Tag: 220901

Playing with purpose

Billy Wylder rises to the moment

“Just hang on to the band,” Pete Townshend sang back when. “You can dance while your knowledge is growing.”

Decades later, this spirit is exuded by the band Billy Wylder and its leader Avi Salloway. Their songs are infectious, full of deep grooves, spirit and kinetic musicianship. At the same time, they evoke more purposeful movement. Salloway’s words inspire souls to stir as their bodies dance, delivering a fierce-hearted call to change.

A singer, songwriter and guitarist, Salloway honed his passion on the front lines of many world crisis points. He brings his activism to songs like “Painter,” which warns against the lure of social media (“We see the world scroll on by / are we demand or supply?”) and offers a call to battle on “Whatcha Looking For,” the title track of the band’s 2021 EP.

“With all this loss and despair, the struggle of the pandemic and the extremes of injustice, our climate crisis, all of these things, it’s a moment to zoom out a bit and really home in on what are we looking for,” he said in a recent phone interview. “What is it that we value? What are our ideals?”

He bemoans the “screen space mindset” and strives through music to “help people break out of this headspace, into their bodies, and reconnect with each other.” In “Santiago,” a slow tango with a nod to his personal hero Leonard Cohen, Salloway dives into the online darkness and declares, “we’re more like our enemies than we believed before.”

The observation comes with an admonition. “Finding that common ground is essential to building any kind of unity and coming together, which I think we’re desperately in need of right now,” Salloway said. “It takes a lot of willpower and creative imagination [but] I feel like people inherently are good. Yet the systems that are tying us together aren’t; they’re not serving their interests, or the eight million species that exist on this planet.”

Fortunately, rather than put their message in a dire toned musical box, Salloway and his mates — polymath Rob Flax and a rhythm section of Krista Speroni on bass and drummer Zamar Odongo — blast it from the cosmos. Salloway and Flax’s frenetic interplay on “Whatcha Looking For” suggests a meeting of the minds between Beck and Rahsaan Roland Kirk.

Flax, playing guitar, violin and keys, is “on a really cool personal exploration of soundscapes,” explained Salloway. “What he’s been able to do with the violin is groundbreaking … through different pedals, soundscapes, and also synthesizers; it’s been really fun to explore that together.”

Mid-decade, Salloway toured with Bombino, a guitarist often called “Hendrix of the Sahara.” The experience has followed him since. “I think one element that carries over is the force, and the deep, deep groove that was so central to the hypnotic music I played with Bombino, and at the same time, how heavy and dynamic it can be,” he said.

Salloway’s commitment to using art as a social tool continues to drive him.

“I’m trying to collaborate and be part of a revolution of transformation in how we exist and connect,” he said. “Organizing how we really bring more understanding with the way we live our lives, and more joy, and love and equality.”

The band just released “Flower To The Sun,” an upbeat, positive song that’s in many ways opposite to the often somber Whatcha Looking For. Appropriately, it came out as summer began in late June. It’s the first song from a forthcoming album, “release date TBD, but in the next five months,” Salloway said.

In the meantime, Billy Wylder has a busy schedule, a pleasing condition for Salloway.

“I believe in the power of humanity … being able to bring people together under one roof to experience something physical and emotional through musical performance,” he said. “I feel one of my main roles as a musician is to help people break out of this headspace and into their bodies, reconnecting with each other on a person-to-person level.”

Salloway reinforced his thought by quoting an old folk song made popular by the Grateful Dead. “The sun will shine on our back door someday,” he said, “but we have to show up to make that happen. I’m excited to be a part of it.”

Billy Wylder
When: Friday, Sept. 2, 8 p.m.
Where: Bank of NH Stage, 16 S. Main St., Concord
Tickets: $18 at ccanh.com

Featured photo: Billy Wylder. Courtesy photo.

The Music Roundup 22/09/01

Local music news & events

• Joyful sound: A free after-work concert series in Manchester has Joel Cage performing, a singer, songwriter and Kerrville New Folk winner. At his last show at the venue, an audience member thanked him, saying she’d “needed some joy.” Upcoming are Kevin Horan (Sept. 8), Hickory Horned Devils (Sept. 15). Rebecca Turmel (Sept. 22 and Oct. 20)), Halley Neal (Sept. 29), Jessye DeSilva (Oct. 6), Paul Nelson (Oct. 13) and Joey Clark & The Big Hearts (Oct. 27). See Cage on Thursday, Sept. 1, 5 p.m., Currier Museum of Art, 150 Ash St., Manchester, currier.org.

• Al fresco: A multi-genre celebration of rising regional acts, the annual Saltwater Roots Festival offers The Ammonium Maze celebrating the music of Percy Hill, led by former member Aaron Katz, with his life partner Sarah Blacker, Chris Sink and Dave Brunyak of Pink Talking Fish. Also on the bill are harmony-rich River Sister, which grew out of a jam at Dolphin Striker, and blues singer Julie Rhodes. Friday, Sept. 2, 6 p.m., Prescott Park, 105 Marcy St., Portsmouth, table reservations $65 at prescottpark.org.

• Claw rock: An end-of-summer bash with a carnival atmosphere, Lobster Palooza includes a cookout, all-gender bikini contest, and music from five musical acts, all competing for something called the Lobster Belt title. Along with that meaty battle of the bands, the all-day event has an early Oktoberfest stein host challenge, plenty of swag to give away, and a 50/50 raffle benefiting Make-A-Wish. Saturday, Sept. 3, 1 p.m., Makris Lobster & Steak House, 354 Sheep Davis Road, Concord, eatalobster.com.

• Fancy rascal: A former talk show host known for his empathy with guests, Craig Ferguson most recently emceed The Hustler. A clever game show that blended trivia questions with subterfuge, it only lasted one season. Now the Scotland-born comic is back doing standup, stopping by the Lakes Region to share his topical humor. Maybe he’ll comment on Britney Spears’ return — he stood up for the singer in her meltdown days. Saturday, Sept. 3, 8 p.m., Colonial Theatre, 609 Main St., Laconia, tickets $39 to $99 at etix.com.

• Roots ragers: Enjoy a Labor Day weekend double bill on a giant beach facing deck as Fear Nuttin Band brings its metal-infused reggae rock to Hampton. Mixing elements of reggae, hip-hop, dance hall, hardcore and heavy rock, they’ve shared stages with SOJA, Toots and the Maytals, Kanye West, Sublime, Steel Pulse and others. They’re joined by the equally explosive Cape Cod group Crooked Coast. The 21+ show is free. Sunday, Sept. 4, 7 p.m., Bernie’s Beach Bar, 73 Ocean Blvd., Hampton Beach, berniesnh.com.

Yokohama Kaidashi Kikou, Deluxe Edition 1, by Hitoshi Ashinano

Yokohama Kaidashi Kikou, Deluxe Edition 1, by Hitoshi Ashinano (Seven Seas Press, 450 pages)

Originally published in Japan starting in 1994, the manga series Yokohama Kaidashi Kikou (translated as Yokohama Shopping Log) follows the daily life of Alpha the android running her missing master’s coffee shop. Now the series has made it to the United States after a long wait, collected in this single volume, and publisher Seven Seas has done an excellent job preserving the style of the time in which it was originally published. Most of the pages are black and white with old-school screentones, but there are full-color images and panels as well, bursting with beautiful warm yellowish hues. Both aspects are preserved excellently with no apparent digital tampering. This desire to stay true to the original makes opening the book for the first time akin to rediscovering a long-lost favorite from your shelf.

Typical of manga created in the ’90s and early 2000s, the character designs are big and bubbly with round exaggerated features. There is less focus on realistically rendering the human face and more on amplifying expressions, making emotional beats more easily understood. Whether characters are enjoying a cup of coffee or asking for directions, the reader can get a sense of what they feel in quiet moments.

Yokohama’s art elevates itself past merely entertaining; two incredibly evocative scenes, one of dancing and the other of swimming, capture the nature of each specific movement. There’s a lightness in the renderings of Alpha’s dance at the Neighborhood Association party that shows a character free from worry or judgment by others.

The setting and background art contribute significantly to the reading experience as a whole.

The story takes place after some unknown large-scale ecological disaster, on a strange yet familiar Earth. Throughout the volume, whether Alpha is home or out traveling, there are only a few people, and nature has reclaimed much of the environment. The one local gas station with its single kindly caretaker feels lonely with a wide and empty lot, the asphalt cracked with fault lines. The roads, when they are not flooded, battle against ever-encroaching overgrowth. Flashbacks later in the volume depict the previous lay of the land, so we see how it has changed over time.

Another small but overarching detail is the way Yokohama implements shading in the panels. A chapter where a child plays outside would not be as vivid if the background art did not show the passage of time from a clear summer afternoon into dusk. Instead of using the setting as a vehicle to propel the narrative, it becomes a separate entity to care about all on its own.

There’s not a lot of plot in Yokohama Kaidashi Kikou. While there is the underlying thread of Alpha waiting for the cafe owner to return, it is rarely anything but an implication. Instead, the narrative is more of a series of vignettes with shared characters connecting them. Going with this larger, more unstructured narrative could have made the reading experience fragmented but, because of the work done in the setting, it is as if the reader is going alongside the characters throughout their day. Chapters consist of everything from trying to get rid of excess watermelon before it spoils to spending the day attempting to take a good picture. There’s the occasional mystery of the setting to ponder, like Alpha’s legendary neighbor the Osprey or watching the sky for a plane that never lands, but these things are passing curiosities, never resolved.

As summarized on the back of the book, the story presents itself as Alpha the android watching the end of the human world, but such an unstructured narrative, focused on the day-to-day, presents more a paring down of the world. What if money stopped mattering? What if there were no job to wake up early in the morning for, and no fear of losing shelter or health care? What would people care about and what would they value? Yokohama Kaidashi Kikou is a fantasy of kindness, where what matters most to the characters is connecting with others and the environment they live in. For them, there is time to contemplate who they are and what they want to become, and even how they want to experience the world around them.

For a work of fiction to gently remind the reader to open their senses, whether to a swirling storm of clouds or an expansive endless blue, and commit to memory the day that is given, truly is a treasure. A+ — Bethany Fuss

Book Events

Author events

• PHIL PRIMACK presents Put It Down On Paper: The Words and Life of Mary Folsom Blair in a Literary Lunchtime event at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Thursday, Sept. 8, at noon.

• MINDY MESSMER presents Female Disruptors: Stories of Mighty Female Scientists at the Bookery (844 Elm St., Manchester, 836-6600, bookerymht.com) on Wednesday, Sept. 14, at 5:30 p.m. Free admission; register at bookerymht.com.

• SUSIE SPIKOL, a naturalist at the Harris Center for Conservation Education in Hancock, will discuss her book The Animal Adventurer’s Guide: How to Prowl for an Owl, Make Snail Slime, and Catch a Frog Bare-Handed, on Saturday, Sept. 17, at 11 a.m. at Toadstool Bookshop (12 Depot Square in Peterborough; toadbooks.com, 924-3543).

• JOSEPH D. STEINFIELD presents Time for Everything: My Curious Life at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Tuesday, Sept. 20, at 6:30 p.m.

• BOB BUDERI author of Where Futures Converge: Kendall Square and the Making of a Global Innovation Hub will beat the Bookery (844 Elm St., Manchester, 836-6600) on Wednesday, Sept. 21, at 5:30 p.m. for a discussion with special guests C.A. Webb and Liz Hitchcock. Free admission; register at bookerymht.com.

• SUSIE SPIKOL, a naturalist at the Harris Center for Conservation Education in Hancock, will come to Gibson’s Bookstore (45 S. Main St. in Concord; gibsonsbookstore.com, 224-0562) to “teach your kiddos how to find critters in their neighborhood” on Saturday, Sept. 24, at 11 a.m. with her book The Animal Adventurer’s Guide: How to Prowl for an Owl, Make Snail Slime, and Catch a Frog Bare-Handed, according to a press release. The book, which is slated for release Sept. 13, features “50 hands-on activities and adventures that bring you closer to wild animals than you’ve ever been,” the release said. Spikol will also bring supplies to do one of the crafts from the book.

• MARGARET PORTER presents The Myrtle Wand at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Wednesday, Oct. 12, at 6:30 p.m.

Book Events

• CAT KID COMIC CLUB: COLLABORATIONS CELEBRATION Toadstool Bookshop (Somerset Plaza, 375 Amherst St. in Nashua; 673-1734, toadbooks.com) will hold a party to celebrate the release of Dav Pilkey’s newest Cat Kid Comic Club book (Nov. 29) on Saturday, Dec. 3, from 1 to 4 p.m. The afternoon will feature games, puzzles, goodies, raffles and more, according to the website. The book is available for preorder now.

Poetry

• OPEN MIC POETRY hosted by the Poetry Society of NH at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com), starting with a reading by poet Sam DeFlitch, on Wednesday, July 20, from 4:30 to 6 p.m. Newcomers encouraged. Free.

• MARTHA COLLINS and L.R. BERGER hosted by the Poetry Society of NH at Gibson’s Bookstore (45 S. Main St., Concord, 224-0562, gibsonsbookstore.com) on Wednesday, Nov. 16, from 4:30 to 6 p.m.

Writers groups

• MERRIMACK VALLEY WRITERS’ GROUP All published and unpublished local writers who are interested in sharing their work with other writers and giving and receiving constructive feedback are invited to join. The group meets regularly Email [email protected].

Book Clubs

• BOOKERY Monthly. Third Thursday, 6 p.m. 844 Elm St., Manchester. Visit bookerymht.com/online-book-club or call 836-6600.

• GIBSON’S BOOKSTORE Online, via Zoom. Monthly. First Monday, 5:30 p.m. Bookstore based in Concord. Visit gibsonsbookstore.com/gibsons-book-club-2020-2021 or call 224-0562.

• TO SHARE BREWING CO. 720 Union St., Manchester. Monthly. Second Thursday, 6 p.m. RSVP required. Visit tosharebrewing.com or call 836-6947.

• GOFFSTOWN PUBLIC LIBRARY 2 High St., Goffstown. Monthly. Third Wednesday, 1:30 p.m. Call 497-2102, email [email protected] or visit goffstownlibrary.com

• BELKNAP MILL Online. Monthly. Last Wednesday, 6 p.m. Based in Laconia. Email [email protected].

• NASHUA PUBLIC LIBRARY Online. Monthly. Second Friday, 3 p.m. Call 589-4611, email [email protected] or visit nashualibrary.org.

Language

• FRENCH LANGUAGE AND LITERATURE CLASSES

Offered remotely by the Franco-American Centre. Six-week session with classes held Thursdays from 6:30 to 8:30 p.m. $225. Visit facnh.com/education or call 623-1093.

Album Reviews 22/09/01

Mary Onettes, What I Feel In Some Places EP (Labrador Records)

Glad I decided to clean out my pathetically overstuffed excuse for an emailbox, because this one had gone in one eyeball and out the other back in June and I’d totally forgotten about it. This Swedish band would belong in the same section of your Spotify as Raveonettes, Jesus & Mary Chain, et al., i.e. they’re a shoegaze/dream-pop crew, one of the few genres I still get excited about: Usually noisy but pretty, it’s been around forever now; you always know what you’re going to get out of these records. The tradition continues here with this three-songer’s title track, a stunningly pretty, sunburst-y mid-tempo tune that has more ’80s-synthpop than any casual fan of Stranger Things could ever hope for. It tugs at the hormonal angst area of the brain with the best of them, and then comes “Mind On Fire,” a vision of Sigur Ros reborn as a radio-pop band. Great stuff. A+

Boris, Heavy Rocks (Relapse Records)

We last left this Japanese experimental metal/stoner trio way back in — wow, January of this year, with their count-em-27th album, W. That one included material that was on a Portishead/My Bloody Valentine tip, and like always there was nothing wrong there other than yet another return to a more ambient approach, but after 30 years in business and that many records, these guys are holding a golden ticket, able to do pretty much whatever they want. Lucky for their metalhead fans, what they usually want to do is spazz and rock out; which is what they do on this one, again. To me, their essence is that of a wind-up toy, sort of like those plastic teeth that would walk around chattering crazily until they ran out of steam: Like they’ve done plenty of times, this LP finds them wound all the way up and throwing cartoonish but thoroughly listenable wackiness at the listener, starting with opener “She Is Burning,” a cross between AC/DC and Hives if I’ve ever heard one, and I sure haven’t. Is it awesome? Yes, it is, and fun fact, this is the third time they’ve put out an album titled Heavy Rocks. No, I’m serious. A+

Playlist

• It’s over, baby, the summer’s over, I can’t even stand it, the next bunch of albums will be out this Friday, Sept, 2. Where did it go, the lovely summertime, with its beach trips and the occasional visit to the Goldenrod ice cream place in Manchvegas? That’s actually a nice place, for ice cream, I had a chocolate frappe there, and Petunia had some sort of vanilla caramel ice cream thing, you should try it while there’s still time, before it’s freezing and insane, you betcha. Oh sorry, yes, new albums, yes, let’s talk about them. Hopefully you remember when I was throwing all sorts of shade on dumb aughts-era band names, right? Well I really didn’t have room in that mini-rant to cover all the bands with “Club” in their names, like New Young Pony Club, which was a new-rave sort of band, and also Ireland’s Two Door Cinema Club, billed as a post-punk revival band, which, can we be real for just once, is basically the same thing as new-rave. In a way. Or maybe not. Oh whatever, Two Door Cinema Club releases their fifth album, Keep On Smiling, in just a few hours, and it’s all sort of auspicious, given that their last album, 2019’s False Alarm, actually made it to No. 11 on the U.S. indie charts on the strength of the Simple Minds-influenced single “Talk” and a few other tunes, and so I must take them seriously, and so away I go, off to listen to the new single, “Lucky.” Wow, it is totally ’80s, pretty much like A-ha and whatnot, music to roller skate through malls to and all that stuff. If you’re a Gen X-er, you’d probably love these guys.

• Yungblud, the pansexual British alt-pop singing dude who was the momentary boyfriend of Halsey, is up to three albums this week, as his new self-titled album is on the way! When it gets here, you’ll be able to thrill to the emo-rawk strains of “The Funeral,” in which our hero dabbles with My Chemical Romance sounds whilst playing around with the Adam Lambert aesthetic he had to steal just to get on the map in the first place. Cool goth jewelry bro!

• Sawayama Rina is a Japanese–British art-pop Lady Gaga-wannabe singer-songwriter and model who’s set to make her film acting debut in John Wick: Chapter 4, but then again, isn’t everybody? She’s obviously sort of a manufactured person, molded out of plastic, bearing random messages about — well, nothing really, something-something sexuality, and she did a cover of “Enter Sandman,” probably because she noticed that Miley Cyrus had done some heavy metal cover songs. In other words she’s basically a trite contrivance and you shouldn’t let your kids listen to any of her music, not that you’ll be able to stop them. Mind you, the above is all based on prejudices I held prior to listening to her new album, Hold The Girl, so why don’t I just go and check that out right now, that’d be great. So the video for the album’s title track starts off with a visual based on Walking Dead-style imagery, a random house in the flatland countryside that’s sort of randomly menacing, but then we get a shot of Rina sitting in one of the upstairs bedrooms and then she’s singing exactly like Gaga and you realize she’s destined for obscurity in the not-too-distant future because there’s already a Gaga, so why would anyone care about this album? Why do people even do stuff like this, honestly?

• Let’s wrap up the week with a cursory listen to the new album from arena-thrash band Megadeth, The Sick, The Dying… And The Dead! The tire-kicker advance tune “The Dogs of Chernobyl” sounds exactly like what you think it sounds like: Metallica with a really low budget but totally killer double-bass drums. (People still use “killer” as an adjective, right—?)

If you’re in a local band, now’s a great time to let me know about your EP, your single, whatever’s on your mind. Let me know how you’re holding yourself together without being able to play shows or jam with your homies. Send a recipe for keema matar. Message me on Twitter (@esaeger) or Facebook (eric.saeger.9).

Gins and tonic

I remember the first time I drank a gin and tonic.

It was my first week at college. There was some sort of reception with an open bar. (The drinking age in Vermont was 18 at the time — a fact that led to a great many questionable decisions over the next few years.) Being 18, I had never actually ordered a cocktail from a bartender before, and I was flying blind. At some point, I had heard someone mention something called a gin and tonic, and it sounded like something a grownup would order, so that’s what I ordered.

It was cold and clean and tasted like pine needles and magic.

Gin is like that. It is so aromatic that it easily evokes sense memories:

That time you were invited to a party on a yacht. The sound of soft music and clever conversation.

The smell of cigarette smoke and your uncles accusing each other of cheating at poker every Christmas.

Sitting on the veranda of the officer’s club in the jungles of Burma after playing a few chukkers of polo in the tropical heat, hoping to stave off malaria.

Well, your memories will be specific to you, obviously.

But most gin and tonics taste pretty much the same, right? We all have our own individual memories, but they’re all centered on more or less the same taste, yes?

That would be true, if any two gins tasted the same. There are some that are close in flavor, but others are staggeringly different. Gin is a neutral grain spirit (vodka, in other words) that has been infused with botanical ingredients — think herbs, roots, flowers, etc. The most common of these is juniper berries — that’s where the pine taste comes from — but different recipes might have very different supporting botanicals, and a few omit the juniper altogether.

The recipe for a classic gin and tonic is deceptively simple: 2 ounces of gin, 4 or 5 ounces of tonic water, ice and a squeeze of lime. Boom! About as easy as it gets — no shaking, no mess, 30 seconds or so of concentration, and you’re ready to build some new neural pathways in your hippocampus.

But four different gins might give us four different pathways into the forests, deserts and Victorian lilac gardens of your mind.

Gin No. 1 – Uncle Val’s Botanical Gin

I don’t know who Uncle Val is, or even whose uncle he is, but he knows how to make a gin. There are two varieties of Uncle Val’s, a botanical one and a “restorative” one. I eagerly anticipate trying the restorative one — I could frankly use some restoration — but we are talking about the botanical variety right now.

Earlier this year I got to check off a bucket list item and went to an actual fancy speakeasy, where extremely talented bartenders will talk to you very earnestly about strange and exotic cocktails.

“What am I tasting?” I asked. “The rosemary? Is it the beets?”

“Well, I hope you can taste those, but it’s the gin.”

“No, I think it’s the rosemary.”

My new friend didn’t bother arguing but poured about a quarter of an ounce of Uncle Val’s into a cordial glass and slid it across the bar to me.

He was right. It was the gin. It is very good gin.

In a gin and tonic, Uncle Val’s has a round, floral taste. There are times when you get a G&T in your hands, it is gone in two or three minutes, and your wife has switched you over to diet soda. With this gin, you find yourself sipping enthusiastically but slowly. It is complex enough that even if you aren’t a gin snob you will spend a very long time trying to identify the background flavors.

Good luck with that.

Gin No. 2 – Drumshanbo Gunpowder Irish Gin

A few months ago I went to an event hosted by the Irish Whiskey Council that presented a bunch of New Hampshire liquor people with five or six Irish alcohols. While not a whiskey, this gin was far and away my favorite part of the presentation, with the possible exception of taking a morning off from work to drink Irish alcohol in the first place.

Drumshanbo has a sharper, slightly more medicinal flavor. There are definitely some background flavor notes, but it has a crisp, dry taste that plays really well with the lime. This is the gin and tonic to seal an important business deal.

Or maybe to propose to someone.

Gin No. 3 – Djinn Spirits Distilled Gin

I stumbled across this local gin — it’s made in Nashua — almost completely by accident. I was looking for a gin to pair with a really aggressive flavor — goat cheese, in this case — and this was recommended to me. The theory was that it had so many exotic ingredients that at least one or two of them would pair with whatever you might try to build a flavor bridge to.

It makes a truly excellent gin and tonic.

This is another one of those gins that you might find yourself sipping slowly and thoughtfully, as you try to identify the background flavors you are tasting. A friend and I put a solid half-hour into it and finally — after detouring into some increasingly bizarre stories (including one about Elias “Lucky” Baldwin, the man blamed with introducing peacocks as an invasive species to California. A fascinating man. Look him up.) — decided that maybe maybe we were tasting green apples. This isn’t to say that this gin actually has any green apples in it; that’s what we thought we tasted.

Gin No. 4 – Collective Arts Lavender and Juniper Gin

Let’s say you’ve had a rough week. Not terrible — no literal fires or death or actual hair pulling — but a real grind to get through. Let’s further say that you’ve decided that you would benefit from a little self-care — a small moment of grace and kindness to yourself.

This is the gin and tonic that will help center you before a weekend of mowing or back-to-school shopping or intramural lacrosse.

What makes it so special? The lavender.

I know: Lavender is tricky. Not enough of it, and it hides in the background and doesn’t bring anything to the party. Too much of it, and suddenly you’re at a fancy-soap-in-your-grandmother’s-bathroom party. This gin gets it just right. It’s soothing, civilized and — kind, if that makes any sense. It takes you by the hand and lets you know that you are strong and attractive enough to handle whatever is waiting for you after dinner.

Featured photo. Gin and Tonic. Photo by John Fladd.

Fully loaded Tater Tot waffles

Summer is winding down, which means many things. First, school will begin soon or already has. Second, football season (a.k.a. snack season) is almost here. Third, cooler temperatures will arrive, which means, most importantly, it’s time for more cooking and baking.

This perfect-for-fall recipe is a combination of comfort food and indulgence. Many of my recipes are about being healthy, but this one focuses on filling your stomach in the most delightful way. It also is centered around pre-made ingredients, making it a simple way to snack.

When shopping for ingredients, there are a few notes. A leaner ground beef is key to a less greasy snack. The marinara can be whatever type you prefer — plain, meat sauce, veggie-filled, etc. For the mozzarella, part skim or whole milk both work. I didn’t set an amount because everyone has their own amount of cheese they prefer. The last two ingredients are optional, but they do add nice notes. The sour cream provides a bit of acid, and the scallions are a hint of freshness for a heavier snack.

These waffles can be sliced into quarters and shared. Alternatively, each waffle can be an individual serving for a snack of supreme indulgence. If you opt to serve them whole, be careful when removing them from the baking sheet. The waffles require two spatulas to transfer them without breaking.

Fully loaded Tater Tot waffles
Makes 2

½ pound 90% lean ground beef
1½ cups marinara
4 cups Tater Tots, defrosted
shredded mozzarella
sour cream, optional
scallions, optional

Cook ground beef in a large nonstick frying pan over medium heat.
Remove from heat and drain on paper towels.
Combine marinara and cooked hamburger in a saucepan over medium-low, stirring occasionally until warm.
Preheat broiler, move one rack to highest position.
Spray the bottom of a rimmed baking sheet with nonstick spray.
Preheat waffle maker according to directions.
Place approximately 2 cups Tater Tots in waffle maker, dispersing evenly.
Cook following manufacturer’s instructions until crispy.
Transfer Tater Tot waffle to baking sheet.
Repeat with remaining Tater Tots.
Divide sauce and meat between the two waffles.
Sprinkle with as much cheese as you like!
Broil for about 1 minute, keeping a close eye to avoid burning.
Garnish with sour cream and/or scallions, if desired.

Featured Photo: Fully loaded Tater Tot waffles. Photo by Michele Pesula Kuegler.

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