Year: 2024

Tribute bands tackle the music of the 1990s

Gen X didn’t see it coming, despite the harbingers: internet reminders that the first Lollapalooza Festival was closer in years to the Kennedy assassination than to today, or Pearl Jam getting into the Rock & Roll Hall of Fame. As they were reeling from reeling in the years, the arrival of ’90s tribute bands was to many of them a hard (blue) pill to swallow.

Some of the acts that formed weren’t surprising. With Kurt Cobain, Layne Staley and Scott Weiland all dead and gone, Priceless Advice and Sick Season, devoted to Nirvana and Alice In Chains respectively, and Stone Temple Posers hella made sense. And Oasis likely won’t reunite anytime soon, so it’s not trippin’ to cover “Wonderwall” in the interim.

But what of those still performing, like Dave Matthews Band, Foo Fighters, Radiohead and the aforementioned Pearl Jam, each of which boasts one or more doppelgangers? Even Smashing Pumpkins; a band called Recent History does them. Apparently, all these objects of affection take it in stride and are unbothered about losing any business.

Collective Soul is on the road with Hootie & the Blowfish, with a tour stopping at Fenway Park and Bank of NH Pavilion before the summer ends. In an interview to advance the upcoming shows, their front man Ed Roland was surprised to hear about the existence of Reflective Soul, based in Dallas, Texas — but grateful.

“You can’t help but love it. I’m so honored,” Roland said. “Just being here 30 years and on top of that somebody thinks enough of you to go, all right, we’ll play some of their catalog. It boosts the ego up when you walk in a bar, and somebody is playing one of your songs. You’re like, ‘Wow, I really did have a hit.’”

It’s a hot topic in New England that’s spawned organizations like Covering New England, a tribute-centric company with a growing roster of acts like Crush, a Dave Matthews Band tribute, and White Belts, who play emo songs by Taking Back Sunday, Blink-182 and Jimmy Eat World, among others.

Covering New England’s Tristan Law thinks the decade is having a moment for a couple of reasons.

“First, a lot of those really seminal albums are having their 25th and 30th anniversaries, so they’re in the news, and you have a lot of people like me — late 30s, early 40s — who came up in that decade and have a special nostalgia for that time,” he said. “How many people’s first CD was Dookie?’”

Law added that while a lot of ’90s stars are still touring, with tickets now costing hundreds of dollars fans are more selective about going to giant concerts.

“Now, you can go see a really good Dave Matthews Band tribute for twenty bucks and still have a great time. That, and the ’90s f-in ruled; why wouldn’t you want to go back then for a few hours?”

At TributePalooza, an all-day show in Warren on July 6, many ’90s acts will perform, including Jagged Little Thrill doing Alanis Morissette, Social Destruction playing the music of Social Distortion, and Stone Temple Posers, along with two other tribute acts that Gen X is a bit more chillax with doing Lynyrd Skynyrd and AC/DC covers.

Here are thoughts from six bands bringing back the decade that witnessed the internet’s rise and the decline of the music business, along with a lot of great and varied music.

Tributepalooza happens Saturday, July 6, at Melody Mountain Farm, 161 Lake Tarleton Road, Warren, $35 at melodymountainfarm.com

Giving 110 percent – Neon 90s

When it formed, the North Shore-based band Neon 90s wore flannel shirts and leaned into grunge. Later they switched to jean jackets and shades upon realizing there was more to mining the ’90s than Nirvana’s “Lithium.” They became an all-purpose tribute act, determined to hit every high point, from Soundgarden to Garth Brooks.

“We figured let’s take on the entire decade, and smash as many songs as we can into a set,” said John Goodhue, who sings and plays lead guitar with the band, which includes Michael Parsons on bass, drummer Steve Russo and Guy Cloutman on lead guitar.

On any given night the quartet moves from Foo Fighters’ “Learn To Fly” to Lou Bega’s “Mambo No. 5” and tosses in “Semi-Charmed Life” from Third Eye Blind for spice. Their showstopper is a gender-bending version of Shania Twain’s “Man, I Feel Like A Woman.” They even do Meredith Brooks’ “Bitch” and “Wannabe” from the Spice Girls.

Setlists reflect Goodhue’s own tastes.

“All my favorite songs, mostly, are from the ’90s,” he said. “The Top 40 was spread so far off the different genres, you had major pop songs, country songs, grunge came into the mix, even hip-hop. It was a decade where you saw so many different kinds of music really hit the spot.”

Like a lot of similar bands, members of Neon 90s have additional musical projects. Russo plays in Mile 21, a North Shore reggae and ska group, as well as a Top 40 band called Mystery Meat. “Our guitar player Gary has been in several cover bands and original bands, as well as Mike and me,” Goodhue, who also spent a few years on the West Coast playing in different bands, said.

When Neon 90s hits the stage, one of their favorites is “Possum Kingdom” by the Toadies. “It’s a really fun song to play, and it’s kind of challenging, too,” Goodhue said. They’ll also take a shot at audience suggestions, or at least try.

“Sometimes we get requests that aren’t ’90s, like people missed the memo,” he said. “My favorite song was actually requested for us to learn for a wedding, ‘What’s Up’ by 4 Non Blondes. We’ve kept it in our set because it always goes over well, and everyone sings along.”

Neon 90s appear in Hampton Beach on Saturday, July 6 at Wally’s Pub and on Sunday, July 14 at Bernie’s Beach Bar

Worldwide Californication – Red NOT Chili Peppers

One of the longest-running ’90s tribute acts is also among the most successful. Red NOT Chili Peppers formed in 2009 in Southern California, where the Red Hot Chili Peppers rose to fame. The lineup has changed several times over the years, but the present band — Paul Moffat on bass, guitarist Greg Loman, Pete Koopmans on drums and singer David Vives — has been steady for a while. Vives is the newest member; he joined in 2021.

Red NOT Chili Peppers are unique for being a nationally touring act. Actually, they’ve performed in such far-flung places as Dubai. Much of this success is due to the quality of their act.

“The biggest undertaking with the Chili Peppers is having players who not only can learn the songs,” Loman said in a sit-down band interview prior to a show in Portsmouth. “They have to recreate the tones, the energy, the look, and the vibe.”

Beyond that, the group found its way to Providence Music Group, a Rhode Island-based agency focused on tribute bands, everything from Sublime to Johnny Cash, along with Elton John, Guns N’ Roses, and Linkin Park. When Moffat joined in the mid-2010s, he’d also taken over as manager. Koopmans, who was in the band before Moffat, became their booking agent.

Together, they realized their group didn’t fit a conventional niche, and it was impacting their ability to get gigs.

“Paul and I took a really hard look at the business, and I basically took the band to several different agencies, as our agent then had retired and we were unhappy with him anyway,” Koopmans said. Their agency at the time was “probably 90 percent original bands and 10 percent tributes, and I never felt like they quite understood what to do with us. They would just wait for offers to come in.”

Since making the change, bookings have doubled, “and we’ve watched attendance grow at shows too,” Koopmans said. “I don’t think that’s all attributed to the booking agent in general. I think a lot of that is just us finding the right places to play. But the product is getting a lot better.”

“And the name getting out there, man,” Moffat added. “It’s a good name, and people remember it.”

It’s almost too good — that’s why Moffat and Loman, who helps with the band’s graphic design, modified the logo so the word “NOT” is uppercase. “We were getting ourselves into some trouble,” Koopmans said. “Not by the real band, but by people buying tickets and being pissed all the time that they’d been duped.”

Once, when the band played New York City’s Highline Ballroom, ticket presales exploded, recalled Moffat, probably due to a hopeful case of mistaken identity. “We played the show, and the room was half full,” he said. “In all likelihood, some scalpers scooped up all the tickets when they saw it, because they didn’t look carefully enough. We thought it was a great way to get back at scalpers.”

Fans that come to see them run the gamut.

“Some want to hear Freaky Stylie, others want stuff from Stadium Arcadium,” Loman said. “You watch them all kind of light up, with whatever era or song that you’re playing. It’s just so interesting to then talk to them after and they’ll be like, ‘Oh man, when I was growing up, the most important album of my life, that blew my mind, was Blood Sugar Sex Magic.’ Then another one’s like, ‘Dude, Californication was my favorite’ and another one’s Stadium Arcadium. It goes through the generations in such a wonderful way.”

Singer Vives echoed Loman. “My favorite thing is how passionate fans of Red Hot Chili Peppers are,” he said. “It’s so easy to connect with them about the shared joy of living this music together. They’re showing up, and we all have the same goal. There’s no need convincing them to have a good time.”

Moffat is happiest when a wary fan takes a chance. “It’s like, ‘I had no expectations. It was 20 bucks, it’s a band that I love, I thought you guys were going to suck, and I came in and I was blown away,’” he said. “That’s all I really want, you know. That’s what we’re trying to do.”

Red NOT Chili Peppers will appear on Friday, Aug. 9, at Wally’s Pub in Hampton Beach.

Double duty – Yellow LedVedder/Your Honor

Few bands challenge aspiring tribute acts like Pearl Jam. The Rock & Roll Hall of Famers are not only still performing, but the Seattle grunge heroes also released a new album this year. The record, Dark Matter, caused one critic to exclaim, “the faithful will rejoice, and the PJ fall stadium tour is completely sold out.

The latter fact is a principal reason that a band like Yellow LedVedder is even viable. In fact, one of their biggest gigs happened in a bar across the street from Fenway Park, where Pearl Jam was playing that night.

“It was one of the most amazing experiences,” Ben Kilcollins, the band’s lead vocalist, said in a recent phone interview. “We had a lot of people saying, ‘Oh, we couldn’t get tickets, so we figured we’d just come down and kind of listen outside of Fenway, then we saw that you guys were here.”

Ever the fans, Kilcollins and his bandmates had one eye on the door all night. “The whole time we’re hoping, Pearl Jam’s around here, maybe they’ll come in, but it never happened,” he recalled. “The best dream come true in the world is just to get an affirmation of, ‘Hey, guys, we see what you’re doing, keep up the good work.’ Even if it was a cease and desist, it’d just be good to hear from the band that they know you exist.”

Playing songs by a band that’s still here is a feature, not a bug.

“A lot of the other bands are paying tribute to guys who weren’t around for very long, but I think it helps that Pearl Jam is still on tour,” Kilcollins said. “Instead of guessing, like Nirvana, what would they be doing now, we already have an answer. It’s what they were playing yesterday.”

Kilcollins continued that miming Vedder, who’s near 60 and still “running around on stage, jumping on people’s shoulders and doing the exact same thing he was doing 30 years ago” also motivates his band, which includes bassist Andy Aikens, Joel Amsden and Pete Risano on guitars and drummer Jason Young. “Eddie’s leaving kids in the dust, he’s still running around the entire band,” he said. “I try to bring to our shows that aspect of their high energy.”

Lending weight to that assertion is the band’s latest endeavor.

“The day Taylor Hawkins died, we decided to put on a Foo Fighters tribute,” Kilcollins said. It was planned as a one-off, but they’ve done four or five shows in the past two years. “We try to pick and choose where we do it, because we don’t want to oversaturate…. We’ll play a full set of Pearl Jam stuff, take a break, and then do a full set of Foo Fighters, kind of opening for ourselves.”

Yellow LedVedder’s summer schedule is under construction. See @yellowledvedderband on Instagram for more.

Originalists – Crush, a Dave Matthews Tribute Band

Though the Dave Matthews Band is still out on tour, with two sold out Meadowbrook shows happening this summer, it’s not the same group that set the world on fire in 1994 with its debut album Under the Table and Dreaming. When violin player Boyd Tinsley departed in 2018, he wasn’t replaced, and DMB took on a different sound.

That’s made Crush, a DMB tribute band based in Boston, a vital link to the past. It includes a Tinsley doppelganger, sans any scandalous baggage, in the form of fiddler Abe Dewing, which keeps songs like “Ants Marching” and “What Would You Say” true to their origins. That’s just the beginning of what makes Crush a solid draw in New England. They also achieve a look and feel that sets it apart from other efforts

“I think some tribute bands will play note for note, and do exactly what the actual bands do, even on the recordings,” Matt Salito, who plays guitar in Crush, said recently. “There’s certainly a skill to that, but I think part of the fun of being in our band is we take some of those songs and we add our own style to it. We change it just enough where you know it’s Crush playing the song.”

They’re careful not to book too close to any DMB appearances, partly because there’s a decent chance they’ll be buying tickets, but also, they’re realistic. “We realize they’re going to be more of a draw than a tribute band,” he said. Besides, they wouldn’t want to miss a tailgate party. “We meet other people at those shows, and we’re like, ‘Hey, we play a lot in the late summer, in the fall, even in the winter when Dave’s not really doing his thing anymore. So come check us out.”

Salito started Crush as an acoustic duo with Brett Huntley after the two were introduced through a mutual friend in 2011.

“We met at his apartment in South Boston at the time and played a few songs, exchanged information and tried to make arrangements to play again,” Salito recalled. “Along the way, we started seeing a couple other tribute bands to Dave. We really liked what they were doing, and we [thought] we can try to give this a shot ourselves too and see how it plays out.”

After playing a high school graduation party for a family friend, the idea of a full band gained momentum. Crush played its first show in October 2011. There’s been a few lineup shuffles, but Crush has stayed the same in recent years. That’s allowed them to become a more cohesive unit, Salito continued.

“We’ve developed a little family within the band, and I think you can see that vibe on stage,” he said. “We’re really feeling like we’re in a good place as to the songs we’re choosing and the parts we’re playing, and how we’re meshing as a unit. And really being a part of the audience in a sense; even as the performers, that’s important. I think that’s part of our draw too.”

Crush, A Dave Matthews Tribute Band appears Friday, July 26, at Cisco Brewers in Portsmouth.

All in the family – Stone Temple Posers

Olaf Westphalen was a modern country music fan when his 12-year-old stepson John convinced him to listen to a few Soundgarden and Nirvana songs. The stepdad enjoyed it, and really locked into Stone Temple Pilots upon hearing them the first time. By the early 2000s, Olaf and John were playing in cover bands together, including Wretched Von Krank, The Nerve, and Cold Comfort.

Most satisfying, though, is Stone Temple Posers, a tribute to you guessed it, which played its first show in 2015 and has been a solid area draw since, with stepfather and stepson a bass/drums rhythm section, guitarist Paul Ouellette, and lead singer Hal White rounding out the group. Prior to the Posers, Olaf and Ouellette were briefly in STP tribute act Crown of Apathy; Westphalen was in Stone Temple Aviators and SiN after that.

John Westphalen began playing music when his stepdad gave him a Ludwig drum kit that belonged to his uncle, who also played in a band. “I always liked the drums, and Dave Grohl; I was a big Nirvana guy,” he said by phone recently. Though his new kit was a bit beat up, he didn’t mind. “Don’t get much more grunge than a rusty drum set.”

He stuck with it, and after his parents bought him a brand-new Tama kit, “I’ve been playing ever since.”

Before Weiland died, John Westphalen had a couple of chances to see him live with STP. “I saw them at Casino Ballroom, and it was one of the best shows,” he said. “Of course, he was an hour late, but he was engaged with the crowd, and they sounded awesome. He looked like he was enjoying himself. Then I saw him again in Gilford. He wasn’t nearly as engaged and seemed like he didn’t want to be there. I think they broke up for the final time like three months after that show.”

In addition to being a lot of fun, Stone Temple Posers is the young Westphalen’s longest-running band still boasting every member. It’s also the only one he’s in at this point.

“It used to be me, Olaf and Paul, and then we’d have a hard time finding a singer that would just show up, do the shows,” he said. “Hal, he’s been perfect, very easy-going. If we have a show coming up, we’ll practice the Monday before and just make sure we tighten up a little bit, and then we’ll play. Bang. No messing around.”

Their common bond is love for a big sound from a great decade.

“We’re a bunch of guys that really just enjoy that era in music,” he said. “We know other people do too, and we really try to give it justice by sounding like Stone Temple Pilots but also having our own little sound to it, too. So it’s not just a complete knockoff.”

Stone Temple Posers appear Wednesday, June 26, at Plaistow Town Common in Plaistow.

Straddling the Decade – White Belts

If Lollapalooza signaled the start of the ’90s, the Vans Warped Tour helped usher it out. White Belts, a band that hosts Emo Night at the Press Room in Portsmouth and plays throughout New England, aims to keep that spirit alive by reliving as much of that moment as it can.

“We consider ourselves an emo tribute band,” drummer Matt Wishnack said during a phone interview that included White Belts bass player Tom Sargent. “Emo encapsulates the rise of Hot Topic, Newbury Comics and alternative music, which kind of molded itself in that time period.”

As to the bands they cover, “you get a lot of Jimmy Eat World, Under Oath, Dashboard Confessional, New Found Glory, and we get some pop punk stuff like Blink-182,” Sargent said. “Taking Back Sunday is a main staple, as is My Chemical Romance. I think we’d all be shocked if we didn’t play one song from them in our shows.”

Wishnack added Fall Out Boy to this list of “tentpole bands.”

Audiences tend to be in their mid-20s to early 30s; a little early to start reliving their youth, but nostalgia has an odd pull that White Belts tries to honor.

“We want people to have a similar reaction to seeing us as they would actually seeing Taking Back Sunday,” Wishnack said. “Which obviously is impossible, but you can see the difference when people are reacting to you that way and when they’re just reacting to a cover band.”

When they play Emo Night at the Press Room, they’ll bring along a like-minded band, like Mall Cops or Summer Cult, who played at last year’s Boston Calling. At the next scheduled event on July 6, the Boston-based band We Demand Parachutes will appear.

White Belts includes, along with Wishnack and Sargent, lead singer Derek Bunker and guitarists Nick Grieco and Kyle Kowalsky. All true believers, which, Wishnack stressed, is what makes them unique.

“What separates us from some other bands is we feel like we really represent the music and the bands that we’re covering well. If you’re going to create a block to make you feel like you’re at Warped Tour for two hours without actually going, this is as close as you can get.”

Added Sargent, “and you won’t need sunscreen.”

White Belts hosts Emo Night with We Demand Parachutes on Saturday, July 6, at The Press Room in Portsmouth.