Live at last

Sam Claflin must save his sister’s wedding while trying to win over a woman he’s been pining for in Love Wedding Repeat, a movie with a cute concept that it doesn’t quite see through.

Music returns to Penuche’s Music Hall

By Michael Witthaus
[email protected]

With limited reopening of businesses in New Hampshire, open air dining — with strict social distancing guidelines — returned to Penuche’s Music Hall on May 18, along with live music, with musicians playing acoustic on the corner of Elm and Lowell streets. Brad Bosse kicked off the return of live music in downtown Manchester at 1 p.m. on May 18, with a cover of Ben Harper’s “Steal My Kisses” as Penuche’s Music Hall served diners at every table. Amanda McCarthy preformed after Bosse at 6 p.m. In a recent phone interview, owner Chuck Kalantzis talked about the challenges of Covid-19 for businesses like his, and the return of entertainment to his Elm Street restaurant and bar.

What were you doing at Penuche’s Music Hall before the pandemic hit?
We had live music consistently here seven days of the week, either with live bands or some type of local artists [playing acoustic], every day something different in our establishment.

When it happened, what kind of adjustments did you make?
At that time nobody knew what was going on, and it was very difficult to understand which way to go. The first few days I fed families who couldn’t afford anything and delivered food to older people. But with our establishment [being part of the] music industry, I would really put my employees in jeopardy along with the customers if we did takeout, so I stayed away from that. … We did a lot of community things to help out from that end. … I have it on my Facebook every day that if there’s anybody in need, they call me and I make sure they get food in some form.

How do you envision reopening with social distancing rules working?
This is uncharted territory. … Nobody knows if people are gonna be scared to go out. I don’t think so. … I think people that are sick will stay in the house. If you’re not, we need to get out to build our immune systems a little bit more, you know? I’m gonna do everything in my power to continue, keep this industry going in some form. … What I did was set my seating to the left and right of Lowell Street. I’ve also applied with the city to do Sundays as I’ve been doing for the last four years [closing off the street and putting tables there]..

You must be glad you applied to do that before.
I’m the one who brought it to Hanover Street [Penuche’s original location] — outside seating with music I developed way, way back. … They’re not allowing live entertainment [indoors] for a little while, so I have to [have] a little imagination with what I do to develop something comfortable. Music really helps your day. … So I’m putting [acoustic music] out here every day unless it’s raining. … My first night [I had] Amanda McCarthy. When she was a younger girl, I was over at Penuche’s on Hanover Street. She came to my door one day and said, I’m young and I’m just starting to learn how to play music and can you give me a chance? … I kept her going weekly and we’ve had a great relationship all the way through and I give her as much as I can. Look at what she’s developed into — she won best New England songwriter.

Yes, she’s going places.
She wrote on her Facebook page thanking me for giving her a chance and it made me feel good that I could help somebody. That’s the story. … I’m gonna try to continue to have live music daily. Saturdays and Sundays from 1 o’clock on and weekdays from 6 o’clock on at night. During this time, the musicians, great local artists that I’ve had, were sitting in their house not doing something. I called Jonny Friday up, I said listen, I’m gonna help you guys out. Why don’t you come down and use the stage, we’ll put it on Facebook, and that’s what I did during the closure. I tried to make them some money, and I donated money to them while they were performing. Trying to keep it going.

Tipping will probably be Venmo and PayPal for live musicians?
I told Amanda she could do whatever she wants. My concern is to keep the local scene going. … I’m trying to involve everybody. I put a Facebook post on for all the local musicians that want to play. I’m getting a lot of local talent, and outside talent, who say they really want to play.

More than pottery

Sam Claflin must save his sister’s wedding while trying to win over a woman he’s been pining for in Love Wedding Repeat, a movie with a cute concept that it doesn’t quite see through.

By Angie Sykeny
[email protected]

Anyone who enjoys working with clay will find daily inspiration in The Voice of Clay: 365 Quotes About Clay, the latest book from Wendy Walter, owner of The Voice of Clay, a pottery studio, shop, clay-based spa and holistic therapy center based at her home in Brookline.
All 365 quotes in The Voice of Clay include the word “clay,” used in either a literal or a metaphorical sense. The book explores how clay is used in a diverse array of disciplines, including art, cooking, gardening, science and holistic health, and includes photographs of clay in various forms.
“Clay is so much more than what potters use to make pots,” Walter said. “It’s incredible how versatile and powerful this material is.”
The quotes are grouped in five chapters — “Earth,” “Air,” “Fire,” “Water” and “Ether” — named after the five primary elements of nature, all of which are essential to working with clay, Walter said.
“A piece of clay comes from the earth and is hydrated with water,” she said. “We make it dry from the air, then fire it in a kiln, and the ether [represents] the creative quality of the potter.”
Walter said “Water” quotes either reference water or are “more emotional and soul-connected;” “Earth” quotes reference the earth and are “sort of informative;” “Air” quotes are “science-based” and related to “thinking, processing and analyzing;” “Fire” quotes reference the kiln and firing process of pottery or other kinds of “transformation, magic, energy, spirit and the nature of change;” and “Ether” quotes express the qualities of space, which holds all of the other elements, and “creative potential and pure intelligence.”
“My favorite chapter is the ‘Ether’ chapter,” she said. “I love the [quotes] that talk about us as cosmic human beings and point towards our universal essence.”
For years Walter kept a binder full of her favorite quotes from her own collection of books about clay. The idea of publishing a compilation of the quotes had been “brewing for a long time,” she said.
When she finally decided to go through with the book, she started buying more books about clay, looking for books about clay at local libraries and researching clay online to find more quotes.
“I’ve always been interested in reading about the many different perspectives that people have on using clay,” she said.
Each chapter has a brief introduction in which Walter explains what the quotes in that chapter mean to her on a personal level and how readers can find meaning in the quotes and apply them to their own lives.
“The quotes don’t just provide information about clay,” Walter said. “There is a self-help element to them as well. They are meant to help people take a look at themselves and their own personal growth.”
Walter started making pottery in high school.
“I immediately got addicted to working with clay, and by the time I graduated I knew I would be a potter,” she said.
She went on to receive a bachelor’s degree in music and English, with a concentration in poetry. After getting married, having two children, and getting a divorce, she decided it was “time to commit to being a potter,” she said. She started making pottery at home and selling her work.
Later, she became interested in uses for clay outside of pottery. She enrolled in an esthetics program and studied the detoxifying, beautifying and healing properties of clay for the body. Additionally, she earned a master’s degree in transpersonal psychology — a subset of psychology that integrates altered states of consciousness, intuition, meditation, dreams, breathwork and hypnosis — and a certification in breathwork.
Through her business, The Voice of Clay, Walter creates and sells her own pottery and teaches a variety of pottery classes for kids and adults. She also offers holistic wellness coaching, classes and therapy sessions and provides a number of clay-based services and treatments in her licensed one-room spa, such as facials, skin masks and foot baths.
In 2018 Walter published her first book, Being Pickity, which tells the story of Pickity Place, the historic property in Mason where she grew up.
She has two more books in the works. One, which she hopes to publish by the end of the year, is a clay cookbook.
“There are a lot of different ways to cook with clay,” she said. “You can cook or bake in clay pots; you can wrap food in a layer of clay when you cook or bake it, which helps to keep [the food] moist and keep all of its flavor; and there’s even edible clay, which most people don’t realize is a thing.”
The other book, which will likely be released in 2022, is a children’s picture book about a gnome who discovers the magic of clay. The book will be illustrated with photographs of felted scenes created by a felt artist.
“It’s just an idea that came to me,” Walter said. “I’d like to teach the younger generation about all the possibilities of clay and different ways to think about clay through stories and myth.”

The Voice of Clay: 365 Quotes About Clay
Paperback available on Amazon. Order the book through Wendy Walter’s website to receive a signed copy. Visit voiceofclay.com/books-by-wendy-walter-1.

Education Funding

Stuff about things.

In 1999, the New Hampshire Supreme Court declared the state’s tax system to fund education ”unconstitutional” and gave the legislature a short window to come up with a plan to fix it. The legislature, reluctantly, picked a State Wide Education Property Tax (SWEPT) to address the Claremont Education Funding Lawsuit. The original formula passed by the legislature had a $6.60 SWEPT rate, which brought huge relief to about 80 percent of property owners while raising taxes on the property-richest communities who were/are paying the lowest tax rates in New Hampshire.
But the property-richest towns were not happy with the new formula and hired attorneys to come up with a plan. Their lawyers came up with a clever scheme called “donor towns” and many people bought into it, including many legislators.
So the formula was redone at a lower rate with a cap on how much money SWEPT could raise. Anyone with decent math/spatial reasoning skills could see that this new formula was wholly beneficial to the property-rich/lowest-tax-rate communities, designed to continuously reduce the tax rate and bring us back to the disparities that initially caused the Claremont lawsuit. Shame on New Hampshire for not having the intellectual horsepower and mathematical skills to see that this was a scam. The future was easy to see and is now here. Since the change was made, property-poorer cities and towns all over the state have been cheated out of hundreds of millions of dollars in revenue that had a Supreme Court decision to back it up.
Today, the lawsuits are coming back. The Conval district has already filed and is in the courts. More lawsuits are likely to come. We would not have been in this position had the legislature done the right thing and not kowtowed to the property-richest communities. You see, while they only represent about 20 to 25 percent of our citizens, they have a disproportionate percentage of the political clout among their residents.
So, with education funding once again in the courts, is there a case to be made that the monies lost by the property-poor communities over the years by the redone and unconstitutional formula be owed to the property-poorer communities? Manchester alone would likely be owed over $100 million. To be clear, if this were a lawsuit between two companies, those lost funds would be on the table.
Fred Bramante is a past chairman and member of the New Hampshire State Board of Education. He speaks and consults on education redesign to regional, state and national organizations.

Film reviews by Amy 1

Sam Claflin must save his sister’s wedding while trying to win over a woman he’s been pining for in Love Wedding Repeat, a movie with a cute concept that it doesn’t quite see through.

Love Wedding Repeat (TV-MA)
Sam Claflin must save his sister’s wedding while trying to win over a woman he’s been pining for in Love Wedding Repeat, a movie with a cute concept that it doesn’t quite see through.
British Hayley (Eleanor Tomlinson) is marrying Italian Roberto (Tiziano Caputo) in Italy in a wedding whose guests are mostly his friends and family. Thus, there is an “English table” featuring Hayley’s brother Jack (Claflin), her friend Dina (Olivia Munn), Jack’s mean ex Amanda (Frieda Pinto) for some reason, Amanda’s insecure boyfriend Chaz (Allan Mustafa), awkward Sidney (Tim Key), Hayley’s Man of Honor Bryan (Joel Fry), the pushy Rebecca (Aisling Bea) and, though not invited, Marc (Jack Farthing), a coked-up former boyfriend of Hayley’s.
Marc threatens to cause a scene so Hayley gives Jack a powerful sleeping drug to slip into his drink and knock him out. But Jack doesn’t realize until it’s too late that the place settings have been moved around and the drug meant for Marc has gone to Bryan, an actor looking to impress a director who is one of the guests. Jack meanwhile is busy trying to connect with Dina, a woman he spent a day with three years earlier but has never stopped thinking about. And when he’s not trying to win over Dina, he’s trying to stay out of the horrible relationship between Amanda and Chaz.
We see the ripple effects of the errant sleeping drug mistake play out in the fortunes of all the English guests and Hayley and Roberto, culminating in what might be Hayley’s impending widowhood. But, a narrator tells us, there are thousands of ways eight people can sit around a table, suggesting that there are endless alternate ways the story of Hayley’s wedding could play out.
That idea is a cute conceit to build a featherlight romantic comedy on. But Love Wedding Repeat really only gives us two iterations — the first disastrous one and then the final one (we see sped-up snippets of alternate iterations in a very quick montage). More variations, even short ones, might have given us more insight to the characters and thus more payoff in the final version of the wedding. Also, I think getting through some of those first-wedding scenes quicker would have just generally been better; the jokes often go on much longer than needed.
Love Wedding Repeat is occasionally funny, occasionally sweet and watchable largely because of the natural charm of its central cast, specifically Tomlinson (who I know from Poldark), Claflin, Munn and Fry (who I sort of remember from a small part in Yesterday). C+
Rated TV-MA for language, according to Netflix. Written and directed by Dean Craig (based on the screenplay of a movie called Plan de table), Love Wedding Repeat is an hour and 40 minutes long and is available via Netflix.

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