and re-orient us the same way.I took off from there.
How did you find the artwork that you drew your inspiration from? Local galleries? Online? Some of it was from galleries, and a very few from artists whose work I already knew. But because I was injured and immobile at the time, I found most of it online through websites. Not the best way to view art, but it was a life-saver that I could view it at all.
Why abstract as opposed to representational art? If I saw a painting and I could say, ‘That looks like a tree/house/river/anything!’ then I wouldn’t use it for this project. I didn’t even like using a totally abstract painting if it had a title that was too directive, like ‘Loneliness’ or ‘Rain in Winter.’ … I wanted to be affected in my heart or my gut or my skin while being clueless in my mind. I’m basically examining consciousness itself, building up a first-person plural, collective conversation, poem by poem, about reality and illusion, embodiment and spirit, perception and thought, as well as about art itself. Whether my response was infused with humor or wonder or ache, the art became … akin to a religion — a way to access the transcendent by means of pure material.
Explain the subtitle of your new book. Thank you for asking about this.The book starts with an epigraph from William James’s The Stream of Consciousness, written in 1892: ‘Consciousness is in constant change … a series of indirect considerations…. The only breaches that can well be conceived to occur within the limits of a single mind would … be interruptions, time-gaps during which the consciousness went out….’ The book’s subtitle reflects that concept. … It’s probably no surprise … that these poems are not narratives or linear lyrics. So I also hoped that by providing a pretty concrete hint of what the poems are after, the subtitle would help people know what they were getting themselves into.
Twiggs is calling this exhibition “bold and powerful.” Do your poems fit that description as well? That’s not for me to say, but that’s definitely how I think of the art that inspired the poems in this collection.
Featured photo: “If only…” by Ann Saunderson. Courtesy photo.
Local actors, directors and other theater artists discuss bringing their productions to life
A detective thriller, a parody about a certain wizarding school and children’s tales with a macabre twist are just a few of the shows coming to New Hampshire theaters this spring. Actors, directors and other theater personnel talked about their respective shows, what makes them unique and what it takes to get them stage-ready.
Anna Mae Murphy, actor
Puffs, or Seven Increasingly Eventful Years at a Certain School of Magic and Magic, presented by Cue Zero Theatre Co., at Granite State Arts Academy (19 Keewaydin Drive, No. 4, Salem), with showtimes on Friday, April 29, and Sunday, May 1, at 7:30 p.m., and Sunday, May 1, at 2 p.m. Tickets cost $15 ($16.25 with fees). Masks and proof of vaccination or a negative Covid test taken within three days of the performance are required. The show is also available to livestream for $15. Visit cztheatre.com or email cztheatre@gmail.com.
What attracted you to this show?
I found out about this show just a couple of days before auditions through a Facebook group I’m in for theater in New Hampshire. I hadn’t heard of Puffs before, but I quickly fell in love with it during my research and thought it would be a lot of fun to audition for something again after a few months.
Describe the character you’re playing.
The character I’m playing is Megan Jones, who puts on a tough act but is a big softie at heart. When you first meet her, she really rejects her family’s long lineage of Puffs and idolizes her mom, who became something greater in her eyes by working for the Dark Lord and ended up in Wizard Prison because of it. Megan’s big dream is that her mom will break out and come rescue her from this school she feels has failed her. At first, Megan does everything she can to reject being a Puff. But her friendships with Wayne and Oliver lead her on a journey of embracing her identity as a Puff and realizing her house and the Puffs around her are incredibly special. When I think of Megan, I think of someone who has a lot of layers, a lot of self-love to learn, but also someone who cares deeply about her friends and is way goofier than she’ll ever admit.
What have you been doing to prepare?
Preparing myself for this character began early on in one-on-one rehearsals with Christie [the director] where we got to have a long discussion and really dissect this character and create a solid foundation to build upon. When I came across something I didn’t really understand about Megan’s character, whether reading lines alone or rehearsing with the group, I worked to see it in the big picture of who Megan is and understand the context behind it. That’s really helped me to build her [character] even more. It’s also been so fun to build her further through rehearsing with the other people in this cast, and all the fun little moments we’ve created for our characters. Seeing the characters and their relationships to each other blossom has been so cool and often leads to some hysterical moments. One more thing I’ve done to prepare is I made a Megan Jones playlist with songs that remind me of her, and I like listening to it to help get into character.
What are you looking forward to most about bringing this show on stage?
I’m looking forward to people seeing this super funny show. I never get tired of these jokes, and everyone in this cast is hilarious. They’re always improvising new things, and they get funnier each time we’re all together. Everyone has worked so hard, and I can’t wait to hear all the laughter from the audience. It’s going to be amazing finally sharing this with people.
Why do you think this is a show audiences will enjoy right now?
I think audiences will enjoy this show because it’s a familiar story with a unique twist. While new stories are always fun, it’s nice to sometimes return to what is familiar and find appreciation for it in new ways. People will recognize many of the major plot points, and I think they’ll really enjoy seeing it from this new perspective. It’s nostalgic and truly hilarious, and finding things that bring a smile to our faces has been so important these past couple of years.
Connor Forbes, actor
Puffs, or Seven Increasingly Eventful Years at a Certain School of Magic and Magic, presented by Cue Zero Theatre Co., at Granite State Arts Academy (19 Keewaydin Drive, No. 4, Salem), with showtimes on Friday, April 29, and Sunday, May 1, at 7:30 p.m., and Sunday, May 1, at 2 p.m. Tickets cost $15 ($16.25 with fees). Masks and proof of vaccination or a negative Covid test taken within three days of the performance are required. The show is also available to livestream for $15. Visit cztheatre.com or email cztheatre@gmail.com.
What attracted you to this show?
I’ve been a fan of a certain boy wizard for a long time, so getting to finally be a part of that world in one way or another has always been a goal of mine. First hearing about this show back in 2018 or 2019, I knew it was a show I wanted to be in.
Describe the character you’re playing.
Wayne is an optimist and a dreamer. He has these big plans for himself and how he’s going to change the world, however cruel the world may be to him, or whoever stops him from fulfilling the goals he has for himself.
What have you been doing to prepare?
For one, I’ve definitely been practicing my wand techniques, but, in all seriousness, I’ve gone back to reread the books set at a certain school of female magic and male magic, including any spinoff material to immerse myself back into that world. I’ve also been consuming a fair amount of retro media, as my character Wayne is very much immersed in the pop culture of the ’80s and ’90s.
What have rehearsals been like?
Christie, the director, has made the rehearsal process such a blast. It’s been such a fun environment to be a part of, and everyone involved in this show, from the cast to the production team to the crew and everyone in between, has been incredible to work with.
What are you looking forward to most about bringing this show on stage?
I’m very much looking forward to bringing a new perspective to those seven years at magic school — an underdog perspective. The Puffs, as a group, are the ones who’ve never been destined for anything, and for there to be a story that’s all about them truly warms my heart.
Why do you think this is a show audiences will enjoy right now?
I think audiences need a break from reality, even if it’s only for two hours. Movies and television are a thing that can provide that, but I’ve found that nothing brings that sense of wonder to a person like live theater does. Plus, this show is heartfelt, action-packed and just plain funny. Even if you aren’t a fan of that certain boy wizard, this show is a laugh-out-loud good time.
Genevieve Aichele, director
An Inspector Calls, presented by New Hampshire Theatre Project at West End Studio Theatre (959 Islington St., Portsmouth) from May 6 through May 22, with showtimes on Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Tickets cost $30 ($33.26 with fees) for general admission $26 ($29 with fees) for seniors, students and veterans and must be purchased in advance. Masks are required in the theater. Visit nhtheatreproject.org or call 431-6644.
What attracted you to this show?
I’ve been wanting to produce this show for several years now. It’s a well-paced, clever play with excellent dialogue and great roles for actors, and its theme of social responsibility is more important than ever. For a piece written in 1945, it’s astonishingly pertinent today.
How are you interpreting the show as a director?
The only change I’m making is that we’re not using British accents. I wanted the play to feel very accessible and contemporary.
What have rehearsals been like?
A joy. I have a solid professional cast. … Each of them brings thoughtful character interpretations to their role, and everybody is fully prepared for rehearsals.
What is the biggest challenge of directing this show?
Trying to stay true to the period stylistically while making the themes accessible to contemporary audiences. This play is written like an Agatha Christie-type mystery, so keeping the pace taut and heightened without descending into melodrama is also a challenge.
Monique Foote stars in An Inspector Calls. Photo by Ben Bagley
What are you looking forward to most about bringing this show on stage?
The process of creating a piece for the stage with a collaborative team is what I love most about directing. Not just working with the excellent cast, but also [with the] costume designer, set designer and lighting designer, discovering things together. For instance, I really wanted to cast against type and have a woman play the title role of the Inspector, even though it might be anachronistic, but [the costume designer], in her costume research, discovered that there actually were female police officers in England at the time the play takes place in the early 1900s. This changed our approach to the character.
Why do you think this is a show audiences will enjoy right now?
The script is excellent, the characters are fascinating and the story is absolutely pertinent to our world today. There are even lines that echo eerily; they could be spoken in 2022 instead of 1912. [The Inspector says,] ‘We don’t live alone. We are members of one body. We are responsible for each other.’ In an era of instant global communication and connection, these issues seem even more important [today] than they were 75 years ago.
Steve Short, company manager, co-producer and sound designer
The Play That Goes Wrong, presented by the Manchester Community Theatre Players at the Manchester Community Theatre Players Theatre, located at the North End Montessori School (698 Beech St., Manchester), with showtimes on Fridays, May 13 and May 20, and Saturdays, May 14 and May 21, at 7:30 p.m. Tickets cost $20 and must be purchased in advance. Masks and proof of vaccination are required to enter the theater. Visit manchestercommunitytheatre.com or call 327-6777.
What attracted you to this play?
Having been involved in community theater for 17 years, I’ve seen a lot of mishaps and blunders, both on and off stage. This will be our third production in this genre, about a theater company putting on a play that goes horribly awry.
How are you interpreting the play?
Some of the sound effects are pretty simple, but some require some imaginative editing. I can’t go into more detail; you’ll have to come see the show.
What have rehearsals been like?
We’re pretty early in the rehearsal process. The cast has mostly been laughing hysterically, as putting the script into action on stage has been pretty funny.
What is the biggest challenge of this play?
It can be difficult to stage many of the set failures that are found in the script without a Broadway bankroll. The Manchester Community Theatre Players can be quite imaginative within the confines of a community theater budget.
What are you looking forward to most about bringing this play to the stage?
Audiences are desperate to see theater on stage rather than in Zoom boxes, and theater companies love the feedback that audiences provide.
Why do you think this is a play audiences will enjoy right now?
It’s a very funny show.
Billy Butler, writer, composer and director
Children of the Grim, presented by Bitter Pill at the Players’ Ring Theatre (105 Marcy St., Portsmouth) from May 13 through June 5, with showtimes on Fridays at 7:30 p.m., Saturday at 2:30 and 7:30 p.m., and Sunday at 2:30 p.m. Tickets cost $28 for adults and $25 for seniors age 65 and up and students. Masks and proof of vaccination or a negative Covid test are required. Visit playersring.org or call 436-8123.
What inspired you to write this show?
When I was a child, in the old timey days before cable TV and the internet, my mother used to read to me a lot — classics like The Wizard of Oz books and the Narnia chronicles, as well as Grimm, Native American mythology, Mother Goose, Aesop, Edward Gorey and, my favorite, campfire ghost stories. Bitter Pill generally plays to an adult audience, and I began to notice a lot of families at our concerts. We started editing our set lists to be more accessible for those shows. I wanted to create something an out-of-the-ordinary family would enjoy within the aesthetic of our band, so I started writing Children of the Grim inspired from my childhood stories. There are so many wonderfully dark, strange and bizarre tales from all over the world. It’s funny how those macabre stories used to be totally acceptable for children; there was a time when we knew that the universe is a dark and dangerous place. Even the early days of Disney had such dark overtones. We’re using some verbatim tales as well as nursery rhymes set to original music. I also wrote my own tales and songs. There’s no through-line, but there are definitely themes, all told in a series of vignettes and songs. I’m not sure how to describe it in theatrical terms, but maybe it’s a song-cycle meets a scene-cycle.
Describe the music. What does it add to the show?
The music is folk and played on all stringed instruments — acoustic guitars, mandolin, banjo and cello. Most of the show is original music, but [there are] also some traditional songs that may have been long forgotten. Music is what feelings sound like, and we present them in a way that isn’t banging people over the head with too many theatrics. Some of our songs create all the imagery needed simply by just singing them, without the fancy choreography or flashy lights.
Children of the Grim. Photo by Gina Bowker.
What have rehearsals been like?
After our first rehearsal at the beginning of March, two of our actors contracted Covid. We lost a little more than a week’s worth of work. I knew this was a possibility and scheduled the process keeping in mind that Covid would very likely rear its ugly head. They went into quarantine, and we all tested multiple times before getting together again. Everyone got healthy very quickly, and we got right back to work. Since then, we’ve had a great time putting it together — a lot of laughs and plenty of goofiness.
What is the biggest challenge of directing this show?
Learning a new show is always challenging since there’s no reference point. There are no cast recordings or videos. It’s one of the reasons I love doing new work, whether [it’s] my own or others’. There are no expectations, and the creative process of bringing something new to life is frighteningly exciting. The biggest challenge, however, is that it’s been three years since I’ve directed anything, so the insecurities are hitting harder than usual. I’m second guessing, doubting myself and feeling the impostor syndrome here and there. These are all very normal [feelings] in a normal world, but in this new abnormal [world], things are much more elevated. Navigating it is tricky, but everyone involved is so 100 percent committed that I walk away from each rehearsal with more and more confidence. That’s how collaboration works — lifting each other and embracing the good and bad.
What do you hope the audience will take away from your show?
Humming a tune, and a bittersweet taste in their mouth.
What are you looking forward to most about seeing your show on stage?
It’s always a pleasure to see your work come to life before an audience for the first time. I imagine even more so these days. I look forward to being in the same room, breathing the same air, feeling the same feelings. Some say theater, music and arts are an escape; I don’t agree. People go to a concert or see a play or a movie to feel something, to sit in the dark and be reminded that we’re luminous beings. I know I always walk away from art feeling lighter and maybe even a little enlightened.
Why do you think this is a show audiences will enjoy right now?
It’s not a typical play or musical, especially for families. Nothing is sugar-coated, and it’s dark, but also quite funny and poignant. It’s also short — a little more than an hour with no intermission. These old and new tales are an important reminder to embrace the dark, because, without it, how do we find the light?
Christie Conticchio, director
Puffs, or Seven Increasingly Eventful Years at a Certain School of Magic and Magic, presented by Cue Zero Theatre Co., at Granite State Arts Academy (19 Keewaydin Drive, No. 4, Salem), with showtimes on Friday, April 29, and Sunday, May 1, at 7:30 p.m., and Sunday, May 1, at 2 p.m. Tickets cost $15 ($16.25 with fees). Masks and proof of vaccination or a negative Covid test taken within three days of the performance are required. The show is also available to livestream for $15. Visit cztheatre.com or email cztheatre@gmail.com.
What attracted you to this show?
I was attracted to this show at first as a fan of the fandom and, second, as a Puff myself. I had the privilege to see it off-Broadway as part of my sister-in-law’s bachelorette party and fell in love with the message that behind this seemingly misfit group are loyal, caring, hardworking individuals, and I connected with those characteristics.
How are you interpreting the show as a director?
As a director, my interpretation is to keep the heart, soul and lighthearted nature. This show has a lot of heart, and, once you lose that then it’s disingenuous.
What have rehearsals been like?
Rehearsals have been so collaborative and respectful. I honestly got very lucky with this cast.
What is the biggest challenge of directing this show?
The sheer amount of props, costume pieces, sound cues and lighting. This show has well over 100 props. I got very lucky with two productions finishing before mine, so many of my props are borrowed from Powerhouse Theatre or Manchester Central High School. In addition, the sound cues and timing of wand- and spell-making and that coordination will be important.
What are you looking forward to most about bringing this show on stage?
I’m looking forward to getting this in front of an audience. This is a funny show, and the talent in the cast is undeniable. We worked on improv skills, building community and fostering ideas from the cast, and I hope it’s noticeable. Each actor had a one-on-one session with me, and seeing how each character holds their wand and casts spells is so subtle, but I hope that, in the small theater, it’s a detail that’s appreciated.
Why do you think this is a show audiences will enjoy right now?
If people are a fan of the fandom and are looking for a light-hearted comedy in a stressful world, this is the show to see. Also, sitting in the front row has some advantages in this show. What exactly are those advantages? You’ll just have to come and see.
Emily Karel, actor
An Inspector Calls, presented by New Hampshire Theatre Project at West End Studio Theatre (959 Islington St., Portsmouth), from May 6 through May 22, with showtimes on Friday and Saturday at 8 p.m., and Sunday at 2 p.m. Tickets cost $30 ($33.26 with fees) for general admission, $26 ($29 with fees) for seniors, students and veterans, and must be purchased in advance. Masks are required in the theater. Visit nhtheatreproject.org or call 431-6644.
What attracted you to this show?
First and foremost, the subject matter. The play deals with the struggle between individualism and collectivism and the disparity between those in the upper class and those in the lower class. With this work, Priestley asks us to reflect on how our actions affect those around us. Though the events of the play take place in 1912, these themes remain painfully relevant.
Describe the character you’re playing.
Sheila is the daughter of Arthur and Sibyl Birling. She fits into her parents’ carefully curated world of taste and refinement, but only just. She has a hot temper and is more intelligent than her family or fiance give her credit for. Her discomfort with the social and societal role she’s expected to play becomes evident fairly early on and only intensifies as the events of the play unfold.
What have you been doing to prepare? What have rehearsals been like?
In terms of preparation, I like to learn my lines as soon as possible. I feel it’s nearly impossible to do the work I need to do to build my character and support my castmates in the rehearsal room if I’m glued to the page. I like to come into the first rehearsal as close to off-book as possible. This play is a period drama, so I’ve been spending time outside of rehearsal researching the time period in which the events of the play take place. Also, in addition to making decisions about Sheila’s inner life, I need to find her psychically. BBC period dramas have been helpful research tools. Watching the characters on screen can help me get a sense of how young women in that time period moved and held themselves. The first season of Downton Abbey is especially useful since it takes place during the exact same time period as Inspector.
What are you looking forward to most about bringing this show on stage?
I’m looking forward to hearing what audiences take from the show.
Why do you think this is a show audiences will enjoy right now?
I’ve been in this show before; I played Sheila in college. My experience of the play this time around is quite different, having come out of two-plus years of the Covid pandemic. I can’t help but be struck by the enormous class divide that exists in this country and how it has only been exacerbated by the pandemic. We’ve been divided into those who can stay home, stay safe, order our groceries in and implore others to do the same, and those who simply cannot. Some jobs can’t be done remotely. Some of us weren’t afforded the luxury of staying safe. The sad truth is that many of us … have quite a lot in common with the Birlings. We think we’re doing the right thing, taking care of ourselves and those we love, but we’ve been blind to our own immense privilege. My hope is that the experience of this play, whether from the stage or the audience, will encourage all of us to step outside of ourselves a bit more.
Featured photo: From left to right, Anna Mae Murphy playing Megan, Connor Forbes playing Wayne, and Noah Greenstein playing Oliver in Puffs, or Seven Increasingly Eventful Years at a Certain School of Magic and Magic. Photo by Paula Trout.
See Jake Shimabukuro at the Tupelo Music Hall (10 A St. in Derry; tupelomusichall.com) tonight at 8 p.m. Tickets cost $30 to $50. Chelsea Spear talked to Shimabukuro in last week’s issue of the Hippo; find that story and more about ukulele culture in New Hampshire in the story that starts on page 10 of the April 7 issue of the Hippo at hippopress.com. For more concerts this weekend and beyond, find the concert listings in the Nite section.
Thursday, April 14
The New Hampshire Fisher Cats continue their season opening slate of games at Northeast Delta Dental Stadium in downtown Manchester with a game tonight at 6:35 p.m. The Fisher Cats faces off against the Hartford Yard Goats in games through Sunday, April 17. Game times are at 6:35 p.m. daily through Saturday and 1:35 p.m. Sunday. Special events include a magnet schedule giveaway tonight, fireworks and 90s night on Saturday night and kids run the bases on Sunday. See milb.com/new-hampshire for individual or season tickets. The season kicked off on April 8 with games in Portland; April 12 was the first scheduled home game.
Thursday, April 14
Get in the mood for the weekend and help support Girls Inc. of New Hampshire at the Fuel Her Fire Cocktail Party and Auction at the Rex Theatre (23 Amherst St. in Manchester; palacetheatre.org, 668-5588) tonight starting at 6 p.m. A $95 ticket gets you two drinks, food, live music and access to the silent and live auction. See girlsincnewhampshire.org.
Thursday, April 14
A new exhibit of works by artist Arghavan Khosravi, described by the Currier as surrealist paintings, opens today at the Currier Museum of Art (150 Ash St. in Manchester; currier.org). The museum is open from 10 a.m. to 8 p.m.; admission costs $15 for adults, $13 for 65+, $10 for students, $5 for teens, and children under 13 get in free. From 5 to 8 p.m. on Thursdays everybody gets in for free as part of Art After Work, which today also features music by Ramez Gurung.
Saturday, April 16
Assumption Greek Orthodox Church (111 Island Pond Road, Manchester, 623-2045, assumptionnh.org) is holding a walk-in Easter Bake Sale today from 9 a.m. to noon where you can find spinach and cheese petas, Easter bread and Greek cookies and pastries like baklava, kourabiedes, finikia and koulourakia. Look for more ideas for Easter treats and eats — both for takeout and dine in — in our list of Easter eats in last week’s (April 7) issue of the Hippo. The list starts on page 24; find the e-edition of the paper at hippopress.com.
Saturday, April 16
Catch the duo Eyes of Age tonight starting at 6 p.m. at Liquid Therapy (14 Court St. in Nashua; 402-9391, liquidtherapynh.com). Find more live music at area bars and restaurants in our Music This Week listing, which starts on page 36.
Wednesday, April 20
And don’t call me Shirley … catch Airplane! (1980, rated PG, but like a 1980 PG so…) today at the Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org, 668-5588) at 7 p.m. Tickets cost $12 with a portion of the proceeds benefiting the Aviation Museum of New Hampshire.
Save the Date! April 21 Thursday, April 21, is the first day to pick up molds for the Andres Institute of Art’s (106 Brookline Road in Hollis; andresinstitute.org, 673-7441) spring iron melt and membership drive. Register online by Saturday, April 30, at 2 p.m. and pick up molds April 21, April 23, April 28 or April 30. Then drop off the carved molds and iron casts will be ready in early May. The molds cost $40 with discount for members; memberships cost $50 for a single and $75 for a family.
Featured photo. Andres Institute of Art’s Iron Melt. Courtesy photo.
