The Art Roundup 22/04/07

The latest from NH’s theater, arts and literary communities

Surreal paintings with a message: A new special exhibition featuring the work of Arghavan Khosravi opens at the Currier Museum of Art (150 Ash St., Manchester) on Thursday, April 14. The artist’s surrealist paintings explore themes such as exile, freedom and empowerment; center on female protagonists; and allude to human rights issues, particularly those affecting women and immigrants. The exhibition will remain on display through Monday, Sept. 5. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17, and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org.

Nature-inspired art: See Two Villages Art Society’s exhibition “Reawakening,on view at the Bates Building (846 Main St., Contoocook), before it’s gone on Saturday, April 9. It features work by artist members of the New Hampshire chapter of the Women’s Caucus for the Arts. “As sunshine and warmth return to the earth in spring, so we reawaken to our lives,” WCA/NH exhibitions committee chair Linda Greenwood said in a press release. “The theme not only illustrates our reawakening of spring, but it also represents an illustration of memories that remind us again of passions lying deep.” Regular gallery hours are Thursday through Sunday, from noon to 4 p.m. Visit twovillagesart.org or call 413-210-4372.

Catch the New Hampshire Art Association’s exhibition “Stitched Together – Elements of Nature from Textile Fragments, featuring the work of Cheryl Miller, at the Greater Concord

Chamber of Commerce Visitor Center (49 S. Main St., Concord) now through April 15. Miller, a textile artist, creates fabric collages using hand dyed cottons, batik and machine-stitched vintage fabrics. The exhibit includes a series of her textile collages inspired by the colors in nature. “The compositions are mostly abstract but also incorporate some elements of landscape, trees or leaves,” she said in a press release. “The idea of these pieces is to evoke a mood through the use of color and focus on small details in nature.” Gallery hours at the Chamber are Monday through Friday from 8:30 a.m. to 5 p.m. All works are for sale. Visit nhartassociation.org or call 431-4230.

Children interpret classical music: The New Hampshire Philharmonic Orchestra presents its annual “Drawn to the Music” concert on Saturday, April 9, and Sunday, April 10, at 2 p.m. at the Seifert Performing Arts Center at Salem High School (44 Geremonty Drive, Salem). The program will include music from Russian composer Igor Stravinsky’s ballet The Firebird, as well as “Night on Bald Mountain” by Modest Mussorgsky and “Mother Goose” by Maurice Ravel. The concert is a collaborative arts project for which elementary school students from across New Hampshire submitted their original artwork inspired by the featured music. According to a press release from the orchestra, more than 650 visual art pieces will be projected above the orchestra throughout the two performances “so audience members can experience the performance through each student’s creative vision.” The concert on Saturday will feature artwork by students from the Nashua area, and the concert on Sunday will feature artwork by students from Salem, Goffstown, Hooksett, Atkinson, Plaistow, Merrimack, Newington, Portsmouth, Farmington and Conway. Tickets cost $30 for adults, $25 for seniors age 60 and up, $8 for students age 21 and under and $5 for Salem School District students and must be purchased online in advance. A digital livestream option is also available for the Sunday concert for $15. Visit nhphil.org.


ART

Exhibits

• “REAWAKENING” Two Villages Art Society presents an exhibition featuring work by artist members of the New Hampshire chapter of the Women’s Caucus for the Arts. Bates Building (846 Main St., Contoocook). On display now through April 9. Regular gallery hours are Thursday through Sunday, from noon to 4 p.m. Visit twovillagesart.org or call 413-210-4372 for more information.

• “STITCHED TOGETHER – ELEMENTS OF NATURE FROM TEXTILE FRAGMENTS” New Hampshire Art Association exhibition features the textile collages of Cheryl Miller, inspired by the colors in nature. On display now through April 15. Greater Concord Chamber of Commerce Visitors Center. Regular gallery hours are Monday through Friday, from 8:30 a.m. to 5 p.m. All work is for sale. Visit nhartassociation.org or call 431-4230 for more information.

• “APPEAL OF THE REAL: 19TH CENTURY PHOTOGRAPHS OF THE ANCIENT WORLD” exhibition features photographs taken throughout the Mediterranean to record the ruins of ancient Egypt, Greece and Rome. The Currier Museum of Art (150 Ash St., Manchester). On display now through June 12. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.

• “WARHOL SCREEN TESTS” In the mid-1960s, American multimedia artist Andy Warhol had shot more than 400 short, silent, black-and-white films of his friends at his studio in New York City. Warhol referred to the films, which were unscripted and played in slow motion, as “film portraits” or “stillies.” The exhibition will feature 20 of those films, provided by the Andy Warhol Museum, in loops across four large-scale projections. The Currier Museum of Art (150 Ash St., Manchester). On display from March 31 through July 3. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.

• “ARGHAVAN KHOSRAVI” Artist’s surrealist paintings explore themes of exile, freedom and empowerment; center female protagonists; and allude to human rights issues, particularly those affecting women and immigrants. The Currier Museum of Art (150 Ash St., Manchester). On display from April 14 through Sept. 5. Museum admission costs $15 for adults, $13 for seniors age 65 and up, $10 for students, $5 for youth ages 13 through 17 and is free for children age 12 and under and museum members. Current museum hours are Thursday, from 10 a.m. to 8 p.m.; Friday through Sunday, from 10 a.m. to 5 p.m., closed Monday through Wednesday. Call 669-6144 or visit currier.org for more information.

• “ECHOES: ABSTRACT PAINTING TO MODERN QUILTING” exhibition features abstract paintings inspired by the bold colors, asymmetry, improvisational layout, alternate grid work and negative space in composition of modern quilting. Two Villages Art Society (46 Main St., Contoocook). On display from April 22 through May 14. Visit twovillagesart.org or call 413-210-4372 for more information.

NATURE AT NIGHT: PAINTINGS BY OWEN KRZYZANIAK GEARY” Two Villages Art Society (46 Main St., Contoocook). On display from May 27 through June 18. Visit twovillagesart.org or call 413-210-4372 for more information.

ART ON MAIN The City of Concord and the Greater Concord Chamber of Commerce present a year-round outdoor public art exhibition in Concord’s downtown featuring works by professional sculptors. All sculptures will be for sale. Visit concordnhchamber.com/creativeconcord, call 224-2508 or email tsink@concordnhchamber.com for more information.

Special events

UPCYCLED FASHION SHOW Presented by Makers Mill and the Governor Wentworth Arts Council. Designers of all ages are invited to create fashion pieces composed of at least 75 percent recycled, reused or repurposed materials. Sat., April 23, from 7 to 9 p.m. Makers Mill (23 Bay St., Wolfeboro). Registration for designers is free and open now through the end of March or until participation is full. Visit makersmill.org/blog or call 569-1500 for more information.

Workshops and classes

• “HANDS-ON 3D PRINTING FOR BEGINNERS” A one-day crash course covering the basics of 3D printing. Making Matters NH (88 Village St., Penacook). Sat., April 9, from 8:30 a.m. to 1:30 p.m. The cost is $15 for Making Matters members and $50 for nonmembers. Call 565-5443 or visit makingmattersnh.org for more information.

• “INTRO TO 3D PRINTING” Port City Makerspace (68 Morning St., Portsmouth). Wed., April 13 and June 8, from 6 to 9 p.m. The cost is $25 for members of the makerspace and $45 for nonmembers. Call 373-1002 or visit portcitymakerspace.com for more information.

THEATER

Classes/workshops

STORYTELLING WORKSHOPS Monthly workshop series hosted by True Tales Live storytelling showcase. First Tuesday (except November), from 7 to 8:30 p.m., virtual, via Zoom. Registration is required. Visit truetaleslivenh.org.

Shows

THE THEORY OF RELATIVITY The Anselmian Abbey Players present. Dana Center’s Koonz Theatre at Saint Anselm College (100 Saint Anselm Drive, Manchester). Sat., April 9, at 7:30 p.m., and Sun., April 10, at 2 p.m. Tickets cost $10 for general admission and $8 for students. Seats are reserved in advance online. Visit anselm.edu/dana-center-humanities or call 641-7000.

LOVE, SEX, AND THE IRS The Majestic Theatre presents. Majestic Studio Theatre (880 Page St., Manchester). Fri., April 9, and Sat., April 10, at 7 p.m., and Sun., April 11, at 2 p.m. Tickets cost $20 for adults and $15 for students and seniors. Visit majestictheatre.net or call 669-7649.

PUFFS! OR SEVEN INCREASINGLY EVENTFUL YEARS AT A CERTAIN SCHOOL OF MAGIC AND MAGIC Cue Zero Theatre Co. presents. Granite State Arts Academy (19 Keewaydin Drive, No. 4, Salem). Fri., April 29, through Sun., May 1. Visit cztheatre.com for more information.

Classical

DRAWN TO THE MUSIC 2022 – STORIES IN MUSIC The New Hampshire Philharmonic Orchestra performs. Seifert Performing Arts Center, 44 Geremonty Drive, Salem. Sat., April 9, at 2 p.m., and Sun., April 10, at 2 p.m. Visit nhphil.org or call 647-6476 for more information.

Multicultural watercolors

Nashua exhibition represents faces from around the globe

Kavitha Chandrasekaran has painted every single day since she moved to Nashua three years ago, and now she’s sharing the products of that devotion in a solo exhibition at the Nashua Public Library.

“This is my first [show],” Chandrasekaran said. “I can’t believe I’ve created so many paintings.”

“Faces in Watercolors,” on display through April 30, features portraits of people from Africa, Vietnam, Thailand and India; the latter is Chandrasekaran’s homeland. She moved to the U.S. in 2013, first to Atlanta, then New York, finally landing in Nashua due to her husband’s job change.

Chandrasekaran said it was boredom that prompted her to pick up a paintbrush.

“When I came to Nashua my kids were very small, so I couldn’t get a full-time job,” said Chandrasekaran, who has a master’s in human physiology. “But when they napped I had some time.”

painting of three young boys, smiling
“Those Eyes.” Watercolor by Kavitha Chandrasekaran.

It was the first time Chandrasekaran had tried painting; previously the only art she’d done was drawing back in her early school days. She started by teaching herself how to paint with acrylics.

“[Then] I started exploring watercolor [and spent] hours scrolling on Instagram — Instagram made me try watercolor,” she laughed.

Chandrasekaran said she loves the way you can’t predict exactly how the watercolor effect is going to look when she’s working on the backgrounds for her portraits, but there’s a more practical reason why she’s stuck with watercolors.

“I don’t need lots of supplies, so when my kids wake up I can just pack up and put things away,” she laughed.

People’s faces resonate with Chandrasekaran in a way that landscape painting hasn’t; she’s tried the latter, but she said that after 10 or 15 paintings, she still didn’t like how they turned out.

Her desire to create a custom calendar with images of her children drew her into portraiture. She didn’t know how to draw figures, so she studied and taught herself the basics, then started to learn how to tell a story through the faces she paints.

“The eyes are very important to me because that is the most expressive part of a face,” she said.

For this exhibition, some of the portraits are based on photos she found on Instagram and was given permission to paint. Some she picks as a reference to start with and changes a little bit so they have their own unique look. The photos of Indigenous people in particular caught her eye.

“These photos were very expressive, and I got very attracted to their jewelry and [accessories],” Chandrasekaran said.

During this time when she hasn’t been able to travel to India, or anywhere really, for a couple of years, Chandrasekaran said immersing herself in the faces of people from around the globe has been a comfort. She is hoping, though, that she will be able to introduce her kids, who are 6 and 4, to India this summer. But for now, she’s embracing the cultures of Nashua.

“This is a foreign land to me, but I made it my home,” she said.

Chandrasekaran plans to keep painting and wants to try to submit some of her work to more galleries and become more familiar with the local art scene.

“The painting is what now keeps me going every day,” she said. “This is something that I enjoy and want to [continue to] explore.”

“Faces in Watercolors”
Where: The gallery at Nashua Public Library, 2 Court St.
When: Now through April 30 any time the library is open
Meet the artist: There will be an artist’s reception on Thursday, April 14, from 6:30 to 8 p.m.
Visit: nashualibrary.org

Featured photo: “Akha.” Watercolor by Kavitha Chandrasekaran. Courtesy photo.

Come together with the Ukulele

A conversation with Jake Shimabukuro and how you can join NH’s ukulele scene

Ukulele together

Jake Shimabukuro’s new album is all about collaboration

In 2006, Jake Shimabukuro played the ukulele heard ’round the world. A clip he recorded for the New York City public access program Midnight Ukulele Disco, in which he played “While My Guitar Gently Weeps,” was one of the first viral video successes on YouTube, amassing more than 15 million views. Since then he’s become a global ambassador for the four-stringed instrument. In addition to releasing several albums and touring the world, he’s performed a concerto for ukulele and orchestra, scored the Japanese remake of the indie film Sideways, given a TED talk, and spearheaded a ukuleles-in-the-classroom effort in his home of Hawaii.

Jake Shimabukuro and Friends, the ukulele maestro’s most recent album, couldn’t come at a better time. This duets album features a diverse array of musicians — among them Willie Nelson, Bette Midler, Michael McDonald and Jimmy Buffett — in a celebration of the ways a good song can bring different people together.

Ahead of an appearance at Tupelo Music Hall on Thursday, April 14, Shimabukuro discussed the tour and the record in an interview via Zoom in late March.

Your latest album is a series of duets and collaborations. How did that come together and how did you pick which songs to play with which artists?

Oh, wow. Wow. So, that was a project that started about four years ago. It was a conversation I had with my manager. And he was like, ‘You should do a duets record.’ And I was thinking, wow. He started naming some artists and I was like, oh man, that would be awesome. But in the back of my head, I was thinking, oh, this is never going to happen, right? How are we going to get all these people together?

We had mentioned the project to Roy Benson of Asleep at the Wheel and he got very excited and he agreed to help me co-produce the record. The first thing he said to me was, ‘Man, we got to get you and Willie Nelson together.’ And I said, ‘Really?’ He picked up the phone, called Willie and told him all about the project and Willie was down with it. And two months later we were in the studio recording ‘Stardust.’ I mean, it was unbelievable. And so after that, it just gave the project all this momentum.

A couple of the songs on here are standards, like Willie Nelson’s version of ‘Stardust.’ What is it like to play those songs? And how did playing those songs change the way you listen to them?

Man, I tell you, when Willie Nelson agreed to do … .Well, when he said he’ll do ‘Stardust,’ I mean, my jaw hit the floor because I was like, I am going to have the opportunity to not just play, but record ‘Stardust’ with Willie Nelson, right? And I got to tell you, it was a funny story because the night before we went into the studio, Ray took me to go see Willie. And it was my first time meeting him in person. I’d seen him, we played festivals together and I watched his show and kind of seen him from afar. But I remember we got to his house and I was so nervous and he came over. He came over and Ray introduced us and I got to shake his hand and I had my ukulele in my case, on my back. And he looked at me and said, ‘Hey, so we’re going to do ‘Stardust,’ right?’ And I said, ‘Oh yeah, thank you so much. I’m so honored that you’re doing this. I’m looking forward to it. Thank you. Thank you.’ And then he looked at me, he goes, ‘Oh, OK. Yeah. Well, maybe we should run through it.’

And I was like, ‘Oh yeah, yeah, yeah. No, we can definitely do that.’ And then there was this awkward pause and then I realized, oh, he means right now. … And I was like, OK. But see, I wasn’t prepared for that because I thought he was going to play guitar on it. I didn’t realize he was just going to sing. I immediately realized, oh, OK. I’m just playing and he’s singing. So I was so nervous, but we played through it and then he looked at me and he said, ‘All right. Yeah. Sounds good. Looking forward to tomorrow.’ And I was like, ‘Oh, thank you so much.’ And then I left with Ray and I was just like, I told Ray, ‘Oh my gosh, I almost passed out.’ Talk about being put on the spot. And man, he’s such a nice individual when you’re around him. He just has such a gentle presence and vibe so I loved it.

Did you go to your collaborators or did they come to you?

Well, Jimmy Buffett introduced me to probably half the people on the record, right? So, I was very fortunate to know most of them. There were a few people I hadn’t worked with before, like Willie Nelson and Lukas Nelson. Also, Vince Gill and Amy Grant. Most of the people on the record I had worked with before, so it was a little easier to ask and reach out. Jon Anderson, that was another dream come true because I was a huge Yes fan.

And Jon Anderson’s iconic voice. Oh man. And then when he agreed to sing ‘A Day In The Life,’ it just blew me out of my seat. I couldn’t believe he was going to sing that. And then he kind of tricked me. He said, ‘Oh yeah, I’ll sing you a demo of how I like to sing it.’ And he sent me this video and he is actually singing it. But he’s also strumming a ukulele.

And I was like, I’m sorry. I called him and I was like, ‘Jon, I didn’t know you played the ukulele.’ He goes, ‘Oh, I love the ukulele.’ And it was such a moment. So I told him, ‘You have to play ukulele on the record,’ but he didn’t want to play. ‘No, no, no, you play the ukulele. I’ll just sing.’ But man, he is just phenomenal. He did a lot of, some of that percussion work and stuff on there as well and added all his layers of vocals and, oh, it’s just phenomenal.

What is it like to tour behind a solo album that’s so rooted in collaboration?

I always make a joke when I talk about the record and I introduce some of the artists that are on it. And I always say, ‘Unfortunately they all couldn’t be here tonight.’ I say, ‘We’re going to do the songs anyway.’ So we have been playing a lot of the songs from the record, obviously the instrumentals. But songs like ‘Something’ and we were doing ‘A Place In The Sun.’

When I listened to this album, one of the things that struck me was that it’s a real celebration of community and the way music can be a common denominator for a lot of different people. How does it feel to be touring and promoting this as some of the Covid restrictions are lifting and people are coming out to see live music?

I’m so grateful to be performing in front of a live audience again. I mean, it just feels so good. I mean the first couple shows when we first went back out a couple months ago, I mean, after the first song, I cried. I unexpectedly just was so…. It was so overwhelming that I actually started tearing. And I’ve noticed that in a lot of these shows, you can see people they’re just [moved]. Because for a lot of the venues that we’ve been playing at recently, we’ve been kind of their first show back. Well, back in November and December when we were touring and we were their first show back. So, I mean, you could see people just in tears, just crying, sobbing. And you know everyone has had their own unique challenges during this time. It just shows how just the healing power of music and the power of people coming together, being in the moment and just letting the music touch you, and it’s so powerful.

What can New Hampshire audiences expect from your upcoming show at Tupelo?

So I’m bringing a dear friend with me. His name is Jackson Waldhoff. He’s been touring with me for the last couple years. He’s from Hawaii as well. And just a very, I mean, honest musician. I just love his playing. Everything he plays is so pure. He’s so melodic and it just really complements the ukulele and the parts I play. We’re going to be doing a lot of bass and ukulele duets and he’s just so much fun to watch and I just love playing with him. Every once in a while you come across musicians that you play with and you just almost feel like you know where they’re going to go, what note they’re going to, how they’re going to play, and you just can read them dynamically. And I think that’s what we’re able to provide for each other and it’s really awesome, so I’m excited.

Jake Shimabukuro
When: Thursday, April 14, 8 p.m.
Where: Tupelo Music Hall (10 A St. in Derry)
Tickets: $30 to $50
More info: tupelomusichall.com

You can ukulele

Ukulele enthusiasts keep the music going

Talking about his previous appearance in the Granite State, Jake Shimabukuro shouted out the ukulele players of southern New Hampshire.

“The last time I was there, they came and they brought their ukuleles,” he recalled. “It’s so wonderful to see that. All these communities of ukulele players, just all over the world. It’s crazy.”

The feeling is mutual. “No one can shred a ukulele like Jake!” June Pinkham said in a recent email interview. As one of the co-organizers for the Southern New Hampshire Ukulele Group, she would know from ukulele shredding. Over the past decade, SNHUG has organized sing-and-strum get-togethers for ukulele enthusiasts in the Seacoast area, with bigger and more ambitious plans on the horizon.

Former Granite State resident Dan Mathis first organized SNHUG on Meetup in December 2011, appointing Pinkham as a co-organizer. Their earliest meetings were attended by five members.

“I had inherited a Martin ukulele from my father-in-law and wanted to learn to play it in his honor,” Pinkham wrote. “Little did I know where that would lead!”

The group has about 600 followers on their Meetup group, and avid members have met twice a month at the Seabrook Public.

“We have many talented members in our group!” Pinkham wrote. She describes their membership as “people from all walks of life. People like me, with no musical background, to people who are very well accustomed to playing on stage professionally and just want to have some fun.”

SNHUG’s mission includes a community service component, which involves performances and fundraising. The group frequently looks for “a way to ‘do a little good’ … bringing smiles to nursing homes, community events, farmers markets — wherever there was a need.” They have also raised money for the nonprofit Ukulele Kids Club, which brings musical instruments to children in hospitals as a form of music therapy.

“We organized the Battle of the Ukulele Bands, which took place in 2019 at The Music Hall in Portsmouth,” a “seriously complex event” that raised $23,000 for the UKC. “To date, we have raised almost $90,000 for charity — all the while having a blast!”

Check out a ukulele (literally)
You can get a feel for a ukulele by checking one out of some area libraries. Ukuleles are available at the Hooksett Public Library (31 Mt. St. Mary’s Way in Hooksett; hooksettlibrary.org, 485-6092) and from the Merrimack Public Library (470 DW Highway in Merrimack; merrimacklibrary.org, 424-5021). Call for details.

Like many ukulele groups, SNHUG had to shift their in-person gatherings to Zoom when the Covid-19 pandemic first hit. As the temperatures rose, the organizers found ways for the group to get together. “Last year we met as soon as the weather warmed up in the spring all the way through November — outside at the park, frozen fingers and all.” They were warmly greeted by members of the community and grew their community through outdoor performances at nursing homes and farmers markets. Just as ukulele sales grew in 2020, so did SNHUG’s community: “We didn’t see a change in our membership during the lockdown. In fact, I think our membership went up!”

SNHUG can help ukulele novices learn the instrument. For more information on SNHUG’s gatherings and lessons, visit snhug.wordpress.com. And keep an eye out for their annual SNHUGfest in Dover on Sept. 24.

Learn to play
Here are a few places where you can go to learn to play a ukulele.

• Let’s Play Music (2626 Brown Ave., Unit A2, Manchester, 218-3089; 145 Hampstead Road, 1st floor, Suite 26, Derry, 425-7575; letsplaymusic.com/ukulele-lessons.php) offers children’s and adults beginner to advanced ukulele lessons in person and on Zoom.
• NH Tunes (250 Commercial St., Suite 201, Manchester; 660-2208, nhtunes.biz) offers ukulele lessons for beginners to advanced players in person and on Zoom.
• North Main Music (28 Charron Ave., Suite 1, Nashua; 505-4282, northmainmusic.com/ukulele-lessons) offers in-person and online ukulele lessons for children and adults.
• The Real School of Music (10 A St., Derry; 260-6801, therealschoolofmusic.com) offers beginner to advanced ukulele lessons for children and adults in person and on Zoom.
• Steve’s House of Ukulele (123 Main St., Concord; stevesukes.com, 555-9876) Steve’s House offers Zoom and in-person lessons for beginners as well as more experienced players. Steve’s House also offers instrument rentals and sales.
• Ted Herbert Music (880 Page St, Manchester; 669-7469, tedherbert.com) John Chouinard teaches ukulele lessons in person and over Zoom for beginners through advanced players. He also leads the ukulele ensemble Ukuladies.

Featured photo: Jake Shimabukuro. Photo by Sienna Morales.

This Week 22/04/07

Big Events April 7, 2022 and beyond

Thursday, April 7

Bob Marley, recently voted Best of the Best in the Best Local (-ish) Comedian category of Hippo’s Best of 2022 readers’ poll, will kick off a run of performances at the Palace Theatre (80 Hanover St. in Manchester; palacetheatre.org, 668-5588) starting today with a show at 7:30 p.m. Marley will also perform Friday, April 8, at 8:30 p.m. and Saturday, April 9, at 6 and 8 p.m. Tickets cost $39.50.

Find out who and what else were awarded the “best” label by readers in last week’s issue (March 31). See hippopress.com to find the e-edition.

Thursday, April 7

The Capitol Center for the Arts (44 S. Main St. in Concord; ccanh.com) has several local favorites on the calendar for this weekend. Tonight, catch Béla Fleck with his album My Bluegrass Heart at 7:30 p.m.; tickets cost $39 to $69, plus fees.

Tomorrow, Friday, April 8, catch Colin Hay (known for his work as lead vocalist of Men at Work and as a solo artist) at 8 p.m. (Tickets cost $43 through $63, plus fees.)

On the Bank of NH Stage (16 S. Main St. in Concord), see Dueling Pianos on Friday, April 8, at 8 p.m. (tickets cost $24 plus fees) and Adam Ezra Group on Saturday, April 9, at 8 p.m. (tickets cost $28 and $38, plus fees).

Find more concerts this weekend in our concert listings on page 42.

Friday, April 8

Catch Love, Sex and the IRS, a farce described as “like a cross between I Love Lucy and Some Like it Hot,” this weekend presented by the Majestic Studio Theatre (880 Page St. in Manchester; majestictheatre.net). The show runs tonight and Saturday, April 9, at 7 p.m. and Sunday, April 10, at 2 p.m. Tickets cost $20 for adults, $15 for seniors and students. Find more theatrical productions this week and into the future in the Arts section, which starts on page 10.

Friday, April 8

It’s another Tupelo Night of Comedy tonight at 8 p.m. at the Tupelo Music Hall (10 A St. in Derry; tupelomusichall.com). Tickets cost $22 and the lineup includes Brad Mastrangelo, Francis Birch and Matt McArthur. Find more funny in our Comedy This Week listings on page 36.

Saturday, April 9

Millyard Brewery (125 E. Otterson St. in Nashua; millyardbrewery.com, 722-0104) will celebrate its 6th anniversary today from noon to 7 p.m. with 12 beers on tap, music, a food truck and games, according to a press release. Catch Dan Carter performing from 1 to 6 p.m. and Charlie Chronopoulos from 4 to 6 p.m.

Saturday, April 9

Today is the monthly free admission Saturday at the Currier Museum of Art (150 Ash St. in Manchester; currier.org) for all New Hampshire residents from 10 a.m. to 5 p.m. The museum will also host a Creative Studio event from 10 a.m. to 1 p.m., when participants of this family-friendly event can take inspiration from the new exhibition “Warhol Screen Test” to paint some pop art style works, according to the website.

The museum kicks off Membership Appreciation Week on Sunday, April 10, when members can receive special perks and discounts and get a preview tour of the Arghavan Khosravi exhibit that will open Thursday, April 14.

Wednesday, April 13

Discuss and watch the silent films of Buster Keaton, Charlie Chaplin and Mack Sennett at a presentation by the Walker Lecture Series tonight at 7:30 p.m. at the Concord City Auditorium (2 Prince St. in Concord; theaudi.org). The event is free.

Save the Date! Saturday, May 7
The Monster Jam comes to the SNHU Arena (555 Elm St. in Manchester; snhuarena.com, 644-5000) for shows on Saturday, May 7, at 1 and 7 p.m. and Sunday, May 8, at 1 p.m. Tickets cost $18 through $68.

Featured photo. Comedian Bob Marley. Courtesy photo.

Quality of Life 22/04/07

The falcons are nesting

It’s nesting season for Manchester’s peregrine falcons, and you can watch it on the NH Audubon’s live falcon cam. According to a press release from the Audubon, the pair is currently incubating five eggs in its nest, which is at 750 Elm St. You can find a link at nhaudubon.org, or search for “peregrine networks” on YouTube. The eggs typically hatch in late April or early May and the birds fledge from the nest in late May or early June, according to information posted on the falcons’ YouTube page. The young falcons will spend four to six weeks learning from their parents how to hunt, and then they will start to migrate out of the area.

Score: +1

Comment: The date of this year’s first egg was March 21, earlier than any of the previous seven years that were recorded, according to the YouTube page; in 2016, 2020 and 2021, the first eggs were March 24, which is the second earliest date.

No more early release days in Nashua

Last week, the Nashua Board of Education voted to eliminate early release days for the 2022-2023 school year. According to a press release, early release days had allowed teaching staff to attend workshops and school meetings in the afternoon, as students left two hours early, and the district usually scheduled five or six early release days during the school year. Instead, according to the release, administrators will now plan for full-day workshops and school meetings for teachers on Sept. 13, primary day; Nov. 8, election day; and Feb. 20, Presidents Day, when students are not in school. The proposed calendar increases the total amount of instructional time by 14 hours and allows for “more full and complete weeks of schooling,” the release said. It also helps to better align calendars between CTE centers and districts, to reduce the number of conflicts.

Score: 0

Comment: The kids probably won’t care for the additional hours in school, but parents who won’t have to figure out middle-of-the-day school pickups and child care certainly will.

Watch for skimmers

Manchester has had several instances recently where credit card skimmers have been found on credit card terminals at local businesses. According to a press release, skimmers were found on March 23 at Walmart on Gold Street; on March 28 at the 7-Eleven on Beech Street; and on March 30 at the 7-Eleven on Maple Street. Skimmers can steal credit card numbers and can be hard to see, as they look very similar to legitimate card scanners, and they can be snapped onto a card reader within seconds.

Score: -1

Comment: Businesses are being asked to check their credit card terminals daily for skimmers, and customers should check their bank accounts for suspicious activity, the release said.

Lapse in 911 text service

For three days, some people in New Hampshire trying to text 911 through the Verizon Wireless network were not able to. On April 1, the New Hampshire Department of Safety’s Division of Emergency Services and Communications sent out a media alert to let residents and visitors know that some Verizon Wireless customers were experiencing a failure when attempting to send a text to 911, instead getting an automated message saying, “Please make a voice call to 911. There is no text service to 911 available at this time.” No other carriers had issues, the alert said. Verizon’s network engineers were able to resolve the problem by April 4, according to an update from Emergency Services and Communications.

Score: -1

Comment: QOL hopes that anyone who couldn’t get through to 911 via text was able to call and get help quickly.

QOL score: 70

Net change: -1

QOL this week: 69

What’s affecting your Quality of Life here in New Hampshire? Let us know at news@hippopress.com.

Celtics rolling toward playoffs

There is an old saying that goes, that which doesn’t kill you makes you stronger. I’m not sure who said it first or why, but I do know the most recent team in sports it applies to is your Boston Celtics, a team that justifiably had everyone from Jamestown, R.I., to Presque Isle on their back through the first 10 weeks of the NBA season. All thanks to blowing one big lead after another in one lax effort after the next.

However, that was then and this is now. They’ve gone from 18-21 after blowing a 25-point lead in an excruciating loss to the Knicks on Jan. 6 to 49-30 following Sunday’s 42-point beatdown of Washington.

The 32-9 surge sends them into next week’s playoffs as the hottest team in the East and maybe the top seed in the conference.

The question is how did that happen, especially since it seemingly came from nowhere.

Before I get to that, first the mea culpa. Boy did I get it wrong saying in a blowtorch column right after the loss at MSG that they would be battling for the 10th playoff spot as this week arrived.

Though while I was wrong about that, I was right about what they needed most to solve their problems — a real point guard and better, more determined leadership from Jayson Tatum. Qualities that I’d given up he’d ever develop. Never saw anyone on the roster ever being a real point guard either. Finally I said Ime Udoka looked over his head.

So back to how it happened.

In order:

Point guard: Rarely does the light bulb go on for someone in their eighth season, but it has for Marcus Smart since mid-January. Now the first move is going below the three-point line to draw defenders to him, giving Tatum and Jaylen Brown better openings to shoot or drive. It also gives him 10-foot pull-up opportunities or lanes for shots at the rim or lobs to Rob. It’s been the key to the improvement.

Tatum’s maturity: Through the surge he’s been mostly sensational. Though after seeing him sulk his way through the second half of last week’s Miami loss after letting horrid officiating get his head, it’s not all there just yet. But he now looks so much more determined and physical in regularly taking it to the basket. The last piece needed is to better fight through the adversity like vs. Miami, because that’s what he’s going to see in the playoffs.

Shot selection: Mostly gone now are Tatum, Brown and especially Smart infuriatingly chucking up the first three that shows. Ditto for Tatum’s loved by him and absolutely despised by me Kobe-like isolation step back shot that takes everyone besides him out of the offense

Passing on all the ill-advised threes and destructive isolations has led to a greater overall patience to search out better shots through the shot clock. That’s improved field goal percentages on both twos and threes. But more importantly it’s led Tatum and Brown to attack the rim as the first option for the higher percentage attempts and more free throws that come at the rim. Both are now a threat to score 30 every night and this is why they’re so much harder to guard. Not to mention more fun to watch.

Passing: There are two kinds of passing. The first is programmed ball movement where guys automatically have places to send it to get ahead of defensive rotations and into open areas like weak side corner for a three. The quicker and more decisively it’s done the better because it’s where most open half-court shots come from. Everyone seems to be better at that now. But chief among them is Rob Williams in particular who’s become very adept at this. It’s the least talked about part of his improvement, and has a positive impact on the half-court offense.

The other kind is passing off the dribble during penetration, for drop-offs when double teamed, in transition, to cutters coming from the weak side or off picks and on lobs to Rob, which has become a major element in the half court offense and on the break. While there have always been flashes of this and Al Horford has always been solid here, Tatum and Smart have had a Cousy-esque transformation in their ability to get people wide open shots or lay-ups while on the move.

The Coach: One of the biggest mistakes I’ve made during my time writing this column was saying Udoka looks over his head as an NBA coach. Dead wrong. Turns out it was just part of the learning curve.

It’s obvious this team listens to him. Both the improved shot selection and especially the transformation of Smart’s offensive approach are coaching things. Ditto for their league-best team defense, which has been solid since Day 1. Something that makes them built more sturdily for the slower, more physical play in the playoffs.

Bottom line, he’s the biggest reason for the turnaround.

And while all this was going on, we also got the answer to the biggest question looming over the future of the franchise.

Can Tatum and Brown play together? This question was endlessly asked through the first 10 weeks. And I said in January it needed an answer. Though I added we’ll never really know until they play with a real point guard who gives them the ball where each can do something with it. With Smart now doing that, the answer is yes. Which is good, because at 24 and 25 they could be on their way to becoming the best 1-2 scoring punch in Celtics history. And yes I have heard the names Jones, Havlicek, Bird, McHale, Pierce, Walker and the rest.

Along with drastically improved play from the bench, that takes care of what happened. Next week we’ll preview the playoffs and talk about what Brad Stevens has done to change their immediate fortunes.

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