A year of service

A talk with the reigning Miss New Hampshire

Miss New Hampshire 2024, Emily Spencer, talks about what the role entails and the work that she does for the community. Find out more at missnh.org.

Can you explain how Miss New Hampshire is a year-round program of style, service, scholarship and success?

Absolutely. Every woman who competes for the title of Miss New Hampshire starts off with competing for a local title. … This past year I was Miss Winnipesaukee. I won that title in August and then throughout the year you are doing different community service events in that community of which you are representing. Through there you connect with different nonprofit organizations. As Miss New Hampshire, you attend all sorts of community service events throughout the year as well as talking on the radio, involving your own service initiative into your year and performing at different events around the state. For me, I’m a dancer, so I’ll go and dance at events as well as local competitions that start at the beginning of June.

What are the main issues you want to focus on as Miss New Hampshire?

My service initiative is about working with students and athletes with disabilities. This past year I created a nonprofit called Miss Inspiration which awards scholarship funds to young women with disabilities through an adaptive pageant. So my service initiative is truly integrating students and athletes with disabilities with their mainstream peers through one-to-one friendships, developing life skills, confidence, and just attending events together.

What made you want to become Miss New Hampshire?

I started in the organization eight years ago competing in the teen program for two years and this is my fourth time going for Miss New Hampshire. I at first was really engaged and intrigued by the performance opportunity on stage because I’ve been dancing my whole life, but I also really liked the community service aspects. Right when I joined I fell in love with the program and truly idolized the women older than me who were competing, so I knew this was something that I wanted to involve myself in for the rest of my life. The more I competed the more I was like, ‘I’ve got to be Miss New Hampshire, what an amazing opportunity.’ They say your son is more likely to play in the Super Bowl than your daughter walk on the Miss America stage. Just to have that higher platform to get community outreach and meet so many people throughout the year was a goal I was ready to accomplish and excited to accomplish. I’m truly honored to be Miss New Hampshire this year and to say yes to as many opportunities that I can.

How much money has the Miss New Hampshire Scholarship Foundation raised for students?

This year we were able to award $73,000 total at the Miss New Hampshire Scholarship Competition…. All the funds raised and awarded to the women involved … goes right toward our education, so to pay for whether you’re actively enrolled in college or your loans.

Are there any misconceptions about the program you’d like to address or talk about?

One that we kind of already addressed was that people think that you prepare for one competition out of the year but it’s really a year-round service job. I think there’s a big misconception that it’s truly only about … looks, but really the organization has women doctors and women in the army and truly [is] just making a big change in the community. It’s all about intelligence and service, talent, and promoting all those aspects, as well as beauty, into the organization.

Are there any events coming up that you are excited to be a part of?

We have some Memorial Day parades coming up. The Best Buddy Walk in Exeter happening June 22. There are some Special Olympics events that I’m involving myself with at the beginning of June and there’s a Make-A-Wish rafting event in Meredith that’s happening in July. … Also, our local season starts at the beginning of June, so that’s pretty exciting…. Girls who want to compete next year for Miss New Hampshire … they start competing at the local level, so those 26 locals start happening for next year’s Miss New Hampshire competition beginning in June.

— Zachary Lewis

Featured image: Emily Spencer. Courtesy photo.

News & Notes 24/05/23

And I would walk 0.68 miles

According to a press release, the City of Manchester has updated its plans to build 0.68 miles of newly paved rail trail running northerly along the abandoned rail bed from where the South Manchester Rail Trail terminates at Queen City Avenue and this will be named the Central Manchester Rail Trail. The trail will offer easier access for pedestrians and bicyclists from Elm Street and Willow Street, with a raised bed and a more gradual slope from the streets components of the federally funded RAISE Manchester: Connecting Communities transportation infrastructure improvement project, according to the press release.

The Central Manchester Rail Trail will also serve as a central intersection of some of New Hampshire’s longest rail trails, such as the southern half of the Granite State Rail Trail, the east-west Rockingham Recreational Trail and Piscataquog Rail Trail, with construction projects to extend some of these trails already underway, according to the same release.

In a statement, RAISE Manchester Project Manager Kristen Clarke, PE, PTOE, traffic engineer for the Manchester Department of Public Works, said that “the Central Manchester Rail Trail along with other components of the RAISE Manchester project align with the city’s commitment to foster multi-modal transportation options and pedestrian-friendly connectivity, particularly for the neighborhoods where residents have the fewest vehicles and transportation options. This project not only creates a vital link between disconnected areas of the city, it also contributes to the broader network of rail trails across New Hampshire, offering residents and visitors alike an opportunity to explore our beautiful state while promoting active lifestyles.”

The Central Manchester Rail Trail project also involves the cleanup of an abandoned section of rail, and improves traffic flow at five traffic signals on Elm Street, according to the same release. For more information, visit raisemanchester.org.

$1M for Center

According to a press release, the Executive Council voted to approve $1 million in funding to assist in the building of the Mark Stebbins Community Center in Manchester, a 501(c)(3) nonprofit organization. In a statement, Gov. Chris Sununu said that “by breaking down silos and bringing nonprofits together under one roof, the Mark Stebbins Community Center carries on the philanthropic legacy of Mark Stebbins and represents the very best of New Hampshire. I applaud the nonprofit partners making this innovative vision a reality to better serve Manchester’s West Side. It’s all about the kids!”

The Mark Stebbins Community Center will be a multiservice nonprofit center that will bring critical services to children and families in the West Side of Manchester, which is home to 25 percent of the city’s population and will bring a myriad of nonprofit services into one location to serve the community, according to the same release.

The Center will work to provide affordable, walkable child care, after-school care, access to affordable health care, food access, community meeting space, and additional support and include the Boys & Girls Club of Manchester, Amoskeag Health, Waypoint, Easterseals NH, Mental Health Care of Greater Manchester, Granite YMCA, Manchester Housing & Redevelopment Authority, Southern NH Services, Granite United Way and Catholic Charities of New Hampshire, according to the same release.

Mark Stebbins, a Manchester native, served as Chairman and CEO of PROCON, a New Hampshire-based design and construction firm, and was devoted to giving back to the Manchester community through his philanthropic work, according to the same release. The approved funds are for construction, which is anticipated to begin in the spring of 2025, the release said.

New Currier director

A recent press releaseannounced the appointment of Dr. Jordana Pomeroy as The Currier Museum’s new Director and CEO. She will officially begin her new role at the Currier on Sept. 1.

Pomeroy brings more than 30 years of museum experience to the Currier and has been committed to making art museums exciting destinations, with accessible art and education programs, according to the same release.Most recently, Pomeroy served as the Director of the Patricia & Phillip Frost Art Museum at Florida International University in Miami, where she prioritized engagement across the city, including with hospitals and schools, the release said.

Pomeroy was also the Chief Curator at the National Museum of Women in the Arts for many years, where she focused on gender equity in arts and museums and her exhibitions and publications received critical acclaim for their groundbreaking approaches to scholarship and exhibition themes, according to the same release.

Paradise Point Nature Center in Hebron (290 North Shore Road) will open for the season on Friday, May 24, at 9 a.m. Visitors can rent a boat, check out exhibits, or hike the trail on opening day, according to the Center’s website. On Tuesday, May 28, from 10 a.m. to noon, NH Audubon will host a guided paddle (choose canoe, kayak, or paddleboard) along the Newfound Lake Water Trail, free but with a fee for boat rental. Visit nhaudubon.org.

Tesla has broken ground on a new service center and dealership in Londonderry, according to a story on WMUR.com; the 50,000-square-foot facility will be the first Tesla service center in New Hampshire and will include eight charging stations, the story said.

Nashua Public Library (2 Court St.) will hold a showing of the recent Jason Statham movie The Beekeepers on Tuesday, May 28, at 1 p.m. The film is about his involvement with a clandestine organization, and not the fuzzy critters that make honey.

Art on wheels — 5/16/2024

Muscle cars, British cars, hand-crafted one-of- a-kind cars — classics of all stripes are hitting the roads for the fair driving season. Zachary Lewis talks to members of NH Muscle Cars, which will kick off its season with a show this Saturday, May 18, as well as other aficionados of these works of art on wheels. Cover photo features a ’69 Camaro, courtesy of AK Rods and Customs.

Also on the cover This year’s artists are at work on new pieces of public art during the Nashua International Sculpture Symposium (page 14).

Also in Nashua, load up on eats at the annual Greek Food Festival at St. Philip Greek Orthodox Church (page 22). Break out your zoot suit — Big Bad Voodoo Daddy comes to Tupelo Music Hall in Derry (page 29).

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Swing revivalists

Big Bad Voodoo Daddy hits Tupelo

Southern California in the 1980s was a melting pot of musical genres. Co-billed shows with punk bands, barrio rockers Los Lobos and twang master Dwight Yoakam were common. Big Bad Voodoo Daddy drummer Kurt Sodergren recalls seeing X and the Blasters at the country-centric Palomino Club in North Hollywood.

“It was really an exciting time and I felt like everyone was included,” he said by phone recently ahead of a May 18 show at Tupelo Music Hall in Derry. “To me, it had kind of that punk rock energy … if you want to do it, go on, let’s do it.”

This milieu was perfect for Sodergren and his friend Scotty Morris to explore a passion for swing music. With an upright bass player, they formed an unconventional trio late in the decade. Musical differences led to Dirk Shumaker taking over on bass, which led to the evolution of the band that made hits like “You & Me & the Bottle Makes 3 Tonight (Baby).”

Wearing vintage suits, with Sodergren sporting bleached hair and Doc Martens boots, they served up a brand of swing that fit the cultural democracy well. “Not to knock Glenn Miller, but it wasn’t Glenn Miller, it wasn’t sleepy,” Sodergren said. “We did this one cover of ‘Sing, Sing, Sing!’ that was nothing like Benny Goodman’s version. It had all those elements, but it also had a really loud Fender Strat right by my drum set…. It was loud and exciting.”

In 1993 the band self-released an eponymous album, which led to a residency at L.A.’s famous Brown Derby. They broke out when their songs were included in the 1996 movie Swingers, signing with a major label and touring nationally. The peak of this heady time was an appearance in the 1999 Super Bowl halftime show. Writer Michael Weinreb called them “the last niche act” to grace that big stage.

The lineup included Gloria Estefan and Stevie Wonder, who drove a car onto the field. What stands out in his memory is bumping into Kiss, who’d played a pregame set. In full makeup, the Rock & Roll Hall of Famers were standing near the field when Sodergren and his bandmates walked by.

“My first show was Kiss and Cheap Trick. I was a big fan, and they recognized us!” he recalled, adding that he and Peter Criss chatted for close to 15 minutes. Criss admired his drum set, a new Slingo Buddy Rich reissue. “I couldn’t believe it. If I was 12 again and said, ‘I’m going to meet Peter Criss,’ people would have laughed at me.”

Two factors fed Sodergren’s love for retro music. One, wanting to be the opposite of his older brother, a fan of bands like Foreigner and REO Speedwagon, and two, his dad’s big record collection. “He had Benny Goodman Live at Carnegie Hall,” he said. “I heard Gene Krupa’s drumming on it and just was blown away. I would play them all the time.”

He shifted into high gear at the urging of his teacher, who “really had a lot of jazz on his mind and told me, ‘You’ve got to know this music,’” and upon learning that his grandfather once played saxophone professionally. “He’d perform in a town for like two months and stay in an apartment above the venue and travel with my grandma. When they had my dad, he had to settle down; he got a job at Montgomery Ward. He still played in the local big band, but not for a living.”

Currently in the midst of a multi-week East Coast run, the band is a big favorite in New Hampshire. Sodergren said he’s excited to be back at Tupelo Music Hall. “It’s super intimate,” he said. “You can see people’s faces, the energy is great. I don’t feel like we have to hold back. Those kinds of venues are my favorite.”

After celebrating the 30th anniversary of their 1993 debut album last year, Sodergren is keen to work on new music, but expects the Tupelo show will be a retrospective of past material.

“We’ll probably rehearse some songs at soundcheck, but [it’s] really more celebration of the 30th. We’ll try and play something from every single record,” he said.

Unique in that their original lineup is mostly intact, Big Bad Voodoo Daddy have no plans to slow down.

“We really love what we do, and we bring a really great energy to it,” Sodergren said. “We don’t just get up there and open a book and start playing a song and then politely wait for applause. People get happy in my band, and it’s pretty great.”

Big Bad Voodoo Daddy
When: Saturday, May 18, 8 p.m.
Where: Tupelo Music Hall, 10 A St., Derry
Tickets: $45 at tupelohall.com

Featured photo: Big Bad Voodoo Daddy. Courtesy photo.

The Music Roundup 24/05/16

Local music news & events

Scotsman: Punk rock fans will delight in a multi-act downtown show headlined by Billy Liar. The Scotland native’s latest album, Crisis Actor, is a post-pandemic gem, with a guest appearance from Frank Turner and a batch of songs that rage, scream and snarl. Rounding out the bill are Oh The Humanity, regional favorites Jonee Earthquake Band and The Doldrums. Thursday, May 16, 7:30 p.m., Shaskeen Pub, 909 Elm St., Manchester, $5 at the door, 21+. See billyliarmusic.com.

Guitar man: Three decades after breaking through with his surf-shredding Endless Summer, Gary Hoey has been in a blues mood for the past few albums; his most recent is 2019’s Neon Highway Blues. More than a few polls list him among the top 100 guitarists in the world, and Hoey has performed with everyone from Johnny Winter to Jeff Beck and Queen’s Brian May. Friday, May 17, 8 p.m., Tupelo Music Hall, 10 A St., Derry, $40 at tupelohall.com.

Crowd work: When veteran standup comic Cory Gee bounds onstage, he’s almost immediately mixing with the crowd; learning who’s married, which couples are dating for the first time, and who might be celebrating a birthday. The rapid-fire back and forth helps him size up the audience, but it’s not a call for a longer conversation. He’s setting up jokes. Saturday, May 18, 8:30 pm., Headliners Comedy Club, 700 Elm St., Manchester, $23 at headlinersnh.com.

Blues contest: The road to Memphis 2025 begins at the Granite State Blues Challenge, where bands, solo and duo performers and youth acts compete for tops in the state. The event is presented by Granite State Blues Society, which is dedicated to preserving the blues while raising money for children’s charities. Winners will perform at the International Blues Competition next year. Sunday, May 19, 1 p.m., Bank of NH Stage, 16 S. Main St., Concord, $15 at ccanh.com.

Trumpeter: Legendary horn player, composer and producer Herb Albert and singer Lani Hall perform. With Tijuana Brass, the album cover of his Whipped Cream & Other Delights was the ’60s version of clickbait; interestingly Alpert was also the co-owner of the label that released it, A&M Records. A decade later, Alpert hit with the dance floor classic Rise. Monday, May 20, 8 p.m., Nashua Center for the Arts, 33 Main St., Nashua, $49 at nashuacenterforthearts.com.

Kingdom of the Planet of the Apes (PG-13)

Apes together strong, sometimes, in Kingdom of the Planet of the Apes, the fourth movie in the reboot series that started with Rise of the Planet of the Apes in 2011.

A title card and a throwback scene to the funeral for Caesar, the Andy Serkis mo-capped chimp leader from the first three movies, reminds us that humans have been pandemic-ed into near oblivion, with most of the remaining people unable to speak and intellectually limited. Now, many (ape?) generations removed from that initial multi-decade struggle, apes live in all kinds of settlements, including, for the chimps we first encounter, as a clan in a small village where they smoke fish and raise eagles. Wikipedia and an appearance mid-movie by the Griffith Observatory suggest that this all takes place in Southern California. Noa (Owen Teague), a chimp who seems like an almost-but-not-quite adult, has to find an eagle egg for his special big boy ceremony the next day. When an encounter with a human stealing fish from the smokehouse leads to the breaking of the egg he had found, Noa sets off that night, in the dark, to find another one. Noa really needs that egg now because his dad, Koro (Neil Sandilands), is the head of the raptor raising operation and Noa doesn’t want to disappoint him.

The nighttime egg hunt leads Noa to cross paths with a raiding party from a different ape community. They don’t see Noa but they do find his horse and send it running so they can follow it and get to Noa’s village.

When Noa returns, the village is on fire, his buddies Anaya (Travis Jeffrey) and Soona (Lydia Peckham) and his mom, Dar (Sara Wiseman), are being herded together and tied up and his dad is trying to rescue the eagles from their nest-house atop a burning tower. Noa helps his dad but then they both have to fight Sylva (Eka Darville), the gorilla who is head of the raiders. This is all for Proximus Caesar, Sylva says before using his cattle prod-like weapon to cause Noa to fall from the tower. Noa wakes up the next morning, buries his father and sets off in search of his stolen clan.

Eventually Noa makes it to the “kingdom” of Proximus (Kevin Durand), who Wikipedia says is a bonobo. Proximus has a large work camp outside some kind of human-made bunker and is kidnapping clans to serve as a workforce to help him pull open the giant doors of the bunker, which he hopes is filled with treasures. Seeing as the bunker is in the cliff next to a beach and he’s had to build a sea wall to keep the beach from being flooded, his “kingdom” isn’t very big. But Proximus lives pretty large, spending most of his time in a ship beached on this part of the coast where he has a dining room, captured-ape servants and a pet human, Trevathan (William H. Macy), who, unlike the feral people we see by a watering hole out in the wild, can talk and read, specifically read Proximus stories about ancient Rome.

By the time Noa makes it to Proximus, he also has a human traveling companion. A woman he first calls Nova (Freya Allen) — a name bestowed by orangutan Raka (Peter Macon), a follower of a sort of religious sect based on the true stories of the original Caesar — began following him on the road. At first he thought she was just scavenging food but later he realizes there’s more to her than appears.

Trailers and the fact that she’s wearing a tank top on the movie poster suggest Nova has a whole deal independent of Noa’s “get the clan back” quest. I know this is exactly the wrong way to watch this movie, but I found myself wondering about the details — how many years are we post-pandemic? Are the humans we see in comical fur-bikini-type get-ups virus-impaired survivors from the before times or newly born-in-the-wild people? Do the apes in various colonies and villages and kingdoms have any communication with each other? Or trade?

I fully admit none of these things matter. But the movie left me wondering these things I think because the onscreen action was all very medium-at-most compelling. Where I found myself thinking “this might be one of the top five movies about war I’ve ever seen” during the War for the Planet of the Apes I didn’t feel as pulled in by this one. Were there no previous, very excellent trilogy, I might feel more excited by this movie. But it did not stand up to the comparison.

That said, Kingdom isn’t bad. It is fine, perfectly cromulent, a decent product. It has “blockbuster-flavored seasoning” sprinkled throughout, with references not just to its previous films but elements that call to mind other cinematic universe-type stories. It doesn’t wow, but it doesn’t offend. There are moments when interesting nuggets poke through. No particular performance stands out; no one gives the sort of startling humanity to their motion captured, CGI-ed characters that Serkis gave to Caesar. But then again, maybe it’s the comparison that makes the perfectly serviceable work of Teague, Macon and Durand seem totally acceptable but unremarkable. B

Rated PG-13 for intense sequences of sci-fi violence/action, according to the MPA on filmratings.com. Directed by Wes Ball and written by Josh Friedman, Kingdom of the Planet of the Apes is two hours and 25 minutes long and distributed in theaters by 20th Century Studios.

Featured photo: Kingdom of the Planet of the Apes

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