News & Notes 24/08/29

Statue unveiling

The Christa McAuliffe State House Memorial Commission announced that the unveiling of the Christa McAuliffe statue will be held on Monday, Sept. 2, at 10 a.m. Members of the public are encouraged to attend.

In a statement, Gov. Chris Sununu said, “The unveiling of this statue — the first woman to be memorialized on Statehouse grounds — will be a historic moment for the State of New Hampshire. We hope the whole community will come out for this event!”

Gov. Sununu signed Executive Order 2023-02, which established the Christa McAuliffe State House Memorial Commission, on Feb. 14, 2023, according to the press release. Benjamin Victor was selected by the committee to design the memorial. At the age of 26 Victor became the youngest artist ever to have a sculpture placed in the National Statuary Hall in the United States Capitol, and he achieved the distinction this year of becoming the only living artist to have four sculptures on display in Statuary Hall, according to the same release.

Updated NHDOT website

The New Hampshire Department of Transportation (NHDOT) announced the launch of an electronic permit system for driveway permits, right of way activities (formerly excavation and encroachment permits), special events (formerly parade permits) and Sponsor a Highway permits through the New Hampshire Permit Portal.

This initiative is part of an overarching statewide e-permitting system development effort to enhance customer service for Granite Staters interacting with state departments and agencies, according to the release.

The New Hampshire Permit Portal will replace paper applications for all applicants and started on Wednesday, Aug. 21, although paper applications will continue to be accepted through Monday, Sept. 16, according to the release.

The portal will allow applicants real-time insight on the status of their applications, improved transparency, and improved communication with the department, according to the release.

One feature of the new website is that you can request a business account, versus an individual account, according to the press release. A business account allows multiple users within the business to be connected, allowing all users the ability to view, access and interact with the account’s applications, and business accounts will also allow for self-management of account users through an account administrator; NHDOT is encouraging businesses to sign up for this function on initial registration.

Visit dot.nh.gov/services/permits.

Data Privacy Unit

Attorney General John M. Formella announced the creation of a new Data Privacy Unit (the “Unit”) to be housed within the Consumer Protection and Antitrust Bureau of the New Hampshire Attorney General’s Office, with the Unit primarily responsible with enforcing compliance with RSA 507-H, the “New Hampshire Data Privacy Act.”

In a statement, Attorney General Formella said, “Ensuring accountability, transparency, and consumer choice regarding how companies handle and monetize the personal data of their customers is a priority of my office. For too long companies have earned unfathomable profits by harvesting the personal data of its users without providing a meaningful opportunity for consumers to make informed choices about how their data is or is not used. We thank the Governor and Legislature for providing us with these additional resources and we look forward to putting these new enforcement capabilities to work to protect the personal data of New Hampshire consumers.”

The Unit will be tasked with developing a series of FAQs that will assist consumers and businesses in understanding their rights and responsibilities once the Act becomes effective, according to the press release.

Beginning on Jan. 1, 2025, “the New Hampshire Data Privacy Act will create a substantial new set of consumer rights for Granite Staters whose personal data is controlled and processed by businesses that engage in trade or commerce in New Hampshire,” according to the release.

New Hampshire consumers will have the right to: confirm whether or not a business is controlling or processing their personal data; correct any inaccuracies in their personal data being processed by businesses; demand the deletion of personal data obtained from or about them; obtain a copy of their personal data being controlled or processed by the business in a portable, and readable format; and opt out of the future processing of their personal data for purposes of targeted advertising, the sale of personal data, or profiling, according to the press release.

The New Hampshire Data Privacy Act provides significant penalties for covered businesses that fail to comply with the consumer rights identified above, and the attorney general has the ability to seek civil penalties of up to $10,000 for each violation of the act. The attorney general can also seek criminal penalties if there is sufficient evidence that a business is purposely failing to comply with the requirements of the Act.

Attorney General Formella is currently accepting applications for an Assistant Attorney General position within the Unit and interested candidates should submit a resume and cover letter to Chief of Staff Sean Gill at [email protected].

The 2xtreme Monster Trucks Live Show happens at the Hopkinton State Fair on Thursday, Aug. 29, and Friday, Aug. 30, at 7 p.m. and Saturday, Aug. 31, at 11 a.m. It will include two-time Monster Jam world champion Bounty Hunter, queen of monster trucks Scarlet Bandit, and Shark Bite, and will introduce the Roaring Rex Dinosaur Monster Truck. Tickets are $24. Visit hsfair.org/monster-truck.

The New Hampshire Fisher Cats begin a six-game home series at Manchester’s Delta Dental Stadium (1 Line Drive) against the Portland Sea Dogs on Tuesday, Sept. 3, at 6:35 p.m. Visit milb.com/new-hampshire.

Jazz on the Patio at Nashua’s Spyglass Brewing Co. (306 Innovative Way) features Alex Minasian on piano, Marshall Wood on bass and Les Harris Jr. on drums on Sunday, Sept. 1, from 2 to 5 p.m. Minasian has played at many of the country’s most famous jazz rooms and has shared the stage with the likes of Questlove, Clark Terry and Hugh Masekela.

Summer of bunnies — 8/22/2024

Do you suddenly feel like there are oodles of bunnies? What’s up with chipmunks and squirrels? How about coyotes and bobcats? In this week’s cover story, Zachary Lewis gets an update on several common New Hampshire animals.

Also on the cover, Zachary also brings you all the details of Saturday’s Monster Hunt, an annual search for tiny works of art in downtown Manchester (page 14). John Fladd fills you in with all the details on two big food festivals this weekend: Assumption Greek Orthodox Church’s annual Greekfest in Manchester (page 22). and the Gate City Brewfest in Nashua (page 23).

Read the e-edition

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The truth about ‘Free Bird’

Skynyrd and ZZ Top hit Gilford

The canon of classic rock has two songs on its Mount Rushmore. How to fill out all four spots is an endless discussion. “Johnny B. Goode”? “Hotel California”? Every track on Dark Side of the Moon? Forget it, there will never be consensus. However, to question the placement of “Stairway to Heaven” or “Free Bird” would be so lame.

The Lynyrd Skynyrd song’s been shouted out at cover bands and more than a few headliners over the years. Jason Isbell may someday even perform it — he and his band played its wild tradeoff jam outro every night during rehearsals for their Weathervanes tour a few years back.

Fun fact, though: The song that most fans know by heart almost never was. More precisely, it began very differently, and became timeless almost by accident. At least that’s the story Johnny Van Zant told in a recent phone interview. Since he’s the younger brother of the guy who wrote it, Ronnie Van Zant, there’s reason to believe him.

The original demo of “Free Bird” was a four-minute ballad. “It’s one of the few love songs that Skynyrd had,” Van Zant said. “Duane Allman had died during that time, and one night when Ronnie had a sore throat, he said, ‘Hey, man, let’s do the song ‘Free Bird’ and then at the end, y’all play out for Duane Allman.’ That’s how that baby was born.”

During concerts in the mid-’70s, Ronnie would dedicate the song to Allman and Berry Oakley, the Allman Brothers Band bassist who died a year after Duane. Then in October 1977, a tragic plane crash killed Van Zant, guitarist Steve Gaines and backup singer Cassie Gaines, along with the band’s assistant road manager. The plane’s pilot and co-pilot also perished.

Six members survived the crash, and in 1980 four of them reunited — Allen Collins, Gary Rossington, Leon Wilkeson and Billy Powell — as the Rossington Collins Band. With a female lead singer, Dale Krantz, it wasn’t a Skynyrd revival. They made two albums before breaking up.

A full-scale tour with five members of the original band –—Rossington, Powell, Wilkeson, Artimus Pyle and Ed King, who’d left two years before the crash — happened in 1987. That’s when Johnny joined, and he’s been carrying Ronnie’s torch ever since. Early on, however, he wouldn’t sing “Free Bird,” letting the band play an instrumental version instead.

The group embarked on what was to be a final run in 2018, but fate had other ideas. The pandemic turned a Farewell Tour into “farewell touring,” and when live music resumed, the mood had changed for Van Zant, Rossington and guitarist Rickey Medlocke, who’d left Skynyrd before their first album to form Blackfoot, rejoining in 1996. Recalled Johnny, “Gary was like, ‘Man, I’ve been off for 15 months, I don’t want to freaking retire. I want the music to continue.”

Sadly, Rossington passed away last year, leaving Van Zant and Medlocke to carry on. “We’re never without him, I believe that in my heart,” Van Zant said, adding a statement also true for his brother and other fallen band members. “I know this is what he would want us to be doing. Every time I get a little tired, I feel a kick in my ass. I know it’s him.”

“Free Bird” helped launch Southern rock, though at the time, Skynyrd was one of many bands playing it. At an upcoming appearance in Gilford, they’ll be joined by two of them, ZZ Top, who brought Texas boogie to the world, and the Outlaws, best-known for their hit “Green Grass and High Tides.”

Asked what distinguishes the genre from regular rock music, Van Zant had a few ideas.

“I think it was the blues country factor, the English influence, and if you listen to a band like Marshall Tucker, hell, it’s got jazz in it,” he said. “The boys were raised on that old blues stuff, and then, of course, The Beatles came along … but it could have been in the water or eating collard greens. I don’t know what the heck it was.”

Lynyrd Skynyrd, ZZ Top, The Outlaws
When: Friday, Aug. 23, 6:30 p.m.
Where: BankNH Pavilion, 61 Meadowbrook Lane, Gilford
Tickets: $54 and up at livenation.com

Johnny Van Zant and Ricky Medlocke will sign bottles of their Hell House Whiskey from noon to 2 p.m. Aug. 23 at New Hampshire Liquor & Wine Outlet Store No. 56, 18 Weirs Road, Gilford

Featured photo: L-R Ricky Medlocke, Johnny Van Zant of Lynyrd Skynyrd (Courtesy Photo).

The Music Roundup 24/08/22

Local music news & events

Green scene: Enjoy two days of traditional music in two venues at the New Hampshire Irish Festival, with free shows in the Spotlight Room (book online) including local faves Marty Quirk and Black Pudding Rovers and then main stage sets from Derek Warfield & the Young Wolfe Tones, Ronan Tynan, the Spain Brothers, Screaming Orphans and Seamus Kennedy. Friday, Aug. 23, 5 p.m. and Saturday, Aug. 24, 3 p.m., Palace Theatre, 80 Hanover St., Manchester, $49 and up at palacetheatre.org.

Bee cool: Art and activism combine at the second annual Wildflower Festival. Cat Wolf plays solo during an arts market that runs from 11 a.m. to 5 p.m. and includes food and local creators, followed at 6 p.m. by sets from Winkler, Sneaky Miles and Rigometrics. The event is an environmental awareness fundraiser with the goal to build pollinator gardens and bee hotels around Milford. Saturday, Aug. 24, 11 a.m., Keyes Field, 45 Elm S., Milford, $20 at eventbrite.com.

Close harmony: Maybe the only bluegrass band to play the Macy’s Thanksgiving Day Parade, Mipso recalls Americana trailblazers Gram Parsons and Harvest-era Neil Young while keeping company with contemporaries like Nickel Creek and Milk Carton Kids. Their interplay is superb, but it’s their harmonies that grab — smooth as honey-sweetened butter stirred with a cinnamon stick. Thursday Aug. 22, 8 p.m., 3S Artspace, 319 Vaughan St., Portsmouth, $20 and up at 3sarts.org.

Bloodlines: The progeny of proto-classic rock supergroup drive Sons of Cream. Kofi Baker and Malcolm Bruce, along with a grandnephew of Ginger Baker, aren’t a tribute act, though they faithfully recall the band. Sunday, Aug. 25, 7 p.m., Nashua Center for the Arts, 201 Main St., Nashua, $29 and up at etix.com.

Highway stars: It’s been more than 50 years since Deep Purple released its career-defining Machine Head, and the opening riff of “Smoke on the Water” still rings in space. Ian Gillan, who sang on the album, is still in the band, as are drummer Ian Paice and bass player Roger Glover. Fellow Rock and Roll Hall of Famers Yes open the show; guitarist Steve Howe is their only original member. Wednesday, Aug. 28, 6:30 p.m., BankNH Pavilion, 61 Meadowbrook Lane, Gilford, $41 and up at livenation.com.

Alien: Romulus (R)

A rag-tag group of humans is no match for a ship full of previously dormant aliens in Alien: Romulus.

Rain (Cailee Spaeny) and Andy (David Jonsson), her android “brother” that her father programmed, are desperate to get off their dark and dreary mining colony and head to a sunny new terraformed human outpost elsewhere. But Wyland-Yutani Corporation, the evil company that runs everything, has reset the number of hours required for a trip to a better life and now Rain has to wait five to six more years.

But! A group of Rain’s friends and hostile acquaintances have spotted a derelict ship floating above the planet. They believe the ship has the cryopods and the power to get them to the sunny green outpost, if only they can steal those things. For that, they need Andy, whose androidness will help them use the ship’s computers to find what they need.

Rain is reluctant at first but decides to participate in this one shot at a better life, joining up with friendly guy Tyler (Archie Renaux), jerky guy Bjorn (Spike Fearn), Tyler’s sister Kay (Isabela Merced) and pilot Navarro (Aileen Wu). They travel to the ship in a plucky little space craft only to discover that’s no moon, it’s a space station — the “ship” is a two-part Wyland station with sides named Romulus and Remus. As a landing party starts to go through the ship, they realize it’s not so much “decommissioned” as they thought but abandoned. Because they don’t know they’re in an Alien franchise movie, they go poking around in the dark — first looking for cryopods and then looking for extra power for the crypods, not paying attention to the general creepiness until, in one flooded room, Bjorn thinks he sees Something In The Water.

The movie plays all the hits when it comes to the Alien aliens — we get the big one with the creepy drippy teeth, the whack-a-mole-ish chest popper, the face sucker. And we get some not bad imagery either — people in a small shaft of light surrounded by darkness, the ship rising up off the stormy planet to the sunlight space, red or blue lights for no particular reason other than giving the scene an extra creepiness boost. I also appreciated the general griminess of this movie — this is not a Star Trek-ian sanitized space but a “corporations are jerks who exploit the working class” scuffed up version of a space future.

But these elements are kind of it in terms of what makes this movie any different than your standard college-student (the rough age of everyone here) slasher fare. Replace “empty space station” with “college campus at the start of a holiday weekend” and “cryopods” with “booze in the dean’s office” and you’ve basically got the same movie.

The androidness of Andy gets a subplot — Rain treats him like a sweet kid brother but he turns into a hypercompetent calculating, somewhat malignant presence after an attempt to give him a security codes upgrade also programs him with a whole new prime directive. Their relationship gives Rain something more to care about than just not getting skewered by an Alien tail, but it doesn’t push the movie beyond the horror standard — the Rain/Andy relationship isn’t all that different from the big sister/little sister duo at the center of the recent Scream movies for example.

Alien: Romulus is ultimately not substantial enough to deliver on the promise of its above-average visuals and its remaining franchise cred. C+

Rated R for bloody violent content and language, according to the MPA on filmratings.com. Directed by Fede Alvarez and written by Fede Alvarez and Rodo Sayagues, Alien: Romulus is an hour and 59 minutes long and is distributed in theaters by 20th Century Studios.

Featured photo: Alien: Romulus.

The Midnight Feast, by Lucy Foley

The Midnight Feast, by Lucy Foley (William Morrow, 350 pages)

The jacket of Lucy Foley’s The Midnight Feast promises a “deliciously twisty murder mystery,” which is more a nod to the title than a description of the book itself.

Foley, a British author who has been compared to Agatha Christie, has enjoyed success in the genre (her 2020 book The Guest List was a Reese’s Book Club pick) despite a parade of cookie-cutter covers that may be all the rage but to me suggests that the content within lacks originality.

That can’t be said of The Midnight Feast, which is complexly plotted and tries at times to deliver cultural commentary within the core mystery. But the novel suffers from an unsatisfying pileup of perspectives that prevents readers from developing any real connection with the characters.

The Midnight Feast begins at the gala opening of an opulent resort called “The Manor,” which overlooks a cliff on the Dorset Coast in southern England. The owner, Francesca Meadows, is a wealthy wellness influencer of sorts reminiscent of Gwyneth Paltrow, and is determined to give her guests a goopy good time despite the objection of locals who believe her dream estate has desecrated sacred ground.

Francesca, “very good at living in the now,” wears a black opal ring because the stone signifies “purification for the body and soul” and “provides you with a shield against energy.” She’s very much into crystals. Every room at The Manor has a selection of stones in it for the guests’ well-being and sticks of sage to burn “for cleansing.” The place has signature scents and a signature cocktail whose ingredients include ginger, vodka and a dash of CBD oil. The guests themselves are “carefully curated” to keep out the wrong kind of people.

Francesca, newly married to the architect who designed The Manor’s infinity pool, is introduced as something of a dopey villain. Disdainful of the locals and their spooky folk tales, she is scheming to acquire an old farm down the road where “the animals look sad, like they’re begging for a better life. They honestly do!”

She inherited the property from her grandmother, and she had treated her grandfather poorly in his last years of life, thinking that he was simply daft when he warned her repeatedly, “You must keep the birds happy; don’t upset the birds.”

The birds, of course, aren’t literal birds in this context, although there are plenty of them in the story, which is heavy-handed with the bird imagery. According to local legend, The Birds are human-size creatures with beaked faces that occupy the woods and demand sacrifices and on occasion take a life for themselves, leaving behind a feather or two.

Snippets of this are revealed as the story unfolds in staccato, told by five narrators interspersed with excerpts from the diary of one of the characters, and yes, this is just confusing as it sounds. In fact it’s more confusing than it sounds because the story also jumps around in time, from June 2025 to July 2010, and back and forth between the day before the solstice (i.e. the titular “midnight feast”) and the day after it. There’s so much whiplash here that the book could be a ride at the Big E.

The narrators include Bella, a single mother who has come alone to opening weekend for reasons that we learn right away are Very Mysterious, since she has brought with her a folder of articles about Francesca.

There’s also Eddie, a young employee at The Manor, whose family owns the dilapidated farm down the road and who is hiding from his family the fact that he works here. There’s Owen, Francesca’s new husband, who doesn’t seem to be a very happy newlywed; and a DI (detective inspector) named Walker who is tasked with investigating a fire and mysterious deaths at the property. Along with Francesca, they all take turns narrating what’s happening in real time and revealing snippets of the past that connect them to each other and to the land.

Although the language is simple (too much so, one might say) and the chapters short, the constant change of perspective is wearisome and diminishes character development. Also, for a book that is heralded for its plot twists, alert readers can see many of them coming, and there is nothing revealed at the end that will leave us mulling the story in disbelief for days afterward. More likely, the ending is likely to result in a feeling of relief — we’re glad things are resolved so we can move on to a more compelling book.

On the plus side, for a murder mystery, there is very little gore involved, and only a couple of scenes that might be problematic for PETA.

Credit the author for managing to neatly tie up all the loose ends at the close of the novel; she had a destination in mind and gets us there eventually. No doubt some people will consider her a mastermind for navigating such a complicated plot, but it comes at the expense of the reader. C

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