News & Notes 24/02/08

Poetry competition

Due to its growing popularity, the New Hampshire Poetry Out Loud competition will hold four semi-finals this month, as announced by the New Hampshire State Council on the Arts. The program, which involves around 5,000 students from 39 high schools and school groups, encourages the mastery of public speaking skills and self-confidence through the memorization and recitation of classic and contemporary poetry. Open to all high school students, including those from home school groups, the competition will progress from classroom to school championships, and then to regional semi-finals hosted at Rochester Opera House, Silver Center for the Arts in Plymouth, Tupelo Music Hall in Derry, and New England College in Henniker on specified dates in February. Finalists will compete at the state final in Concord on March 15, with the winner advancing to the national finals in Washington, D.C., to compete for $50,000 in awards. These events are free and open to the public. Visit nh.gov/nharts.

Mail concerns

U.S. Sens. Jeanne Shaheen and Maggie Hassan and Reps. Annie Kuster and Chris Pappas expressed their concerns about proposed changes to the Manchester Processing and Distribution Center by the United States Postal Service (USPS). At a press conference in Manchester on Feb. 5, they highlighted the potential negative impact these changes could have on mail service in New Hampshire, especially for rural communities and the elderly. The delegation, having previously sent a letter to Postmaster General DeJoy, urged the USPS to reconsider its plans, warning of significant consequences if the facility’s operations were moved to Boston. They emphasized the importance of timely mail service for New Hampshire residents and businesses, especially for critical deliveries like paychecks and medications. Shaheen and Hassan have been active in supporting USPS reforms to ensure prompt mail delivery across the state and have called for financial relief and operational improvements for the USPS, particularly during the Covid-19 pandemic. Additionally, they have addressed issues like security in change of address requests and the timely delivery of ballots during elections. Following a report requested by Sen. Hassan, the USPS hired more than 150 new permanent employees in New Hampshire in 2021 to address staff shortages contributing to postal delays.

Historic properties

The New Hampshire Division of Historical Resources recently added five properties to the New Hampshire State Register of Historic Places. According to a press release, the Fitch-Brown-Patten House in Claremont, built in the 1830s with Greek Revival details and renovated in the 1930s, now serves as a space for the Claremont Historical Society. The Bridgman House in Hanover’s Etna Village, dating back to circa 1820, is notable for its association with the education of the deaf-blind, including Anne Sullivan, Helen Keller’s teacher. The William Peabody House in Milford, constructed around 1740, has historical significance tracing back to the Revolutionary War. The Antrim Grange #98, originally built circa 1791, evolved from a meetinghouse to a town hall and now a Grange hall. Lastly, the Sunset Hill Golf Course and Clubhouse in Sugar Hill, established in 1897, represents one of New Hampshire’s earliest golf courses, with its 1900 clubhouse being a rare example of early golf architecture. These additions aim to celebrate and preserve New Hampshire’s historic resources, and property listing in the State Register does not place restrictions on owners. Visit nhdhr.dncr.nh.gov.

Child care

On Feb. 5, U.S. Sen. Jeanne Shaheen visited Easterseals New Hampshire Child Development Center in Manchester to discuss the challenges of the child care crisis in the state, particularly issues related to access and staffing. According to a press release, this visit follows New Hampshire’s loss of nearly 1,500 child care slots since 2019 due to pandemic-related closures. Sen. Shaheen has been involved in advocating for child care solutions, urging Congress to approve a $16 billion funding request for child care stabilization grants and securing federal funding through the American Rescue Plan. She has supported legislation such as the Child Care Stabilization Act, the Child Care for Working Families Act, and the Childcare Workforce and Facilities Act, and contributed to increased funding for child care initiatives in the fiscal year 2023 government funding bill.

Awardee sought

Granite VNA is inviting nominations for the 25th annual Kay Sidway Award until Feb. 16. According to a press release, this accolade recognizes an individual’s commitment to the well-being of children and families within the 82 communities served by Granite VNA in New Hampshire. Established in 1998 and named after educator Kay Sidway, the award celebrates those who have made significant contributions to improving quality of life, health and education for children and families in central New Hampshire and the Lakes Region. Nominees should exemplify leadership, community health and well-being, meaningful contributions to families and collaboration with local agencies. The recipient will be honored an event on May 1 at the Barn at Bull Meadow in Concord. Nominations can be made through Granite VNA’s website at granitevna.org/passionforcaring.

On Thursday, Feb. 8, from 5 to 7 p.m., the Greater Manchester Chamber of Commerce, at 54 Hanover St., Manchester, will host an exhibition showcasing the works of Jane Kaufmann. According to a press release, this event, celebrating the one-year anniversary of art installations at the Chamber’s Harvard Pilgrim Health Care Boardroom, will feature Kaufmann’s artistic journey over 45 years, highlighting her innovative use of materials like cloth and cardboard. The exhibition, a collaboration with curator Yasamin Safarzadeh and Positive Street Art, is free to the public, and attendees will have the opportunity to purchase Kaufmann’s artwork and enjoy light refreshments.

New Hampshire residents pursuing post-secondary education in medicine, nursing or social work are invited to apply for the Yarnold Scholarship. Funded by a trust established by Rollinsford couple Alice M. Yarnold and Samuel Yarnold, scholarships are awarded to 30 to 40 students each year in amounts ranging from $1,000 to $5,000, according to a press release. Interested students may call Yarnold Scholarship administrative representative Laura Ramsdell at 766-9121 to receive an application.

Frederick’s Pastries in Amherst has been named a winner of The Knot Best of Weddings 2024, an award that honors top local wedding professionals as rated by real couples on The Knot. Frederick’s Pastries, known for collaborating with couples to create custom wedding centerpieces, stood out among thousands of vendors within The Knot’s extensive Vendor Marketplace, which serves as a comprehensive guide for couples looking to book wedding services.

Cook for your Valentine— 02/08/24

10Maybe you want to woo your sweetheart with a big romantic gesture. Maybe you want to cover for the fact that you forgot about Valentine’s Day (Wednesday, Feb. 14). Whatever your reasons for wanting to construct a delicious meal for two, John Fladd walks you through it. And, if that sounds too much, go straight to his recipe for a decadent, chocolatey but surprisingly easy dessert. Or how about a romantic cocktail?

Also on the cover Vote now in Hippo’s Best of 2024 readers poll! Go to hippopress.com to vote for best ice cream, best margaritas and best doughnuts! See page 31 for details.

And in the food section: On Friday, Feb. 9, the Amherst Lions Club holds its annual chili competition and ice cream social (page 27). And next Tuesday, Feb. 13, is Mardi Gras, the annual celebration that calls for a King Cake (page 28).

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Granite State Songs

Rex triple bill spotlights New Hampshire talent

A showcase of singer-songwriters coming up at Manchester’s Rex Theatre will depart from the more common in-the-round “song pull” format and instead will allow the three featured performers — Cosy Sheridan, Kate Redgate and Jon Nolan — to stretch out with their bands.

The show is dubbed 603 Folk, though the music ranges beyond that to roots, rock and pop-inflected Americana.

Born in Concord, Sheridan is the veteran of the evening. She came up in the early ’90s folk boom after winning both Kerrville Folk Festival’s NewSong Award and the Telluride Bluegrass Festival Troubadour Contest. She was a fixture on the regional festival circuit, appearing at Newport and Falcon Ridge, among others. After a long stint living in Utah, she recently moved back to New Hampshire.

The other two have a lot in common, in their music and life choices. Redgate made an impact in 2009 with her LP Nothing Tragic but left the business soon after to raise her two children. However, as recounted in 2023 to writer Chris Hislop, Redgate didn’t stop writing, she simply “stopped trying to have a career doing it.”

That would change when the potent Light Under the Door was released a year ago. Nolan, who’s best-known for his time in the band Say ZuZu, produced, played guitar and co-wrote all but one song on the album. He’s a close friend of Redgate’s; like her, the singer-guitarist has recently returned to making music after leaving it to focus on family.

After lots of buzz, a few near record deals and 11 years together, Say ZuZu disbanded in 2003. After that, “I’d kind of broken up with music,” Nolan said by phone recently. He built a studio, did some solo work, but otherwise, “leaned into my day job for a minute.” While writing for the now defunct The Wire magazine he launched the RPM Challenge, which asks musicians to record and release an album during the month of February; it’s grown into a worldwide effort.

In the middle of the pandemic, a label that had almost signed Say ZuZu suddenly reached out.

“It was sort of this left at the altar thing,” Nolan said of the near-miss with New West Records. Twenty years later owner George Fontaine Sr. “called us back and said, ‘Hey, sorry about that; do you want to do that now?’ We were like, ‘Yes, George, we would.’

He created Strolling Bones Records for them and released Say ZuZu’s back catalog as Here Again: A Retrospective (1994-2002). In 2023 the group made No Time to Lose, its first studio album since 2002’s Every Mile. The revival helped Nolan “fall back in love with music and find a new way to experience joy,” he said.

Soon he was writing solo songs again, many of which will be in an upcoming Jon Nolan & Good Company album. The group includes Geoff Taylor, Rick Habib (who’s also Redgate’s drummer), Zach Tremblay and Roland Nicol.

“I found sort of a creative renaissance; it really feels like it uncorked a thing I had when ZuZu broke up,” Nolan said. “I think I just needed to break through something personally, and we’re all kind of doing that together as Good Company. I turned over the soil for all of us, found some fresh roots.”

The surprising Say ZuZu reunion inspired a documentary about the band, currently being worked on by Mississippi filmmaker Christian Harrison. He’d heard about the band from Kevin Guyer, who ran beloved Rock Bottom Records in Portsmouth for a couple of decades before moving south 15 years ago.

“It’s an unheard-of story in the music industry, and it’s not born of some desire to get rich,” Nolan said. “It’s not, ‘what I need to do is call a bunch of 50-year-old guys who haven’t been on the road in 10 years, that’ll be the next hit.’”

Asked about the upcoming show at The Rex, Nolan called himself “a longtime admirer of Cosy,” adding, “she was a couple years ahead of me when I was coming up … a staple in the folk scene before she moved out west and returned. I don’t think I’ve ever played a gig with her, but I’ve enjoyed her music for decades now.”

He and Redgate may join each other during the evening, he continued.

“I’m looking forward to playing in a different room; it looks charming,” he said. “I love the idea of three different writers, three different voices and three different perspectives coming at music from a similar pantry of ingredients, but each with their own distinct style.

603 Folk: An Evening of NH-Based Singer-Songwriters
When: Sunday, Feb. 3, 7:30pm
Where: Red Theater, 23 Amherst St., Manchester
Tickets: $29 at palacetheater.org

Featured photo: 603 Folk. Courtesy.

The Music Roundup 24/02/01

Local music news & events

  • Get together: For anyone itching to play an original song for a sympathetic crowd, Acoustic Open Mic Night is a good place to land. Hosted by local singer-songwriter Mike Birch, the rules are pretty loose — no comedy or karaoke, and it’s a good idea to bring a personal microphone. Duos and trios are allowed, but not amplifiers or drums; for the latter, a little bit of thigh-slapping will suffice. Thursday, Feb. 1, 7:30 p.m., Casey Magee’s, 8 Temple St., Nashua. See facebook.com/mikebirchmusic.
  • Beaching time: Taking its name from a classic Beach Boys song, All Summer Long is an annual long weekend tradition at a Londonderry craft brewery. With indoor sand and a bevy of local music, it’s a great way to forget about the cold. Nightshade kicks things off Friday, Supernothing and DJ Ache helm an all-day party Saturday and Slack Tide wraps it up Sunday afternoon. Starts Friday, Feb. 2, at 6 p.m., Pipe Dream Brewing, 49 Harvey Road, Londonderry, pipedreambrewingnh.com.
  • Heavy hearts: A multi-band show with a metal focus and an alt edge, Valentine’s Day Massacre gets the holiday off to an early start. Late 9 is a Boston quintet whose latest single, “Obsessed,” nicely balances melodic with metal. The Doldrums have a Green Day/Fall Out Boy vibe, while Cytokine and Creation from Crisis keep things hard and heavy; punk rockabilly band Ragz to Stitchez rounds things out. Saturday, Feb. 3, 7 pm., Shaskeen Pub, 909 Elm St., Manchester, $10 at the door, 21+.
  • Lounge around: Ahead of a pair of Mardi Gras concerts, one of which will be streamed, Heather Pierson plays a late afternoon set in a duo format. The piano player launched a new group, The Potboilers, in 2022.The show happens in the venue’s upstairs bar. Sunday, Feb. 4, 6 p.m., Cantin Room at Bank of NH Stage, 16 S. Main St., Concord, $18 at ccanh.com.
  • Classic covers: From its start as a bunch of high school pals making original music, Fortune became a mainstay on the regional club scene, making a pair of albums in the mid-’90s and opening for bands like the Guess Who and Cheap Trick. Their staying power has more to do with channeling classic rock energy, however. One band superfan dubbed them “the greatest cover band in the world,” and it’s deserved praise. Sunday, Feb. 4, 7 p.m., Tupelo Music Hall, 10 A St., Derry, $30 at tupelohall.com.

American Fiction (R)

A writer creates a drunken joke that wins wide acclaim in American Fiction.

Fun note: that’s also kind of the plot to The Hunger Games: The Ballad of Songbirds and Snakes and American Fiction also shares some structural similarities with Weird: The Al Yankovic Story and both those things make me love this movie even more.

We meet author Thelonious Ellison (Jeffrey Wright), called Monk by nearly everybody, as he tangles with a college student (who is white) in the class he’s teaching over assigned readings that use racial epithets. It’s literature of the American South, his prickly explanation goes, if he can get over it so can she. She leaves the class in tears and Monk is called into a meeting with various deans where it’s explained that maybe he should take some mandatory time off. He heads to a book festival in Boston where he finds himself on panel discussion with an audience that could be generously described as a “smattering” of people. He learns his panel is at the same time as an event featuring Sintara Golden (Issa Rae), whose book We’s Lives in Da Ghetto is the hot book of the moment. It’s gritty and real and honest and raw, says everybody. To Monk, it’s a crass money grab by Golden, an Oberlin graduate who works in publishing, who is just feeding white editors and white readers a stereotype of Black life.

Monk’s life frustrations continue as he spends time with his family: his sister Lisa (Tracee Ellis Ross) is a busy doctor still recovering financially from her divorce and caring for their widowed mother Agnes (Leslie Uggums), who lives in the family home with longtime housekeeper Lorraine (Myra Lucretia Taylor). Lisa tries to explain that Monk and brother Clifford (Sterling K. Brown), who lives in Tucson (Monk lives in L.A.), haven’t been home enough to realize that their mom seems to be fading in terms of her memory and possibly her ability to live alone. When Lisa suddenly dies, Monk finds himself basically out of work and dealing with a mother who possibly needs very expensive care. With Lisa gone, Clifford struggling after his own divorce and Monk not receiving money, his only hope is his recent book, which agent Arthur (John Ortiz) is struggling to find a publisher for. It’s not “Black enough,” is what Arthur says he’s being told by the publishers, despite Monk’s arguments that he is Black and these are his stories.

Thus does a beleaguered Monk get drunk and get writing. He pens a story called My Pafology (after starting with “My Pathology”) full of every stereotype and flat depiction of hacky portrayals of African American life he can think of, with bad dialogue we see his characters work out in front of him. He jokingly sends it to Arthur and later tells him to send it around as something between a prank and a protest over what publishers seem to think constitutes “Black stories.” Except, of course, a publisher loves it, offers him more money than he’s ever been paid before for a book and quickly there’s talk of a film.

While the book by “Stagg R. Leigh” (Monk’s pen name for his prank) is receiving increasing acclaim (and even FBI interest because Arthur decides on the fly that “Stagg” is a criminal on the run), an ill-at-ease Monk is trying to find the nicest possible assisted living facility for his mom. He’s not delighted that cheeseball producer Wiley Valdespino (just a perfect Adam Brody) is looking to make a movie of his book but he also isn’t in a position to turn down an offer that includes the word “million.”

Of course the horrible thing is going to be the thing that hits — The Producers and 30+ years of the internet have taught us all this — but American Fiction tells this story through the lens of Monk’s late middle-age frustrations at all the things that have not worked out. Monk is funny like a sad three-legged dog, is how Clifford describes him to Coraline (Erika Alexander), the woman Monk starts dating. Jeffrey Wright perfectly captures this, sort of the quality of a guy tangled up in his own sweater and not able to fight his way out. He tries to operate as somebody on a higher plane, somebody who doesn’t see race (as he explains while not getting a cab that instead stops for the white guy half a block away) and doesn’t tolerate Gen Z discomfort. But he is also delightfully petty (attempting to move his books in a chain bookstore and getting into a fight with a college colleague about the quality of the colleague’s “airport novels”) and, as his family points out, is more emotionally detached than evolved. Even his frustrations with Sintara, who he eventually sits on a judging panel with, seem to have as much to do with the fact that she’s successful (and at such a young age, comparatively) as with his feelings about how she found that success.

The comedy of American Fiction is, of course, fun and has its laugh-out-loud moments. But the movie also has a lot of truly poignant little bits about family — the way Monk relates to his siblings, the way the family is still operating with the memory of their father who died years earlier, what it means to become a parent’s caretaker. And it’s all delivered via one killer performance after another. Wright and Brown both received Oscar nominations (for actor and supporting actor, respectively; the movie is also nominated for adapted screenplay and best picture) but Tracee Ellis Ross and even smaller roles, like Keith David’s appearance as a character Monk conjures up for his book, hit their notes just right. A

Rated R for language throughout, some drug use, sexual references and brief violence, according to the MPA on filmratings.com. Written and directed by Cord Jefferson (and based on the novel Erasure by Percival Everett), American Fiction is an hour and 57 minutes long and distributed in theaters by Metro-Goldwyn-Mayer Pictures & Orion Releasing.

Featured photo: American Fiction.

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